The Werewolf in Medieval Romance (The New Middle Ages)
The Werewolf in Medieval Romance (The New Middle Ages) by Renée Ward
English | September 26, 2025 | ISBN: 113749624X | 381 pages | EPUB, PDF (True) | 12 Mb
English | September 26, 2025 | ISBN: 113749624X | 381 pages | EPUB, PDF (True) | 12 Mb
The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf’s identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf’s identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf’s identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown.
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