Classical Mythology (Audiobook - TTC) (Repost)

From Athena to Zeus, the characters and stories of classical mythology have been both unforgettable and profoundly influential. They have inspired and shaped everything from great art and literature, to our notions of sexuality and gender roles, to the themes of popular films and TV shows. Classical Mythology is an introduction to the primary characters and most important stories of classical Greek and Roman mythology. Among those you will study are the accounts of the creation of the world in Hesiod's Theogony and Ovid's Metamorphoses; the gods Zeus, Apollo, Demeter, Persephone, Hermes, Dionysos, and Aphrodite; the Greek Heroes, Theseus and Heracles (Hercules in the Roman version); and the most famous of all classical myths, the Trojan War. Professor Elizabeth Vandiver anchors her presentation in some basics. What is a myth? Which societies use myths? What are some of the problems inherent in studying classical mythology? She also discusses the most influential 19th- and 20th-century thinking about myth's nature and function, including the psychological theories of Freud and Jung and the metaphysical approach of Joseph Campbell. You consider the relationship between mythology and culture. What are the implications of the myth of Demeter, Persephone, and Hades—as recounted in the Homeric Hymn to Demeter—for the Greek view of life and death, marriage and gender roles? What are the origins of classical mythology? Professor Vandiver examines similarities between the Theogony and Mesopotamian creation myths and considers the possible influences that the prehistoric Greek cultures, the Minoans and Mycenaeans, may have had on classical mythology. She also cautions you about the dangers of probing for distant origins. For example, there is little evidence, as many today believe, that a prehistoric "mother goddess" lies at the heart of mythology. This notion may simply be wishful thinking—a modern myth about ancient myth. In addition, Professor Vandiver explores the challenges we face in studying mythology—which is rooted in oral tradition and pre-literate society—through the literary works that recount them. How do we disentangle the original myth from its portrayal in Aeschylus's The Oresteia, or Sophocles's Oedipus the King? The more renowned the author, the more difficult this task becomes.