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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    There's a Body in the Window Seat!

    Posted By: readerXXI
    There's a Body in the Window Seat!

    There's a Body in the Window Seat!
    by Charles Dennis
    English | 2022 | ISBN: 1493067850 | 168 Pages | AZW3 | 2 MB

    There’s a Body in the Window Seat! is a detailed history of one of the most beloved American murder-mysteries and comedies, Arsenic and Old Lace. Actor, director, and playwright Charles Dennis investigates the mystery behind the play: how did a true-life crime in Connecticut turn into a comedy? And who are the real writers that deserve credit for its long-lasting success?

    Dennis brings an insider’s view to Joseph Kesselring’s attempts to write Arsenic and Old Lace and how producers had to step in to save the play from his heavy hand. He also follows the actors, both on the stage and on the screen, as they handle the demands of the roles and behind-the-scenes relationships. Why didn’t Boris Karloff recreate his stage role, even though Jean Adair and John Alexander did? Why did Cary Grant hate his performance in Arsenic—was it because Frank Capra deceived him or because of costume designer Orry Kelly? And why did the movie never receive Academy Award consideration?

    Learn the answers to these intriguing questions and more in There’s a Body in the Window Seat!