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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Fictional Names: A Critical Study of Some Theories Not Committed to the Existence of Fictional Entities

    Posted By: arundhati
    Fictional Names: A Critical Study of Some Theories Not Committed to the Existence of Fictional Entities

    Angelo Napolano, "Fictional Names: A Critical Study of Some Theories Not Committed to the Existence of Fictional Entities"
    English | ISBN: 1443859737 | 2014 | 130 pages | PDF | 449 KB

    If it is true that when we use a name, it must be the name of something, what is it that we name when we use terms such as Sherlock Holmes, Odysseus, and many of the same type? What is it we are addressing and how do the referential relations work assuming that we are thinking or talking about something when we use these terms? Otherwise, if we are speaking about nothing when we use a fictional name, how do we understand the linguistic process which gives us the impression of speaking about something? This book develops a critical study of some theories which deny any ontological existence to fictional characters. It provides an analysis of the contribution of these terms to the meaning of the sentences in which they are used and on the structure of thoughts adopted in assertions about fictional characters.