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    The Handmade Silver Gelatin Emulsion Print: Creating Your Own Liquid Emulsions for Black & White Paper

    Posted By: IrGens
    The Handmade Silver Gelatin Emulsion Print: Creating Your Own Liquid Emulsions for Black & White Paper

    The Handmade Silver Gelatin Emulsion Print: Creating Your Own Liquid Emulsions for Black & White Paper (Contemporary Practices in Alternative Process Photography) by Denise Ross
    English | December 13, 2018 | ISBN: 0815349904, 0815349912 | EPUB/PDF | 314 pages | 46.3/54.2 MB

    The Handmade Silver Gelatin Emulsion Print is a cookbook of simple, basic recipes for making black and white printing paper and paper negatives, along with creative options for printing, toning, and coloring. Author Denise Ross draws from photographic literature from the last 135 years, adapting old recipes to fit modern tools, materials, and work spaces and modern twists have been applied to traditional techniques.

    The book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists.

    The book features over 200 full-color images and covers key topics including:

    Vocabulary: a list of terms used by traditional photographers and emulsion makers
    Creating work spaces with the right tools and materials
    Basic emulsion chemistry and paper coating techniques
    Working with various negative options, analog and digital
    Gaslight chloride contact printing paper
    Kodabromide-type chlorobromide all-purpose paper
    Bromide enlarging paper
    Warm tone paper and developers
    Making and toning your own printing-out paper (POP)
    Matte surface and baryta coating surface paper
    Paper negatives and making hand-drawn and digital masks
    Toning handmade paper
    Gum printing over handmade paper
    Troubleshooting handmade paper
    Artists working with handmade paper

    The Handmade Silver Gelatin Emulsion Print is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for the beginner to experienced photographer, with processes initially explained in such a way that anyone will feel comfortable getting started, as well as information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one.