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    3. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art

    The Persistence of Dance: Choreography as Concept and Material in Contemporary Art

    Posted By: arundhati
    Date: 6 Jun 2024 07:23:51
    The Persistence of Dance: Choreography as Concept and Material in Contemporary Art

    Erin Brannigan, "The Persistence of Dance: Choreography as Concept and Material in Contemporary Art"
    English | ISBN: 0472076485 | 2023 | 374 pages | EPUB | 1301 KB

    There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance.

    The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau,
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