Tags
Language
Tags
December 2024
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31 1 2 3 4

Claire Martin - Perfect Alibi (2000) [Reissue 2008] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Posted By: HDAtall
Claire Martin - Perfect Alibi (2000) [Reissue 2008] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Claire Martin - Perfect Alibi (2000) [Reissue 2008]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 48:08 minutes | Basic Scans included | 2,89 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Basic Scans included | 1,24 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Basic Scans included | 1,05 GB
Features Stereo & Multichannel Surround Sound | Linn Records # AKD 316

Perfect Alibi is a diverse mix of modern classics, featuring special guest John Martyn. Presenting an extensive variety of songs that demonstrate Claire's stunning vocal talents, Perfect Alibi includes tracks written by Phoebe Snow, Todd Rundgren, Jimi Hendrix, Laura Nyro, Julia Fordham and John Martyn. This album saw Claire Martin lead the jazz world into pop-crossover territory before Norah Jones and Madeleine Peyroux made this style an accepted genre featuring Jimi Hendrix's 'Up From The Skies', the Stylistics' 'People Make The World Go Round', Donny Hathaway's 'More Than You'll Ever Know', and Laura Nyro's 'He's A Runner'.

With 1998's Take My Heart, Claire Martin made the transition from jazz to pop, and the British singer continues in a pop-oriented direction on Perfect Alibi. Even if you have a very liberal definition of jazz, this late-1999/early-2000 recording shouldn't be considered jazz; Perfect Alibi is a pop album, although it's a pop album with jazz, R&B, and rock references. Not surprisingly, many of England's jazz enthusiasts are critical of Martin's pop albums, she was among the most exciting and interesting young jazz vocalists of the 1990s, and they were sorry to see a talented improviser steering clear of improvisation. But from a pop standpoint, Perfect Alibi has a lot going for it. Martin doesn't improvise on this album, although her performances of Jimi Hendrix's "Up From the Skies," the Rascals' "How Can I Be Sure?," and other rock and pop songs do have a personal quality. The jazz-oriented Martin of The Waiting Game and Old Boyfriends would have found a way to turn the Stylistics' "People Make the World Go Round," Al Kooper's "More Than You'll Ever Know," and Todd Rundgren's "Wailing Wall" into improvisatory cool jazz. The pop-oriented Martin of Perfect Alibi, however, personalizes those familiar songs without getting into improvisation. As far as Martin's pop output goes, Take My Heart is a slightly stronger album. But Perfect Alibi is generally likable, although the jazz lovers of 1999 and 2000 hoped that she would get back to recording jazz.

Tracklist:

01. How Can I Be Sure?
02. Man In The Station (with John Martyn)
03. Up From The Skies
04. Inspired Insanity
05. People Make The World Go Round
06. Shadowville
07. Strangers Now
08. More Than You'll Ever Know
09. Over By Allenby
10. More Than I Can Bear
11. He's A Runner
12. Wailing Wall

Recorded 10 & 20 November 1999, 8-11 January & 6-9 February 2000 at The Dairy
and November 1999 - February 2000 at Static Studios.

foobar2000 1.6.8 / Dynamic Range Meter 1.1.1

––––––––––––––––––––––––––––––––––––––––
Analyzed: Claire Martin / Perfect Alibi
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.72 dB -24.11 dB 2:45 01-How can I be sure?
DR12 -6.96 dB -24.41 dB 3:48 02-Man in the Station
DR13 -8.27 dB -27.64 dB 3:58 03-Up from the skies
DR12 -11.42 dB -28.59 dB 3:56 04-Inspired insanity
DR13 -8.00 dB -25.69 dB 4:03 05-People make the world go round
DR11 -11.50 dB -27.98 dB 3:05 06-Shadowville
DR13 -8.27 dB -26.65 dB 4:31 07-Strangers now
DR13 -7.44 dB -26.65 dB 7:58 08-More than you'll ever know
DR12 -7.60 dB -24.92 dB 3:11 09-Over by Allenby
DR12 -10.52 dB -28.36 dB 3:49 10-More than I can bear
DR14 -9.29 dB -28.18 dB 3:31 11-He's a runner
DR11 -14.47 dB -30.50 dB 3:33 12-Wailing wall
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 6
Bits per sample: 1
Bitrate: 16934 kbps
Codec: DST64
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Claire Martin / Perfect Alibi
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.99 dB -19.62 dB 2:45 01-How can I be sure?
DR12 -5.87 dB -19.22 dB 3:48 02-Man in the Station
DR13 -6.02 dB -22.21 dB 3:58 03-Up from the skies
DR12 -8.92 dB -23.35 dB 3:56 04-Inspired insanity
DR12 -5.94 dB -20.44 dB 4:03 05-People make the world go round
DR11 -9.39 dB -22.88 dB 3:05 06-Shadowville
DR13 -5.90 dB -21.48 dB 4:31 07-Strangers now
DR13 -5.88 dB -21.56 dB 7:58 08-More than you'll ever know
DR12 -5.91 dB -19.79 dB 3:11 09-Over by Allenby
DR12 -8.59 dB -23.70 dB 3:49 10-More than I can bear
DR14 -6.36 dB -23.39 dB 3:31 11-He's a runner
DR11 -13.14 dB -25.83 dB 3:33 12-Wailing wall
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64


Thanks to ManWhoCan!
Uncompressed SACD ISO size > 2,75 GB
>