Herve Niquet - Mozart, Salieri & Requiem (2022) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:08:55 minutes | 1.26 GB
Classical | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:08:55 minutes | 1.26 GB
Classical | Studio Master, Official Digital Download
Two illustrious composers at odds with their Requiem? When, in 1791, a 36-year-old Mozart composed the one that would remain unfinished due to his death, he did so in response to a commission from the eccentric Count von Walsegg. Mozart would never hear his music. At the time, Salieri was at the height of his glory at the age of 41, famed for his operas from Paris and Milan to Rome and of course Vienna, where he was Court Composer and Director of the Italian Opera. Having put an end to his lyrical career, in 1804 he composed his Requiem, which was strictly intended for his own funeral, where it was indeed played - in 1825. Hervé Niquet brings us these two monuments of Viennese liturgy with panache. Could Mozart have been imagining his own funeral when he composed his sublime Requiem?
TRACKLIST
1. Hervé Niquet - Introitus - Kyrie
2. Hervé Niquet - Dies Irae
3. Hervé Niquet - Tuba Mirum
4. Hervé Niquet - Mors stupebit
5. Hervé Niquet - Rex tremendae
6. Hervé Niquet - Recordare
7. Hervé Niquet - Confutatis
8. Hervé Niquet - Lacrimosa
9. Hervé Niquet - Huic ergo
10. Hervé Niquet - Offertoire Domine Jesu
11. Hervé Niquet - Quam olim Abrahae
12. Hervé Niquet - Hostias
13. Hervé Niquet - Sanctus
14. Hervé Niquet - Hosanna in excelsis
15. Hervé Niquet - Benedictus
16. Hervé Niquet - Agnus Dei
17. Hervé Niquet - Requiem aeternam
18. Hervé Niquet - Libera Me
19. Hervé Niquet - Introitus Requiem
20. Hervé Niquet - Kyrie
21. Hervé Niquet - Dies Irae
22. Hervé Niquet - Tuba Mirum
23. Hervé Niquet - Rex tremendae
24. Hervé Niquet - Recordare
25. Hervé Niquet - Confutatis
26. Hervé Niquet - Lacrimosa
27. Hervé Niquet - Offertorium Domine Jesu
28. Hervé Niquet - Hostias
29. Hervé Niquet - Sanctus
30. Hervé Niquet - Benedictus
31. Hervé Niquet - Agnus Dei
32. Hervé Niquet - Communio - Lux aeterna
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2022-11-10 18:27:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Hervé Niquet / Mozart · Salieri · Requiem
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.05 dB -20.04 dB 5:01 01-Introitus - Kyrie
DR9 -1.93 dB -15.47 dB 0:57 02-Dies Irae
DR10 -1.81 dB -15.19 dB 0:49 03-Tuba Mirum
DR12 -1.93 dB -16.81 dB 1:15 04-Mors stupebit
DR11 -1.83 dB -17.17 dB 1:00 05-Rex tremendae
DR14 -1.99 dB -21.05 dB 3:06 06-Recordare
DR10 -1.74 dB -17.46 dB 0:55 07-Confutatis
DR7 -1.77 dB -11.91 dB 0:44 08-Lacrimosa
DR11 -4.48 dB -20.13 dB 1:15 09-Huic ergo
DR10 -2.02 dB -16.53 dB 0:53 10-Offertoire Domine Jesu
DR10 -2.09 dB -17.10 dB 0:37 11-Quam olim Abrahae
DR11 -2.09 dB -17.80 dB 1:40 12-Hostias
DR10 -1.94 dB -13.56 dB 0:27 13-Sanctus
DR10 -1.59 dB -15.35 dB 1:14 14-Hosanna in excelsis
DR12 -2.00 dB -18.76 dB 2:02 15-Benedictus
DR12 -4.48 dB -21.49 dB 2:55 16-Agnus Dei
DR12 -2.38 dB -19.81 dB 2:15 17-Requiem aeternam
DR10 -1.76 dB -16.67 dB 3:06 18-Libera Me
DR12 -1.85 dB -18.87 dB 3:23 19-Introitus Requiem
DR11 -2.04 dB -17.44 dB 2:21 20-Kyrie
DR10 -1.60 dB -15.06 dB 1:51 21-Dies Irae
DR13 -9.85 dB -27.35 dB 2:30 22-Tuba Mirum
DR12 -1.85 dB -17.77 dB 1:26 23-Rex tremendae
DR13 -3.67 dB -20.57 dB 4:19 24-Recordare
DR11 -1.87 dB -18.28 dB 2:02 25-Confutatis
DR10 -1.70 dB -17.53 dB 2:16 26-Lacrimosa
DR12 -1.80 dB -17.73 dB 3:20 27-Offertorium Domine Jesu
DR12 -2.71 dB -20.32 dB 3:30 28-Hostias
DR9 -1.78 dB -14.87 dB 1:03 29-Sanctus
DR14 -5.60 dB -23.68 dB 3:45 30-Benedictus
DR11 -1.90 dB -18.44 dB 2:15 31-Agnus Dei
DR9 -1.34 dB -15.97 dB 4:41 32-Communio - Lux aeterna
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2670 kbps
Codec: FLAC
================================================================================
log date: 2022-11-10 18:27:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Hervé Niquet / Mozart · Salieri · Requiem
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.05 dB -20.04 dB 5:01 01-Introitus - Kyrie
DR9 -1.93 dB -15.47 dB 0:57 02-Dies Irae
DR10 -1.81 dB -15.19 dB 0:49 03-Tuba Mirum
DR12 -1.93 dB -16.81 dB 1:15 04-Mors stupebit
DR11 -1.83 dB -17.17 dB 1:00 05-Rex tremendae
DR14 -1.99 dB -21.05 dB 3:06 06-Recordare
DR10 -1.74 dB -17.46 dB 0:55 07-Confutatis
DR7 -1.77 dB -11.91 dB 0:44 08-Lacrimosa
DR11 -4.48 dB -20.13 dB 1:15 09-Huic ergo
DR10 -2.02 dB -16.53 dB 0:53 10-Offertoire Domine Jesu
DR10 -2.09 dB -17.10 dB 0:37 11-Quam olim Abrahae
DR11 -2.09 dB -17.80 dB 1:40 12-Hostias
DR10 -1.94 dB -13.56 dB 0:27 13-Sanctus
DR10 -1.59 dB -15.35 dB 1:14 14-Hosanna in excelsis
DR12 -2.00 dB -18.76 dB 2:02 15-Benedictus
DR12 -4.48 dB -21.49 dB 2:55 16-Agnus Dei
DR12 -2.38 dB -19.81 dB 2:15 17-Requiem aeternam
DR10 -1.76 dB -16.67 dB 3:06 18-Libera Me
DR12 -1.85 dB -18.87 dB 3:23 19-Introitus Requiem
DR11 -2.04 dB -17.44 dB 2:21 20-Kyrie
DR10 -1.60 dB -15.06 dB 1:51 21-Dies Irae
DR13 -9.85 dB -27.35 dB 2:30 22-Tuba Mirum
DR12 -1.85 dB -17.77 dB 1:26 23-Rex tremendae
DR13 -3.67 dB -20.57 dB 4:19 24-Recordare
DR11 -1.87 dB -18.28 dB 2:02 25-Confutatis
DR10 -1.70 dB -17.53 dB 2:16 26-Lacrimosa
DR12 -1.80 dB -17.73 dB 3:20 27-Offertorium Domine Jesu
DR12 -2.71 dB -20.32 dB 3:30 28-Hostias
DR9 -1.78 dB -14.87 dB 1:03 29-Sanctus
DR14 -5.60 dB -23.68 dB 3:45 30-Benedictus
DR11 -1.90 dB -18.44 dB 2:15 31-Agnus Dei
DR9 -1.34 dB -15.97 dB 4:41 32-Communio - Lux aeterna
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2670 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.