Goran Filipec - Bartók: Piano Music, Vol. 9 (2024) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 54:40 minutes | 883 MB
Classical | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 54:40 minutes | 883 MB
Classical | Studio Master, Official Digital Download
Two important works dominate volume nine of this series. The first is Bartok's substantial and ambitious late-Romantic Piano Sonata, Op. 19, a very early work, composed when he was around 17 before his studies in Budapest. It was long considered lost and is heard in Goran Filipec's performing edition, prepared from the manuscript.
Zongoraiskola or Piano Method' was devised in collaboration with composer, pianist and teacher Sandor Reschofsky who contributed the exercises. Bartok's 48 original pieces are perfectly formed and charmingly refined, allowing him an opportunity to explore his ideas of piano pedagogy.
TRACKLIST
1 I. Allegro
2 II. Adagio
3 III. Presto
4 IV. Adagio - Allegro
5 'Lajos' Valczer ('Lajos Waltz'), BB!, DD28
6 'Gabi' Polka, BB1, DD12
7 Ländler No. 2, BB1, DD18
8 Változó Darab ('Changing Piece'), BB1, DD2
9 No. 7. Legato and Non-legato Exercises. Quarter Note = 96
10 No. 8. Legato and Non-legato Exercises. Quarter Note = 96
11 No. 13. Legato and Non-legato Exercises. Quarter Note = 96
12 No. 14. Legato and Non-legato Exercises. Quarter Note = 96
13 No. 16. Wrist Exercises. Quarter Note = 96
14 No. 17. Wrist Exercises. Quarter Note = 96
15 No. 20. Playing With Hands Together. Quarter Notes 96
16 No. 21. Playing With Hands Together. Quarter Note = 96
17 No. 22. Ledger-lines. Quarter Note = 96
18 No. 24. Ledger-lines. Quarter Note = 96
19 No. 25. Ledger-lines. Quarter Note = 96
20 No. 26. Ledger-lines. Quarter Note = 96
21 No. 29. Development of the Accuracy of Touch. Quarter Note = 96
22 No. 33. Playing Staccato. Quarter Note = 96
23 No. 36. Staccato and Legato Alternating. Quarter Note = 52
24 No. 40. Exercises With Non-adjacent Fingers. Quarter Note = 52
25 No. 44. Exercises With Non-adjacent Fingers. Quarter Note = 52
26 No. 46. Accented and Unaccented Beats of a Bar. Quarter Note = 40
27 No. 51. Accented and Unaccented Beats of a Bar. Quarter Note = 60
28 No. 55. Accented and Unaccented Beats of a Bar. Quarter Note = 66
29 No. 56. Accented and Unaccented Beats of a Bar. Quarter Beat = 72
30 No. 57. Accented and Unaccented Beats of a Bar. Quarter Note = 48
31 No. 59. Accented and Unaccented Beats of a Bar. Quarter Note = 72
32 No. 68. Two-note Chords. Quarter Notes = 72
33 No. 73. Two Parts With One Hand. Quarter Note = 72
34 No. 77. Two Parts With One Hand. Quarter Note = 104
35 No. 78. Two Parts With One Hand. Quarter Note = 58
36 No. 82. Two Parts With One Hand. Quarter Note = 112
37 No. 83. Tempo (Indiction of Speed). Allegro
38 No. 89. Increasing the Hand-span (Sixths). Andante
39 No. 92. Changing Fingers As One Key. Lento
40 No. 94. Changing Fingers On One Note. Allegro
41 No. 95. Whole Tones and Semitones. Andante
42 No. 97. Whole Tones and Semitones. Andantino
43 No. 99. Whole Tones and Semitones. Moderato
44 No. 101. Scales. Allegro Deciso
45 No. 102. Scales. Adagio
46 No. 105. Syncopation. Andante
47 No. 108. Syncopation. Allegro Moderato
48 No. 109. The Harmonic Minor Scale. Allegro
49 No. 110. The Harmonic Minor Scale. Andante
50 No. 114. Playing Chords. Allegro
51 No. 115. Playing Chords. Allegro Moderato
52 No. 116. Playing Chords. Moderato
53 No. 117. Playing Chords. Vivace
54 No. 118. Playing Chords. Allegro Deciso
55 No. 119. Playing Chords. Tempo Di Valse
56 No. 120. Playing Chords. Allegro Moderato
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2024-02-22 12:36:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Goran Filipec / Bartók: Piano Music, Vol. 9
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.13 dB -17.32 dB 9:37 01-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: I. Allegro
DR12 -0.13 dB -18.01 dB 4:02 02-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: II. Adagio
DR13 -0.28 dB -18.93 dB 3:06 03-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: III. Presto
DR12 -0.50 dB -17.49 dB 8:35 04-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: IV. Adagio - Allegro
DR11 -3.38 dB -20.52 dB 1:39 05-Lajos Waltz, BB 1, DD 28
DR11 -5.56 dB -20.24 dB 3:18 06-Gabi Polka, BB 1, DD 12
DR10 -7.56 dB -21.61 dB 0:51 07-Ländler No. 2, BB 1, DD 18
DR10 -7.39 dB -20.32 dB 0:55 08-Changing Piece, BB 1 DD 2
DR10 -17.41 dB -31.99 dB 0:15 09-Piano Method, Sz. 52, BB 66: No. 7, Legato and Non-legato Exercises. Quarter Note = 96
DR9 -19.40 dB -32.01 dB 0:14 10-Piano Method, Sz. 52, BB 66: No. 8, Legato and Non-legato Exercises. Quarter Note = 96
DR11 -15.98 dB -31.02 dB 0:16 11-Piano Method, Sz. 52, BB 66: No. 13, Legato and Non-legato Exercises. Quarter Note = 96
DR10 -19.76 dB -33.67 dB 0:16 12-Piano Method, Sz. 52, BB 66: No. 14, Legato and Non-legato Exercises. Quarter Note = 96
DR9 -17.64 dB -30.46 dB 0:14 13-Piano Method, Sz. 52, BB 66: No. 16, Wrist Exercises. Quarter Note = 96
DR9 -15.98 dB -30.72 dB 0:20 14-Piano Method, Sz. 52, BB 66: No. 17, Wrist Exercises. Quarter Note = 96
DR11 -13.38 dB -29.68 dB 0:18 15-Piano Method, Sz. 52, BB 66: No. 20, Playing with Hands Together. Quarter Note = 96
DR11 -6.80 dB -23.63 dB 0:19 16-Piano Method, Sz. 52, BB 66: No. 21, Playing with Hands Together. Quarter Note = 96
DR10 -13.55 dB -26.31 dB 0:23 17-Piano Method, Sz. 52, BB 66: No. 22, Ledger-Lines. Quarter Note = 96
DR7 -10.89 dB -26.32 dB 0:19 18-Piano Method, Sz. 52, BB 66: No. 24, Ledger-Lines. Quarter Note = 96
DR10 -7.28 dB -21.52 dB 0:24 19-Piano Method, Sz. 52, BB 66: No. 25, Ledger-Lines. Quarter Note = 96
DR10 -12.39 dB -26.13 dB 0:28 20-Piano Method, Sz. 52, BB 66: No. 26, Ledger-Lines. Quarter Note = 96
DR10 -9.44 dB -24.16 dB 0:40 21-Piano Method, Sz. 52, BB 66: No. 29, Development of the Accuracy of Touch. Quarter Note = 96
DR11 -5.00 dB -21.20 dB 0:22 22-Piano Method, Sz. 52, BB 66: No. 33, Playing Staccato. Quarter Note = 96
DR9 -10.20 dB -24.96 dB 0:19 23-Piano Method, Sz. 52, BB 66: No. 36, Staccato and Legato Alternating. Quarter Note = 52
DR11 -9.06 dB -23.90 dB 0:36 24-Piano Method, Sz. 52, BB 66: No. 40, Exercises with Non-adjacent Fingers. Quarter Note = 52
DR10 -10.45 dB -24.33 dB 0:31 25-Piano Method, Sz. 52, BB 66: No. 44, Exercises with Non-adjacent Fingers. Quarter Note = 52
DR9 -9.69 dB -23.07 dB 0:25 26-Piano Method, Sz. 52, BB 66: No. 46, Accented and Unaccented Beats of a Bar. Quarter Note = 40
DR9 -7.69 dB -21.22 dB 0:30 27-Piano Method, Sz. 52, BB 66: No. 51, Accented and Unaccented Beats of a Bar. Quarter Note = 60
DR11 -6.03 dB -20.48 dB 0:22 28-Piano Method, Sz. 52, BB 66: No. 55, Accented and Unaccented Beats of a Bar. Quarter Note = 66
DR8 -9.92 dB -22.57 dB 0:32 29-Piano Method, Sz. 52, BB 66: No. 56, Accented and Unaccented Beats of a Bar. Quarter Note = 72
DR8 -6.94 dB -20.32 dB 0:21 30-Piano Method, Sz. 52, BB 66: No. 57, Accented and Unaccented Beats of a Bar. Quarter Note = 48
DR10 -6.72 dB -20.25 dB 0:32 31-Piano Method, Sz. 52, BB 66: No. 59, Accented and Unaccented Beats of a Bar. Quarter Note = 72
DR11 -8.05 dB -23.07 dB 0:57 32-Piano Method, Sz. 52, BB 66: No. 68, Two-note Chords. Quarter Note = 72
DR9 -6.82 dB -21.55 dB 0:36 33-Piano Method, Sz. 52, BB 66: No. 73, Two Parts with One Hand. Quarter Note = 72
DR12 -6.28 dB -22.85 dB 0:57 34-Piano Method, Sz. 52, BB 66: No. 77, Two Parts with One Hand. Quarter Note = 104
DR12 -7.37 dB -23.40 dB 0:37 35-Piano Method, Sz. 52, BB 66: No. 78, Two Parts with One Hand. Quarter Note = 58
DR10 -7.69 dB -22.97 dB 0:34 36-Piano Method, Sz. 52, BB 66: No. 82, Two Parts with One Hand. Quarter Note = 112
DR11 -4.97 dB -20.70 dB 0:34 37-Piano Method, Sz. 52, BB 66: No. 83, Tempo (Indication of Speed). Allegro
DR10 -3.47 dB -21.02 dB 0:26 38-Piano Method, Sz. 52, BB 66: No. 89, Increasing the Hand-span (Sixths). Andante
DR10 -12.30 dB -24.64 dB 0:36 39-Piano Method, Sz. 52, BB 66: No. 92, Changing Fingers on One Key. Lento
DR10 -6.64 dB -21.10 dB 0:21 40-Piano Method, Sz. 52, BB 66: No. 94, Changing Fingers on One Key. Allegro
DR8 -7.49 dB -21.84 dB 0:41 41-Piano Method, Sz. 52, BB 66: No. 95, Whole Tones and Semitones. Andante
DR11 -6.98 dB -20.94 dB 0:37 42-Piano Method, Sz. 52, BB 66: No. 97, Whole Tones and Semitones. Andantino
DR11 -8.73 dB -23.85 dB 0:25 43-Piano Method, Sz. 52, BB 66: No. 99, Whole Tones and Semitones. Moderato
DR12 -2.53 dB -19.28 dB 0:35 44-Piano Method, Sz. 52, BB 66: No. 101, Scales. Allegro deciso
DR9 -9.18 dB -21.88 dB 0:42 45-Piano Method, Sz. 52, BB 66: No. 102, Scales. Adagio
DR9 -8.49 dB -22.09 dB 0:36 46-Piano Method, Sz. 52, BB 66: No. 105, Syncopation. Andante
DR11 -5.87 dB -20.83 dB 0:30 47-Piano Method, Sz. 52, BB 66: No. 108, Syncopation. Allegro moderato
DR9 -6.84 dB -20.46 dB 0:16 48-Piano Method, Sz. 52, BB 66: No. 109, The Harmonic Minor Scale. Allegro
DR10 -7.51 dB -21.88 dB 0:42 49-Piano Method, Sz. 52, BB 66: No. 110, The Harmonic Minor Scale. Andante
DR9 -7.46 dB -20.91 dB 0:20 50-Piano Method, Sz. 52, BB 66: No. 115, Playing Chords. Allegro moderato
DR9 -10.83 dB -23.10 dB 0:26 51-Zongoraiskola: No. 115, Playing Chords. Allegro moderato
DR10 -6.07 dB -21.20 dB 0:38 52-Piano Method, Sz. 52, BB 66: No. 116, Playing Chords. Moderato
DR10 -5.90 dB -20.63 dB 0:24 53-Piano Method, Sz. 52, BB 66: No. 117, Playing Chords. Vivace
DR9 -3.03 dB -17.72 dB 0:25 54-Piano Method, Sz. 52, BB 66: No. 118, Playing Chords. Allegro deciso
DR10 -6.53 dB -23.22 dB 0:40 55-Piano Method, Sz. 52, BB 66: No. 119, Playing Chords. Tempo di valse
DR10 -3.27 dB -19.99 dB 0:35 56-Piano Method, Sz. 52, BB 66: No. 120, Playing Chords. Allegro moderato
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 56
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1987 kbps
Codec: FLAC
================================================================================
log date: 2024-02-22 12:36:23
––––––––––––––––––––––––––––––––––––––––
Analyzed: Goran Filipec / Bartók: Piano Music, Vol. 9
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.13 dB -17.32 dB 9:37 01-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: I. Allegro
DR12 -0.13 dB -18.01 dB 4:02 02-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: II. Adagio
DR13 -0.28 dB -18.93 dB 3:06 03-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: III. Presto
DR12 -0.50 dB -17.49 dB 8:35 04-Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: IV. Adagio - Allegro
DR11 -3.38 dB -20.52 dB 1:39 05-Lajos Waltz, BB 1, DD 28
DR11 -5.56 dB -20.24 dB 3:18 06-Gabi Polka, BB 1, DD 12
DR10 -7.56 dB -21.61 dB 0:51 07-Ländler No. 2, BB 1, DD 18
DR10 -7.39 dB -20.32 dB 0:55 08-Changing Piece, BB 1 DD 2
DR10 -17.41 dB -31.99 dB 0:15 09-Piano Method, Sz. 52, BB 66: No. 7, Legato and Non-legato Exercises. Quarter Note = 96
DR9 -19.40 dB -32.01 dB 0:14 10-Piano Method, Sz. 52, BB 66: No. 8, Legato and Non-legato Exercises. Quarter Note = 96
DR11 -15.98 dB -31.02 dB 0:16 11-Piano Method, Sz. 52, BB 66: No. 13, Legato and Non-legato Exercises. Quarter Note = 96
DR10 -19.76 dB -33.67 dB 0:16 12-Piano Method, Sz. 52, BB 66: No. 14, Legato and Non-legato Exercises. Quarter Note = 96
DR9 -17.64 dB -30.46 dB 0:14 13-Piano Method, Sz. 52, BB 66: No. 16, Wrist Exercises. Quarter Note = 96
DR9 -15.98 dB -30.72 dB 0:20 14-Piano Method, Sz. 52, BB 66: No. 17, Wrist Exercises. Quarter Note = 96
DR11 -13.38 dB -29.68 dB 0:18 15-Piano Method, Sz. 52, BB 66: No. 20, Playing with Hands Together. Quarter Note = 96
DR11 -6.80 dB -23.63 dB 0:19 16-Piano Method, Sz. 52, BB 66: No. 21, Playing with Hands Together. Quarter Note = 96
DR10 -13.55 dB -26.31 dB 0:23 17-Piano Method, Sz. 52, BB 66: No. 22, Ledger-Lines. Quarter Note = 96
DR7 -10.89 dB -26.32 dB 0:19 18-Piano Method, Sz. 52, BB 66: No. 24, Ledger-Lines. Quarter Note = 96
DR10 -7.28 dB -21.52 dB 0:24 19-Piano Method, Sz. 52, BB 66: No. 25, Ledger-Lines. Quarter Note = 96
DR10 -12.39 dB -26.13 dB 0:28 20-Piano Method, Sz. 52, BB 66: No. 26, Ledger-Lines. Quarter Note = 96
DR10 -9.44 dB -24.16 dB 0:40 21-Piano Method, Sz. 52, BB 66: No. 29, Development of the Accuracy of Touch. Quarter Note = 96
DR11 -5.00 dB -21.20 dB 0:22 22-Piano Method, Sz. 52, BB 66: No. 33, Playing Staccato. Quarter Note = 96
DR9 -10.20 dB -24.96 dB 0:19 23-Piano Method, Sz. 52, BB 66: No. 36, Staccato and Legato Alternating. Quarter Note = 52
DR11 -9.06 dB -23.90 dB 0:36 24-Piano Method, Sz. 52, BB 66: No. 40, Exercises with Non-adjacent Fingers. Quarter Note = 52
DR10 -10.45 dB -24.33 dB 0:31 25-Piano Method, Sz. 52, BB 66: No. 44, Exercises with Non-adjacent Fingers. Quarter Note = 52
DR9 -9.69 dB -23.07 dB 0:25 26-Piano Method, Sz. 52, BB 66: No. 46, Accented and Unaccented Beats of a Bar. Quarter Note = 40
DR9 -7.69 dB -21.22 dB 0:30 27-Piano Method, Sz. 52, BB 66: No. 51, Accented and Unaccented Beats of a Bar. Quarter Note = 60
DR11 -6.03 dB -20.48 dB 0:22 28-Piano Method, Sz. 52, BB 66: No. 55, Accented and Unaccented Beats of a Bar. Quarter Note = 66
DR8 -9.92 dB -22.57 dB 0:32 29-Piano Method, Sz. 52, BB 66: No. 56, Accented and Unaccented Beats of a Bar. Quarter Note = 72
DR8 -6.94 dB -20.32 dB 0:21 30-Piano Method, Sz. 52, BB 66: No. 57, Accented and Unaccented Beats of a Bar. Quarter Note = 48
DR10 -6.72 dB -20.25 dB 0:32 31-Piano Method, Sz. 52, BB 66: No. 59, Accented and Unaccented Beats of a Bar. Quarter Note = 72
DR11 -8.05 dB -23.07 dB 0:57 32-Piano Method, Sz. 52, BB 66: No. 68, Two-note Chords. Quarter Note = 72
DR9 -6.82 dB -21.55 dB 0:36 33-Piano Method, Sz. 52, BB 66: No. 73, Two Parts with One Hand. Quarter Note = 72
DR12 -6.28 dB -22.85 dB 0:57 34-Piano Method, Sz. 52, BB 66: No. 77, Two Parts with One Hand. Quarter Note = 104
DR12 -7.37 dB -23.40 dB 0:37 35-Piano Method, Sz. 52, BB 66: No. 78, Two Parts with One Hand. Quarter Note = 58
DR10 -7.69 dB -22.97 dB 0:34 36-Piano Method, Sz. 52, BB 66: No. 82, Two Parts with One Hand. Quarter Note = 112
DR11 -4.97 dB -20.70 dB 0:34 37-Piano Method, Sz. 52, BB 66: No. 83, Tempo (Indication of Speed). Allegro
DR10 -3.47 dB -21.02 dB 0:26 38-Piano Method, Sz. 52, BB 66: No. 89, Increasing the Hand-span (Sixths). Andante
DR10 -12.30 dB -24.64 dB 0:36 39-Piano Method, Sz. 52, BB 66: No. 92, Changing Fingers on One Key. Lento
DR10 -6.64 dB -21.10 dB 0:21 40-Piano Method, Sz. 52, BB 66: No. 94, Changing Fingers on One Key. Allegro
DR8 -7.49 dB -21.84 dB 0:41 41-Piano Method, Sz. 52, BB 66: No. 95, Whole Tones and Semitones. Andante
DR11 -6.98 dB -20.94 dB 0:37 42-Piano Method, Sz. 52, BB 66: No. 97, Whole Tones and Semitones. Andantino
DR11 -8.73 dB -23.85 dB 0:25 43-Piano Method, Sz. 52, BB 66: No. 99, Whole Tones and Semitones. Moderato
DR12 -2.53 dB -19.28 dB 0:35 44-Piano Method, Sz. 52, BB 66: No. 101, Scales. Allegro deciso
DR9 -9.18 dB -21.88 dB 0:42 45-Piano Method, Sz. 52, BB 66: No. 102, Scales. Adagio
DR9 -8.49 dB -22.09 dB 0:36 46-Piano Method, Sz. 52, BB 66: No. 105, Syncopation. Andante
DR11 -5.87 dB -20.83 dB 0:30 47-Piano Method, Sz. 52, BB 66: No. 108, Syncopation. Allegro moderato
DR9 -6.84 dB -20.46 dB 0:16 48-Piano Method, Sz. 52, BB 66: No. 109, The Harmonic Minor Scale. Allegro
DR10 -7.51 dB -21.88 dB 0:42 49-Piano Method, Sz. 52, BB 66: No. 110, The Harmonic Minor Scale. Andante
DR9 -7.46 dB -20.91 dB 0:20 50-Piano Method, Sz. 52, BB 66: No. 115, Playing Chords. Allegro moderato
DR9 -10.83 dB -23.10 dB 0:26 51-Zongoraiskola: No. 115, Playing Chords. Allegro moderato
DR10 -6.07 dB -21.20 dB 0:38 52-Piano Method, Sz. 52, BB 66: No. 116, Playing Chords. Moderato
DR10 -5.90 dB -20.63 dB 0:24 53-Piano Method, Sz. 52, BB 66: No. 117, Playing Chords. Vivace
DR9 -3.03 dB -17.72 dB 0:25 54-Piano Method, Sz. 52, BB 66: No. 118, Playing Chords. Allegro deciso
DR10 -6.53 dB -23.22 dB 0:40 55-Piano Method, Sz. 52, BB 66: No. 119, Playing Chords. Tempo di valse
DR10 -3.27 dB -19.99 dB 0:35 56-Piano Method, Sz. 52, BB 66: No. 120, Playing Chords. Allegro moderato
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 56
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1987 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.