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    3. Bruno De Sá - Roma Travestita (2022) [Official Digital Download 24/96]

    Bruno De Sá - Roma Travestita (2022) [Official Digital Download 24/96]

    Posted By: pyatak
    Date: 6 Sep 2023 19:39:34
    Bruno De Sá - Roma Travestita (2022) [Official Digital Download 24/96]

    Bruno De Sá - Roma Travestita (2022) [Official Digital Download 24/96]
    FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 73:45 minutes | 1,31 GB
    Classical | Studio Master, Official Digital Download

    "Astounding … with a high register of a soprano's purity," was how the British opera magazine Opera described the young Brazilian soprano Bruno de Sá. The voice of the "Best Young Artist" (Opera! Awards 2020) is almost unique worldwide: unlike countertenors, de Sá does not achieve the high notes through falsetto technique; they are the soprano's natural vocal register. With his full and richly colored sound, he thus comes close to how castrato stars like Farinelli may once have sounded. Bruno de Sá now dedicates his debut album Roma Travestita, released by Erato, to the repertoire of those first vocal virtuosos.

    TRACKLIST

    1. Bruno De Sá - Griselda, Act 1: "Dì che sogno, o che deliro" (Griselda)
    2. Bruno De Sá - Griselda, Act 2: "Mi rivedi, o selva ombrosa" (Griselda)
    3. Bruno De Sá - Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice)
    4. Bruno De Sá - Giustino, RV 717, Act 2: "Per noi soave e bella" (Arianna)
    5. Bruno De Sá - Giustino, RV 717, Act 3: "Senza l'amato ben" (Leocasta)
    6. Bruno De Sá - Vologeso, re de' parti, Act 2: "Nell'orror di notte oscura" (Berenice)
    7. Bruno De Sá - Achille in Sciro, Act 1: "Del sen gl'ardori nessun mi vanti" (Deidamia)
    8. Bruno De Sá - Evergete, Act 1: "Qual pellegrino errante" (Candace)
    9. Bruno De Sá - Adelaide, Act 2: "Timida pastorella" (Adelaide)
    10. Bruno De Sá - Adelaide, Act 1: "Nobil onda" (Adelaide)
    11. Bruno De Sá - Livia Claudia vestale, Act 2: "Padre, germano" - "Vadasi pure a morte" (Livia Claudia)
    12. Bruno De Sá - Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia)
    13. Bruno De Sá - La buona figliuola, Act 1: "Furie di donna irata" (La Marchesa Lucinda)

    foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
    log date: 2022-09-15 14:42:30

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Bruno De Sá / Roma Travestita
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -0.30 dB -17.64 dB 1:28 01-Griselda, Act 1: "Dì che sogno, o che deliro" (Griselda)
    DR13 -1.71 dB -19.79 dB 5:24 02-Griselda, Act 2: "Mi rivedi, o selva ombrosa" (Griselda)
    DR13 -0.67 dB -18.44 dB 5:29 03-Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice)
    DR14 -0.31 dB -18.31 dB 4:56 04-Giustino, RV 717, Act 2: "Per noi soave e bella" (Arianna)
    DR12 -3.35 dB -19.75 dB 6:10 05-Giustino, RV 717, Act 3: "Senza l'amato ben" (Leocasta)
    DR13 -0.35 dB -19.24 dB 7:22 06-Vologeso, re de' parti, Act 2: "Nell'orror di notte oscura" (Berenice)
    DR12 -0.72 dB -17.82 dB 4:22 07-Achille in Sciro, Act 1: "Del sen gl'ardori nessun mi vanti" (Deidamia)
    DR12 -0.30 dB -15.74 dB 8:32 08-Evergete, Act 1: "Qual pellegrino errante" (Candace)
    DR13 -1.57 dB -18.65 dB 8:33 09-Adelaide, Act 2: "Timida pastorella" (Adelaide)
    DR13 -0.30 dB -16.18 dB 7:44 10-Adelaide, Act 1: "Nobil onda" (Adelaide)
    DR11 -0.30 dB -15.19 dB 5:42 11-Livia Claudia vestale, Act 2: "Padre, germano" - "Vadasi pure a morte" (Livia Claudia)
    DR12 -2.38 dB -19.91 dB 2:49 12-Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia)
    DR11 -0.30 dB -14.50 dB 5:13 13-La buona figliuola, Act 1: "Furie di donna irata" (La Marchesa Lucinda)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 13
    Official DR value: DR12

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2668 kbps
    Codec: FLAC
    ================================================================================



    Thanks to the Original customer.
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