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    Alisa Weilerstein - Bach - Cello Suites, BWVV 1007-1012 (2020) [Official Digital Download 24/96]

    Posted By: pyatak
    Alisa Weilerstein - Bach - Cello Suites, BWVV 1007-1012 (2020) [Official Digital Download 24/96]

    Alisa Weilerstein - Bach - Cello Suites, BWVV 1007-1012 (2020) [Official Digital Download 24/96]
    FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 0 2:40:30 minutes | 2,83 GB
    Classical | Label: PentaTone, Official Digital Download

    After her acclaimed PENTATONE debut with Transfigured Night, Alisa Weilerstein returns with a complete recording of Bach’s Cello Suites. These pieces present the highest mountain to climb for any cellist, and one of the most transcendent and rewarding experiences for listeners alike. With his suites, Bach crafted — essentially without direct precedent — a body of solo cello music that forever defined the genre and brought the Baroque cello on par with its more popular cousin, the viola da gamba. Since Pablo Casals put them in the limelight again after 150 years of relative oblivion, Bach’s suites have become the alpha and omega for generations of cellists. To Weilerstein, the joy of this music — vibrant, contemporary, unquestionably alive — is the joy of discovery. Having heard and studied these pieces for years, she now entrusts her interpretation to the listener.

    Since signing an exclusive contract with PENTATONE, Alisa Weilerstein has released Transfigured Night (2018), and featured on Inon Barnatan’s Beethoven Piano Concertos Part 1 as well as Old Souls, an album with music for flute and strings (both released in 2019).

    “It’s like Transcendental Meditation, almost, this incredible arc,” said Alisa Weilerstein to the New York Times about performing Bach’s six unaccompanied cello suites. One of the leading talents of her generation returns for her fourth Celebrity Series appearance playing arguably the pinnacle of the cello lexicon. A must-have!

    “The Bach cello suites present the player with infinite possibilities. Each note, each phrase, carries abundant varieties of expression and musical nuance. The suites are too rich with ideas, too full of subtleties, and too dense with the burden of history for any particular interpretation to be exhaustive, any particular choice definitive. All great pieces of music carry with them this sense of contradiction—they must be played, yet they can’t be played. Every expressive gesture both realizes and limits the intentions of the composer.

    TRACKLIST

    01. Alisa Weilerstein - I. Prélude
    02. Alisa Weilerstein - II. Allemande
    03. Alisa Weilerstein - III. Courante
    04. Alisa Weilerstein - IV. Sarabande
    05. Alisa Weilerstein - V. Menuets I & II
    06. Alisa Weilerstein - VI. Gigue
    07. Alisa Weilerstein - I. Prélude
    08. Alisa Weilerstein - II. Allemande
    09. Alisa Weilerstein - III. Courante
    10. Alisa Weilerstein - IV. Sarabande
    11. Alisa Weilerstein - V. Bourrées I & II
    12. Alisa Weilerstein - VI. Gigue
    13. Alisa Weilerstein - I. Prélude
    14. Alisa Weilerstein - II. Allemande
    15. Alisa Weilerstein - III. Courante
    16. Alisa Weilerstein - IV. Sarabande
    17. Alisa Weilerstein - V. Gavottes I & II
    18. Alisa Weilerstein - VI. Gigue
    19. Alisa Weilerstein - I. Prélude
    20. Alisa Weilerstein - II. Allemande
    21. Alisa Weilerstein - III. Courante
    22. Alisa Weilerstein - IV. Sarabande
    23. Alisa Weilerstein - V. Menuets I & II
    24. Alisa Weilerstein - VI. Gigue
    25. Alisa Weilerstein - I. Prélude
    26. Alisa Weilerstein - II. Allemande
    27. Alisa Weilerstein - III. Courante
    28. Alisa Weilerstein - IV. Sarabande
    29. Alisa Weilerstein - V. Bourrées I & II
    30. Alisa Weilerstein - VI. Gigue
    31. Alisa Weilerstein - I. Prélude
    32. Alisa Weilerstein - II. Allemande
    33. Alisa Weilerstein - III. Courante
    34. Alisa Weilerstein - IV. Sarabande
    35. Alisa Weilerstein - V. Gavottes I & II
    36. Alisa Weilerstein - VI. Gigue

    foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
    log date: 2020-04-04 00:57:50

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Alisa Weilerstein / Bach: Cello Suites, BWVV 1007-1012
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -5.62 dB -22.23 dB 2:39 01-I. Prélude
    DR12 -6.80 dB -23.50 dB 5:49 02-II. Allemande
    DR14 -0.34 dB -21.75 dB 2:56 03-III. Courante
    DR14 -3.62 dB -25.28 dB 3:38 04-IV. Sarabande
    DR13 -6.04 dB -23.35 dB 3:35 05-V. Menuets I & II
    DR12 -2.52 dB -21.34 dB 2:05 06-VI. Gigue
    DR14 -0.66 dB -21.28 dB 3:46 07-I. Prélude
    DR14 -3.88 dB -22.94 dB 4:44 08-II. Allemande
    DR15 -0.48 dB -20.52 dB 2:57 09-III. Courante
    DR14 -4.03 dB -24.97 dB 5:09 10-IV. Sarabande
    DR13 -5.75 dB -24.70 dB 4:06 11-V. Bourrées I & II
    DR12 -1.48 dB -19.31 dB 3:19 12-VI. Gigue
    DR14 -3.94 dB -23.01 dB 5:51 13-I. Prélude
    DR15 -6.08 dB -25.60 dB 9:04 14-II. Allemande
    DR14 -3.28 dB -22.47 dB 4:23 15-III. Courante
    DR16 -1.05 dB -22.43 dB 5:28 16-IV. Sarabande
    DR13 -1.77 dB -20.18 dB 4:32 17-V. Gavottes I & II
    DR14 -0.30 dB -19.66 dB 4:44 18-VI. Gigue
    DR12 -3.88 dB -20.82 dB 4:36 19-I. Prélude
    DR13 -1.73 dB -20.93 dB 4:04 20-II. Allemande
    DR12 -2.47 dB -19.65 dB 2:07 21-III. Courante
    DR12 -7.47 dB -24.39 dB 6:15 22-IV. Sarabande
    DR14 -0.31 dB -20.35 dB 3:23 23-V. Menuets I & II
    DR12 -2.14 dB -19.19 dB 3:07 24-VI. Gigue
    DR12 -2.00 dB -19.41 dB 4:34 25-I. Prélude
    DR13 -3.04 dB -20.42 dB 4:50 26-II. Allemande
    DR12 -2.31 dB -19.51 dB 4:16 27-III. Courante
    DR15 -3.63 dB -24.02 dB 5:26 28-IV. Sarabande
    DR14 -3.70 dB -22.03 dB 5:49 29-V. Bourrées I & II
    DR12 -2.76 dB -19.98 dB 2:59 30-VI. Gigue
    DR13 -0.30 dB -18.25 dB 7:41 31-I. Prélude
    DR14 -0.96 dB -21.39 dB 7:19 32-II. Allemande
    DR13 -0.30 dB -18.71 dB 2:08 33-III. Courante
    DR12 -10.42 dB -28.07 dB 5:28 34-IV. Sarabande
    DR13 -0.51 dB -18.03 dB 5:12 35-V. Gavottes I & II
    DR12 -2.53 dB -19.92 dB 2:53 36-VI. Gigue
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 36
    Official DR value: DR13

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2531 kbps
    Codec: FLAC
    ================================================================================



    Thanks to the Original customer.