Compilation by Novophonic Records (Donostia) wich gathers the best creations from the label for the 67-97 period, compiled at La Living Rüm on may 1997.
Mastered at Katarain Etxea on 15.05.97.

Born and raised across the river Mersey from Liverpool, England, Greg Wilson is one of the key figures responsible for the development of the early 80's Electro-Funk scene in clubs across the north of England before its spread throughout the country. Borrowing from formative experiences at an early age in England and Continental Europe, Wilson introduced British club audiences to the revolutionary Dance music sounds coming out of New York City. Both reviled by traditionalists and praised by those hungry for something new, Greg Wilson helped shepherd the evolution of Black Dance music in the UK from the Soul and Funk sounds that dominated the 70's to the emergence of House and Hip Hop in the late 80's. He retired from DJing at an early age in 1984, but has returned to DJ work in recent years and received the hero's welcome befitting his role in the history of Dance music.

Thomas Peter Heckmann is aTechno Producer from Mainz, Germany. His first release was as Exit 100 in 1991 on the Force Inc. Music Works label out of Frankfurt. In 1993 he founded Trope Recordings, and its sub-label Acid Fuckers Unite (A.F.U.) the following year. In 1998 he succeeded those labels by starting Wavescape, and its sub-label Subwave in 2000. He currently produces Hard Techno with strong EBM influences, and has been a frequent collaborator with Jörg Henze since 1998.

Rare, solid & increasingly sought after four tracker from the Auto-Repeat, crew here. Every track uses the Loop/Repeat method - the clue's in the title - to deliver it's punch… to knockout effect. Rocking, Retro & bang up to date all at the same time, this little masterpiece borrows elements from the past throughout & with the Soundhack mix of Auto Disco, moulds them into a completely UNIQUE high speed modern "disco" excursion. Maddeningly brilliant use of that dirty needle sound on this track ensures it stands out from the crowd. Only a measly 300 to go round though.

Herbert began experimenting with aleatoric processes while studying drama at Exeter University in the early 1990s. He gave his first public performance in 1995 as Wishmountain, reportedly using a bag of crisps as an instrument. Two years of performing under this name followed before he retired Wishmountain in favor of Radio Boy. In addition to creating rhythmic musique concrete as Radio Boy, however, Herbert worked on more traditional, yet relatively experimental dance music.