Languid look at the Gullah culture of the sea islands off the coast of South Carolina and Georgia where African folk-ways were maintained well into the 20th Century and was one of the last bastions of these mores in America. Set in 1902.

With this poignant second feature, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the freak-show performer John Merrick (John Hurt), who has severe skeletal and soft-tissue deformities, he assumes that he must be intellectually disabled as well. As the two men spend more time together, though, Merrick reveals the intelligence, gentle nature, and profound sense of dignity that lie beneath his shocking appearance, and he and Treves develop a friendship. Shot in gorgeous black and white and boasting a stellar supporting cast that includes Anne Bancroft, John Gielgud, and Wendy Hiller, The Elephant Man was nominated for eight Academy Awards, cementing Lynch’s reputation as one of American cinema’s most visionary talents.

A supressed and sociopathic school teacher unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider causes her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices?

Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

A bored and sheltered princess escapes her guardians and falls in love with an American newsman in Rome.

With her ravishingly sensual take on Herman Melville’s Billy Budd, Sailor, Claire Denis firmly established herself as one of the great visual tone poets of our time. Amid the azure waters and sunbaked desert landscapes of Djibouti, a French Foreign Legion sergeant (Denis Lavant) sows the seeds of his own ruin as his obsession with a striking young recruit (Grégoire Colin) plays out to the thunderous, operatic strains of Benjamin Britten. Denis and cinematographer Agnès Godard fold military and masculine codes of honor, colonialism’s legacy, destructive jealousy, and repressed desire into shimmering, hypnotic images that ultimately explode in one of the most startling and unforgettable endings in all of modern cinema.

Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. Jacquot is fascinated by every kind of show (theatre, cinema, puppets). He buys a camera to shoot his first amateur film… An evocation of French cineast Jacques Demy's childhood and vocation for the cinema and the musicals.

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. par Agnès V. contrasts the private, reflective Birkin with Birkin the icon, as Varda casts her variously as a classical muse, a femme fatale, a Spanish dancer, Joan of Arc, and even a deadpan Laurel opposite a clownish Hardy in a fanciful slapstick spoof. Made in the spirit of pure, uninhibited play, this free-flowing dual portrait unfolds as a shared reverie between two women as they collapse the boundaries between artist and subject.

As hard-hitting as its title, Brute Force was one of Jules Dassin’s first forays into the crime genre, a prison melodrama with a scathing critique of the punitive American incarceration system at its heart. Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power-tripping guard Captain Munsey (a riveting Hume Cronyn). Only Collins’s dreams of escape keep him going, but how can he possibly bust out of Munsey’s chains? Matter-of-fact and ferocious, Brute Force builds to an explosive climax that shows the lengths men will go to when fighting for their freedom, and asks the question of who society’s real brutes are.

Two men and two women enjoy a pleasant Sunday at the beach amid the unending toil of the working week.

Sandrine Bonnaire won the Best Actress César for her portrayal of the defiant young drifter Mona, found frozen to death in a ditch at the beginning of Vagabond. Agnès Varda pieces together Mona’s story through flashbacks told by those who encountered her (played by a largely nonprofessional cast), producing a splintered portrait of an enigmatic woman. With its sparse, poetic imagery, Vagabond (Sans toit ni loi) is a stunner, and won Varda the top prize at the Venice Film Festival.

A man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.

The story takes place in postwar Germany, following Germany's loss in World War II. For years, people struggled with shortages of everything, housing, water, food, clothing.

In her effervescent first California film, Agnès Varda delves into her own family history. The short documentary Uncle Yanco features Varda tracking down a Greek emigrant relative she’s never met, discovering an artist and kindred soul leading a bohemian life in Sausalito.Uncle Yanco was restored by the Cineteca di Bologna at L’Immagine Ritrovata in association with Ciné-Tamaris and The Film Foundation. Restoration funding provided by the Annenberg Foundation, the Los Angeles County Museum of Art (LACMA) and The Film Foundation.