Yellow Magic Orchestra - BGM (1981) [Japan 2019]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 46:54 minutes | Scans included | 1,47 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,33 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 1,07 GB
BGM is the fourth studio album by Yellow Magic Orchestra. The title stands for "Background music". This album was produced by Haruomi Hosono. Recording started on January 15, 1981, in an effort to release the album by March 21, 1981. YMO was the first band to use the Roland TR-808 Rhythm Composer, one of the first programmable drum machines, as early as 1980. This was their first studio album recorded with the Roland MC-4 Microcomposer and TR-808.
BGM stands for "background music," and one could be mistaken for thinking that this is an album of ambient-sounding tracks. Instead, it's a continuation of YMO's techno aesthetic, focusing more on Takahashi's distorted vocals and similarly liquid synth sounds, which give much of the album a melancholic air. There's also the sense of a group rushing to put out another album (close on the heels of Xoo Multiplies). One of Sakamoto's efforts ("1000 Knives") comes from his 1978 solo album, revisited here as a twisted blurp of an instrumental; the other ("Happy End") is all atmosphere and no substance. And YMO's attempt to understand rap ("Rap Phenomena") is as plodding as it is embarrassing. However, there are some standout tracks on side two: "Cue" by Hosono and Takahashi is a very assured ballad, given sufficient frisson by its galloping synth line and strangely programmed drums; "U•T" is a Kraftwerk-ian instrumental charged with menace and speed; and "Loom" finally gets to a calm resting place of dripping water, floating electronics, and a Eno-esque atmosphere. If only the first half was a good as the second.
Tracklist:
01. Ballet
02. Music Plans
03. Rap Phenomena
04. Happy End
05. 1000 Knives
06. Cue
07. U.T
08. Camouflage
09. Mass
10. Loom
Digitally Remastered by Bob Ludwig at Gateway Mastering, Portland, Maine.
Personnel
Haruomi Hosono - Bass, Synth Bass, Keyboards, Delays & Harmonizer on "7"
Ryuichi Sakamoto - Keyboards, Vocoder
Yukihiro Takahashi - Drums, Electronic drums
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Hideki Matsutake - Programming
Takeshii Fujii, Don Nagata & Tomoki Miyadera - Equipment Coordination
Peter Barakan - Lyrics
Tomoko Nunoi (uncredited) - French Narration on "Ballet"
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: Yellow Magic Orchestra / BGM
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DR Peak RMS Duration Track
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DR8 -5.33 dB -14.81 dB 4:33 01-Ballet
DR8 -5.31 dB -15.07 dB 4:32 02-Music Plans
DR8 -5.26 dB -14.81 dB 4:31 03-Rap Phenomena
DR11 -5.32 dB -18.81 dB 4:31 04-Happy End
DR7 -5.25 dB -14.17 dB 5:22 05-1000 Knives
DR8 -5.10 dB -14.51 dB 4:31 06-Cue
DR7 -5.31 dB -13.33 dB 4:31 07-U.T
DR8 -5.06 dB -15.17 dB 4:33 08-Camouflage
DR8 -5.24 dB -15.23 dB 4:30 09-Mass
DR10 -5.35 dB -20.17 dB 5:21 10-Loom
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR8
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
––––––––––––––––––––––––––––––––––––––––
Analyzed: Yellow Magic Orchestra / BGM
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -5.33 dB -14.81 dB 4:33 01-Ballet
DR8 -5.31 dB -15.07 dB 4:32 02-Music Plans
DR8 -5.26 dB -14.81 dB 4:31 03-Rap Phenomena
DR11 -5.32 dB -18.81 dB 4:31 04-Happy End
DR7 -5.25 dB -14.17 dB 5:22 05-1000 Knives
DR8 -5.10 dB -14.51 dB 4:31 06-Cue
DR7 -5.31 dB -13.33 dB 4:31 07-U.T
DR8 -5.06 dB -15.17 dB 4:33 08-Camouflage
DR8 -5.24 dB -15.23 dB 4:30 09-Mass
DR10 -5.35 dB -20.17 dB 5:21 10-Loom
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR8
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
Thanks to PS³SACD!
Uncompressed SACD ISO size > 1,89 GB
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