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Neil Norman - Sci-Fi In Hi-Fi (2003) [Audio Fidelity] PS3 ISO + DSD64 + Hi-Res FLAC
![Neil Norman - Sci-Fi In Hi-Fi (2003) [Audio Fidelity] PS3 ISO + DSD64 + Hi-Res FLAC](https://pixhost.icu/avaxhome/4e/4ee1/4ee1efebec324d5286c1f04f035735d7-4065980125764142410.webp)
Neil Norman presents Sci-Fi In Hi-Fi (2003) [Audio Fidelity]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 49:22 minutes | Scans included | 1,49 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,32 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 1,11 GB
Mastered for this SACD by Steve Hoffman | Audio Fidelity SACD #AFZ-012
Neil Norman is a remarkable diversified player in the entertainment industry. The award-winning producer/performer is a driving force in bringing unprecedented genres of music to the public - including world beat, rock and roll, surf, power instrumentals and especially Science Fiction. "He is the first and only Science Fiction Rock Star".
Whether in its original serial form in the 1940s, in the low-budget films of the 1950s, in the television series of the 1960s, or even in the overgrown re-imaginings for blockbuster movies in the 1970s and beyond, the science-fiction genre on film (and videotape) has always had something cheesy about it, and that is part of its appeal. Even when the technical wizards at director George Lucas' Industrial Light and Magic are dreaming up the next Star Wars movie, there is, at heart, a sense of the earliest, silliest versions of the genre still present. In that spirit come Neil Norman's souped-up and synthesized treatments of the various scores for sci-fi films and TV series. Norman lists a raft of acoustic orchestral musicians in the credits, but their names are in smaller print than those of the guitarists and keyboard players who are the real driving force behind these excerpts from Star Trek, Star Wars, and many other similar efforts. Even in SACD fidelity, this is space music on the cheap. And Norman and his crew are better on the more synth-pop stuff; they nearly fall apart when trying to negotiate Richard Strauss' Also Sprach Zarathustra (sorry, "2001: A Space Odyssey"). This is, however, just the thing to play over the P.A. system at the next sci-fi fan festival at a local motel, that is, if Norman himself hasn't been contracted to play live.
Tracklist:
01. Universe
02. Star Trek Encounters
03. Star Wars
04. Space 1999 #2
05. The Thing
06. UFO
07. Superman
08. Alien
09. Battlestar Galactica
10. Journey To The 7th Galaxy
11. The Outer Limits
12. Godzilla
13. 2001: A Space Odyssey
14. The Adventures of Superman
15. The Prisoner
16. Buckaroo Banzai
17. Airwolf
18. Mysterious Island
19. Blade Runner
20. Jurassic Park (The Lost World Medley)
DIRECTED by NEIL NORMAN.
PRODUCED & ARRANGED BY LES BAXTER, NEIL NORMAN, HALL DANIELS & CHARLES FARIS.
MASTERED for SACD by STEVE HOFFMAN.
Personnel
Guitars, Synthesizers, Theremin: Neil Norman
Keyboards: Les Baxter, Bill Burchell, David Carr.
Hall Daniels, Bob Kent, Mike Lang
Drums: John Guerin, Kevin Karamitros, Ed Greene, Skip Switzer
Bass: Max Bennett, Jared Palmer
More detailed info read inside the booklet.
foobar2000 2.1 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: Various Artists / Sci-Fi In Hi-Fi
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -9.74 dB -22.57 dB 1:51 01-Universe
DR11 -3.65 dB -17.86 dB 6:40 02-Star Trek Encounters
DR13 -3.42 dB -19.29 dB 2:22 03-Star Wars
DR13 -3.85 dB -20.10 dB 1:34 04-Space 1999 #2
DR12 -3.59 dB -19.33 dB 1:21 05-The Thing
DR13 -3.58 dB -18.93 dB 1:22 06-UFO
DR13 -4.08 dB -20.32 dB 2:17 07-Superman
DR11 -3.90 dB -20.16 dB 2:36 08-Alien
DR11 -5.68 dB -19.01 dB 1:32 09-Battlestar Galactica
DR14 -3.38 dB -21.47 dB 2:05 10-Journey To The 7th Galaxy
DR11 -4.93 dB -18.79 dB 1:31 11-The Outer Limits
DR13 -3.74 dB -19.43 dB 1:31 12-Godzilla
DR10 -4.73 dB -18.93 dB 1:22 13-2001: A Space Odyssey
DR13 -3.56 dB -19.27 dB 0:57 14-The Adventures of Superman
DR14 -3.61 dB -20.05 dB 1:07 15-The Prisoner
DR12 -4.65 dB -19.17 dB 3:31 16-Buckaroo Banzai
DR11 -3.99 dB -17.49 dB 2:48 17-Airwolf
DR11 -3.64 dB -18.08 dB 3:52 18-Mysterious Island
DR11 -4.16 dB -17.83 dB 4:13 19-Blade Runner
DR12 -3.52 dB -20.39 dB 4:48 20-Jurassic Park (The Lost World Medley)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
––––––––––––––––––––––––––––––––––––––––
Analyzed: Various Artists / Sci-Fi In Hi-Fi
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -9.74 dB -22.57 dB 1:51 01-Universe
DR11 -3.65 dB -17.86 dB 6:40 02-Star Trek Encounters
DR13 -3.42 dB -19.29 dB 2:22 03-Star Wars
DR13 -3.85 dB -20.10 dB 1:34 04-Space 1999 #2
DR12 -3.59 dB -19.33 dB 1:21 05-The Thing
DR13 -3.58 dB -18.93 dB 1:22 06-UFO
DR13 -4.08 dB -20.32 dB 2:17 07-Superman
DR11 -3.90 dB -20.16 dB 2:36 08-Alien
DR11 -5.68 dB -19.01 dB 1:32 09-Battlestar Galactica
DR14 -3.38 dB -21.47 dB 2:05 10-Journey To The 7th Galaxy
DR11 -4.93 dB -18.79 dB 1:31 11-The Outer Limits
DR13 -3.74 dB -19.43 dB 1:31 12-Godzilla
DR10 -4.73 dB -18.93 dB 1:22 13-2001: A Space Odyssey
DR13 -3.56 dB -19.27 dB 0:57 14-The Adventures of Superman
DR14 -3.61 dB -20.05 dB 1:07 15-The Prisoner
DR12 -4.65 dB -19.17 dB 3:31 16-Buckaroo Banzai
DR11 -3.99 dB -17.49 dB 2:48 17-Airwolf
DR11 -3.64 dB -18.08 dB 3:52 18-Mysterious Island
DR11 -4.16 dB -17.83 dB 4:13 19-Blade Runner
DR12 -3.52 dB -20.39 dB 4:48 20-Jurassic Park (The Lost World Medley)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
Thanks to SergeyVP!
Uncompressed SACD ISO size > 1,97 GB
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