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    Urban Verbs - Early Damage (Warner BSK 3533) (US 1981) (Vinyl 24-96 & 16-44.1)

    Posted By: luckburz
    Urban Verbs - Early Damage (Warner BSK 3533) (US 1981) (Vinyl 24-96 & 16-44.1)

    Urban Verbs - Early Damage
    FLAC | Artwork | 24Bit 96kHz: 876 MB | 16Bit 44.1kHz: 277 MB
    Cat#: Warner BSK 3533 | Country/Year: US 1981
    Genre: Post Punk, New Wave | Hoster: Uploaded/Filesonic

    MD5 [X] FFP [] CUE [] LOG [] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    Urban Verbs - Early Damage (Warner BSK 3533) (US 1981) (Vinyl 24-96 & 16-44.1)


    Urban Verbs - Early Damage (Warner BSK 3533) (US 1981) (Vinyl 24-96 & 16-44.1)





    Info:

    Urban Verbs – Early Damage

    Label: Warner Bros. Records
    Catalog#: BSK 3533
    Format: Vinyl, LP, Album
    Country: US
    Released: 1981
    Genre: Rock
    Style: Post Punk, New Wave

    Tracklist:

    A1 When The Dance Is Over 1:17
    A2 Jar My Blood 4:07
    A3 Acceleration 4:33
    A4 Early Damage 5:33

    A5 Promise 5:34
    B1 For Your Eyes Only 5:03
    B2 Business & The Rational Mind 4:52
    B3 In The Heat 4:39
    B4 Terminal Bar 7:01

    Discogs Url: http://www.discogs.com/Urban-Verbs-Early-Damage/release/2541882

    Washington D.C. based new wave rock band Urban Verbs formed in 1977: the band consisted of Robert Goldstein [guitars], Roddy Frantz [Vocals], Robin Rose [Synthesizer], Danny Frankel [drums and percussion] and Linda France [bass guitar and backing vocals].

    In 1977 Urban Verbs rehearsed in the Atlantis Bldg at 930 "F" St. NW Washington D.C.. Robert Goldstein began to book bands in a derelict bar in the building named The Atlantis Club: which was where Urban Verbs played their first shows and became a nexus of the DC New Wave / Punk rock scene. In 1980 the Atlantis Club became the 9:30 Club.

    Urban Verbs played CBGB’s in 1978 with the Cramps and producer Brain Eno was in the audience. Eno offered to record several of the band’s songs [“the Next Question” and “Pensive Lives”] which have never been officially released.

    The band received numerous positive reviews in the New York Times, the Washington Post, and the City Paper among others. Urban Verbs became the darlings of the DC avante garde art scene playing numerous shows at the Washington Project for the Arts, DC Space, the Pension Building and the Corcoran School of Art.

    In late 1978, Urban Verbs returned to CBGB’s performing with Cleveland band Pere Ubu. Urban Verbs played the Peppermint Lounge and various NY clubs as well as numerous DC shows. In early 1979, the Urban Verbs shared the stage with the B-52’s at the Corcoran School of Art.

    Warner Brothers executive Bob Krasnow signed the band to a two record contract. The band's first album was recorded with Mike Thorne [producer Wire, Soft Cell, Bronski Beat] in 1979 and released in early 1980.

    Urban Verbs were scheduled to tour with Joy Division in May 1980. Arriving in Toronto for the first show the band found the tour was canceled due to the suicide of Joy Division singer Ian Curtis.

    The Urban Verbs second Warner Brothers album “Early Damage” was recorded in Atlanta with producers Jeff Glixman and Steve Lillywhite.

    After touring in 1980, Robin Rose and Linda France left the band: France was replaced by Bassist Billy Swann. The band toured the United States and Italy until 1981. wikipedia


    “No-wave,” “cold-wave,” an perhaps even “hard-wave,” but definitely not new-wave, Washington D.C.’s Urban Verbs were either defiantly flipping the bird to the man (in this case, Warner Brothers records) or simply progressing on their own weird trajectory, on Early Damage, their second and final LP. It’s hard to believe that any major label would mint an album this artistically disaffected. So much in fact, that some of the eerier selections here would make Ian Curtis sound downright friendly by comparison.

    Robert Goldstein’s chimey, clangy fret-work is actually more tuneful than Roddy Frantz’s vocals, which he opts to speak more than sing, so I suppose that’s not saying much. Early Damage is where doomy post-punk flirted with the burgeoning goth scene of the early 1980s. It must have been one hell of an album for the WB to market, and maybe that explains why this slab of licorice pizza assumedly sank without a trace upon it’s ’81 issue. willyobscure blog




    =Hardware=
    LP>
    Shure M97xE>
    Dual CS 505-3>
    Handcrafted low capacitance custom cables, teflon® insulated & silver-plated coaxial conductors>
    Kenwood C1 Custom Revision I>
    - Phono Stage input and RIAA equalisation capacitors replaced by Styroflex and Polypropylen types resp.
    - Electrolytic capacitors not mounted by manufacturer onto the RIAA stage power Supply refitted (Philips NOS types)
    - All electrolytic capacitors in signal chain replaced by foil capacitors
    - All old JRC OpAmps replaced by Burr Brown (Phono Stage) and Analog Devices OpAmps resp.>
    Handcrafted low capacitance custom cables, polyethylene insulated twinaxial conductors>
    Audiotrak Prodigy 7.1 HiFi w/ AD712 OpAmps @ 24/96>
    HDD
    =Software=
    Adobe Audition 3
    ClickRepair
    Trader´s Little Helper (FLAC)
    +16Bit Version:
    Weiss Saracon 01.61-27
    Dither: POWr3

    Date of rip: 2011-05-05
    Please keep the info sheet included if you share this!










    If you have problems extracting the RAR files on your HD, please verify these checksums. If they do not match, redownload the not-matching part and try again.

    (copy & paste to your editor and save as *.md5 in the folder where the RAR files are located)

    16Bit

    372f0dbee1aaec00fb01bf3944696ff3 *FHQA-UrVe-EaDa-16B.rar

    24Bit

    46645d222712395daa13d3dc597eb3d0 *FHQA-UrVe-EaDa-24B.part1.rar
    be227331880071d2c69e07fab6a8f34a *FHQA-UrVe-EaDa-24B.part2.rar
    961428e4b981ce07a309cea6a0636f03 *FHQA-UrVe-EaDa-24B.part3.rar
    0d7f0ce465092904b314a2c9cca1b4d3 *FHQA-UrVe-EaDa-24B.part4.rar





    Dynamic Range Analysis


    –––––––––––––––––––––––––––––––––––––––––––––––
    Analyzed folder: F:\=== VINYL RIPS ===\Urban Verbs\16Bit\
    –––––––––––––––––––––––––––––––––––––––––––––––
    DR Peak RMS Filename
    –––––––––––––––––––––––––––––––––––––––––––––––

    DR10 -3.71 dB -20.94 dB A1 - When The Dance Is Over.wav
    DR13 -2.01 dB -18.41 dB A2 - Jar My Blood.wav
    DR13 -2.69 dB -18.00 dB A3 - Acceleration.wav
    DR13 -3.93 dB -18.99 dB A4 - Early Damage.wav
    DR13 -2.34 dB -19.20 dB A5 - Promise.wav
    DR15 -3.93 dB -20.05 dB B1 - For Your Eyes Only.wav
    DR14 -2.54 dB -18.03 dB B2 - Business & The Rational Mind.wav
    DR13 -1.97 dB -18.66 dB B3 - In The Heat.wav
    DR13 -3.80 dB -21.21 dB B4 - Terminal Bar.wav
    –––––––––––––––––––––––––––––––––––––––––––––––

    Number of files: 9
    Official DR value: DR13

    ==============================================================================================




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