Ural Thomas & The Pain - Dancing Dimensions (2022/2023)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 44:27 minutes | 532 MB
Blues, Soul | Label: Bella Union, Official Digital Download
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 44:27 minutes | 532 MB
Blues, Soul | Label: Bella Union, Official Digital Download
Walking through the residential heart of Portland's Mississippi district you'll find a charming wooden house under the overcast Oregon sky. This local landmark is the home of soul legend Ural Thomas, built by hand with found materials decades ago. The basement is overflowing with musical equipment. When you walk down into the room you may see Portland’s Soul Brother Number One at the table chuckling, telling stories and jokes, and espousing his personal humanist philosophy obtained from 82 years of unfathomable experiences. He's often joined by either his generations of biological posterity or the adopted family that is his band, The Pain. You may also find this infinitely magnetic personality ripping through a cover song at full volume or working out a new original with his loved ones.
Though Ural Thomas is universally recognized as one of the most exciting singers remaining from the original soul era, and an active musical institution for over 60 years, his band, all decades younger, are treated as equals. The Pain are no backing band, but rather a well-oiled tightly-knit musical aggregation that's spent the last eight years with Thomas developing a unique sound of its own.
Born in Meraux, Louisiana, in 1939, and moving with his family to Portland, Oregon during World War II, Ural Thomas grew up to become Rose City's Soul Brother Number One. Already an established singer in his teens, he became the leader of the wild twistin’ rhythm and blues vocal group The Monterays - who achieved regional fame and recorded the canonical single “Push-Em Up” for the local Sure Star Records. His success brought him to Los Angeles where he caught the ear of industry bigwig Jerry Goldstein of The Strangeloves, best remembered for managing Sly and The Family Stone and producing dozens of iconic records by the likes of War, The McCoys, and The Angels. Goldstein saw star quality in the young singer and brought him into the studio with arranger Gene Page (known for thousands of recordings with everyone from Aretha Franklin to Elton John to a veritable who's who of Motown stars) to record two landmark 1967 singles “Pain Is The Name of Your Game” and “Can You Dig It” for the MCA pop subsidiary UNI. Around this point Ural also recorded a 1968 live LP for MCA's soul imprint Revue and the 1967 James Brown-informed proto-funk dancefloor dynamite that is “Deep Soul” for Seattle’s Camelot label. All are widely admired and continue to be heard at DJ sets and dance parties worldwide.
Ural Thomas next left Los Angeles to record in Cincinnati at King Records with James Brown's production manager Bud Hobgood. After the two had a falling out, Portland's soul man took a bus to New York City where he was featured more than forty nights at the Apollo. Eventually disillusioned with the industry and missing the communal aspect of making music, by the end of the 1960s he returned to Portland where he established a Sunday night jam session that continued for decades. In 2014 Portland DJ and drummer Scott McGee sat in. They became friends and within months Magee had assembled a full show band that they christened Ural Thomas and The Pain. The new group wasted no time performing and recording, touring the world and releasing two LPs between 2015 and 2018.
So few of soul music's original practitioners of are still among us. Even fewer are still active. And of those, even fewer can still deliver the goods on the same level that made your hair stand on end the first time you dropped the needle on their record. Rumor had it that the complete package of undiminished passion, sweat, wailing, dancing, and banter, the elusive soul man we always seek out, could be found tearing it up in the Pacific Northwest. When Ural Thomas finally made it out east to play at Jonathan Toubin’s soul revue billed alongside Irma Thomas, Archie Bell, Joe Bataan, and other legends, it was his first New York City gig since his Apollo reign four decades prior. Having previously shared the stage with James Brown, Stevie Wonder, Otis Redding, Etta James, and nearly any star from the hyper-competitive world of classic soul performance, Ural Thomas was not intimidated. He rose to the occasion, bringing down the house both nights and drenching an entire new generation of New Yorkers in his soul sweat!
And the band played on… Despite the usual COVID-19 obstacles, Ural Thomas and The Pain finally completed their much-anticipated third album, Dancing Dimensions. While exploring everything from sweet Chicago soul to airy West Coast psychedelia to Sly funk, their latest collection retains the distinctive sound the band organically developed organically over years of relentless work. Classic yet unmistakably contemporary at the same time, “Dancing Dimensions” is the most accurate representation of The Pain's unique flavor, power, and musical breadth committed to vinyl thus far.
Tracklist:
01. Dancing Dimensions
02. Heaven
03. Do You Remember The Times We Had?
04. First Dimension
05. Apple Pie (Oh Me Oh My)
06. Ol Safiya
07. El Eey Em Eh
08. Gimme Some Ice Cream
09. Second Dimension
10. My Favourite Song
11. Third Dimension
12. Hung Up On My Dream
13. Promises
14. If It Wasn't For Love
15. Shot Down
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2023-06-27 17:39:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ural Thomas & The Pain / Dancing Dimensions
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.30 dB -9.02 dB 3:37 01-Dancing Dimensions
DR7 -0.30 dB -8.34 dB 4:07 02-Heaven
DR6 -0.30 dB -8.18 dB 3:32 03-Do You Remember The Times We Had?
DR11 -0.30 dB -13.74 dB 1:01 04-First Dimension
DR7 -0.30 dB -8.73 dB 3:59 05-Apple Pie (Oh Me Oh My)
DR7 -0.30 dB -8.02 dB 3:28 06-Ol Safiya
DR7 -0.30 dB -8.45 dB 2:34 07-El Eey Em Eh
DR8 -0.30 dB -9.21 dB 2:13 08-Gimme Some Ice Cream
DR10 -0.30 dB -14.25 dB 0:41 09-Second Dimension
DR6 -0.30 dB -8.71 dB 3:35 10-My Favourite Song
DR10 -0.30 dB -14.83 dB 0:48 11-Third Dimension
DR6 -0.30 dB -9.01 dB 4:15 12-Hung Up On My Dream
DR7 -0.30 dB -9.53 dB 3:52 13-Promises
DR7 -0.30 dB -10.22 dB 4:31 14-If It Wasn't For Love
DR9 0.00 dB -9.96 dB 2:15 15-Shot Down
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR8
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1696 kbps
Codec: FLAC
================================================================================
log date: 2023-06-27 17:39:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ural Thomas & The Pain / Dancing Dimensions
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.30 dB -9.02 dB 3:37 01-Dancing Dimensions
DR7 -0.30 dB -8.34 dB 4:07 02-Heaven
DR6 -0.30 dB -8.18 dB 3:32 03-Do You Remember The Times We Had?
DR11 -0.30 dB -13.74 dB 1:01 04-First Dimension
DR7 -0.30 dB -8.73 dB 3:59 05-Apple Pie (Oh Me Oh My)
DR7 -0.30 dB -8.02 dB 3:28 06-Ol Safiya
DR7 -0.30 dB -8.45 dB 2:34 07-El Eey Em Eh
DR8 -0.30 dB -9.21 dB 2:13 08-Gimme Some Ice Cream
DR10 -0.30 dB -14.25 dB 0:41 09-Second Dimension
DR6 -0.30 dB -8.71 dB 3:35 10-My Favourite Song
DR10 -0.30 dB -14.83 dB 0:48 11-Third Dimension
DR6 -0.30 dB -9.01 dB 4:15 12-Hung Up On My Dream
DR7 -0.30 dB -9.53 dB 3:52 13-Promises
DR7 -0.30 dB -10.22 dB 4:31 14-If It Wasn't For Love
DR9 0.00 dB -9.96 dB 2:15 15-Shot Down
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR8
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1696 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!