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    Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Trace - Trace
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
    Label: Sire/SASD-7504 | Released: 1974 | Genre: Symphonic-Rock

    A1 Gaillarde
    A2 Gare Le Corbeau
    A3 Gaillarde
    A4 The Death Of Ace
    A5 The Escape Of The Piper
    A6 Once

    B1 Progression
    B2 A Memory
    B3 The Lost Past
    B4 A Memory
    B5 Final Trace


    CreditsBass, Guitar – Jaap Van Eik
    Drums, Percussion – Pierre Van Der Linden
    Keyboards, Written-By – Rick Van Der Linden
    Producer – Jan Schuurman, Trace (6)Notes
    trace was recorded and mixed at Soundpush Studios, Blaricum, Holland.
    Track information
    A1 & A3 were taken from 3rd part of Italian Concerto bwv 971 in f major by JS Bach, and a traditional Polish dance
    A4 was taken from Peer Gynt Suite by E. Grieg
    B1 was composed on 17 november 1973


    Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Trace - Trace (1974) US 1st Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2018
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: NM-
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    Essential: a masterpiece of Progressive Rock music
    Dutch keyboard-wizard Rick got worldwide recognition with the ‘classic-rock formula’ from EKSEPTION but he wanted his own band to work out his own ideas. He founded TRACE with bass player Jaap van Eik (CUBY AND THE BLIZZARDS, The MOTIONS, SOLUTION, LIVING BLUES) and drummer Pierre van der Linden (TEE SET, BRAINBOX, FOCUS), a real Dutch supergroup.
    TRACE sounds like the Dutch equivalent to early ELP but Rick has a wider array of keyboards, including Hammond B3 organ, Hohner clavinet and pianet, ARP – and EMI synthesizers, harpsichord, Solina string-ensemble, Mellotron and church organ. He even used the sound of a bagpipe. The music on the eponymous debut album is a treat for fans from bands like The NICE, ELP, TRIUMVIRAT and early LE ORME. It delivers exciting, often sumptuous, keyboard driven symphonic rock: the mainly instrumental music is loaded with virtuosic keyboard runs, swirling Hammond organ and majestic Mellotron, supported by a powerful and propulsive rhythm-section. The Musea CD-release contains two bonustracks (“Progress” and “Tabu”) and the history of Trace with nice pictures. Recommended to all progheads who want to be blown away by ‘keyboard pyrotechnics’ in the vein of Keith Emerson, Patrick Moraz or Toshio Egawa (from GERARD).
    Review by erik neuteboom, progarchives.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: