Tags
Language
Tags
May 2025
Su Mo Tu We Th Fr Sa
27 28 29 30 1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Tom Waits - Mule Variations (1999/2017) [Official Digital Download 24-bit/96kHz]

    Posted By: HDV
    Tom Waits - Mule Variations (1999/2017) [Official Digital Download 24-bit/96kHz]

    Tom Waits - Mule Variations (1999/2017) [Remastered]
    FLAC (tracks) 24-bit/96 kHz | Time - 70:40 minutes | 1,48 GB
    Studio Master, Official Digital Download | Artwork: Front cover

    Not much else can be said about this album other than this is Tom Waits at his best. Tom Waits is one of the most innovative artists in popular music. His singular vision embraces everything from blues to tin-pan-alley to jazz to just about anything else you can think of. Grammy winner, actor, poet, a master of the musical collage and lyrical surprise, Tom Waits is simply a giant. Mule Variations offers the most complete picture of Tom Waits of any of his albums. Edgy stomps, humor and experimentation are interspersed with some of the most beautiful and personal songs he’s ever written.

    om Waits grew steadily less prolific after redefining himself as a junkyard noise poet with Swordfishtrombones, but the five-year wait between The Black Rider and 1999's Mule Variations was the longest yet. Given the fact that Waits decided to abandon major labels for the California indie Epitaph, Mule Variations would seem like a golden opportunity to redefine himself and begin a new phase of his career. However, it plays like a revue of highlights from every album he's made since Swordfishtrombones. Of course, that's hardly a criticism; the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish. So Mule Variations delivers what fans want, in terms of both songs and sonics. But that also explains why it sounds terrific on initial spins, only to reveal itself as slightly dissatisfying with subsequent plays. All of Waits' Island records felt like fully conceived albums with genuine themes. Mule Variations, in contrast, is a collection of moments, and while each of those moments is very good (some even bordering on excellent), ultimately the whole doesn't equal the sum of its parts. While that may seem like nitpicking, some may have wanted a masterpiece after five years, and Mule Variations falls short of that mark. Nevertheless, this is a hell of a record by any other standard. Waits is still writing terrific songs and matching them with wildly evocative productions; furthermore, it's his lightest record in years – it's actually fun to listen to, even with a murder ballad here and a psycho blues there. In that sense, it's a unique item in his post-Swordfish catalog, and that may make up for it not being the masterpiece it seemed like it could have been.

    Tracklist:

    01 - Big In Japan
    02 - Lowside Of The Road
    03 - Hold On
    04 - Get Behind The Mule
    05 - House Where Nobody Lives
    06 - Cold Water
    07 - Pony
    08 - What's He Building?
    09 - Black Market Baby
    10 - Eyeball Kid
    11 - Picture In A Frame
    12 - Chocolate Jesus
    13 - Georgia Lee
    14 - Filipino Box Spring Hog
    15 - Take It With Me
    16 - Come On Up To The House

    Digitally Remastered.

    Analyzed: Tom Waits / Mule Variations (Remastered)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR8 -1.25 dB -10.33 dB 4:05 01-Big In Japan (Remastered)
    DR9 -1.25 dB -11.78 dB 2:59 02-Lowside Of The Road (Remastered)
    DR10 -1.25 dB -13.17 dB 5:34 03-Hold On (Remastered)
    DR9 -1.24 dB -11.45 dB 6:52 04-Get Behind The Mule (Remastered)
    DR13 -1.25 dB -16.06 dB 4:14 05-House Where Nobody Lives (Remastered)
    DR9 -1.24 dB -11.49 dB 5:23 06-Cold Water (Remastered)
    DR10 -1.25 dB -14.04 dB 4:33 07-Pony (Remastered)
    DR14 -1.25 dB -18.38 dB 3:20 08-What's He Building? (Remastered)
    DR11 -1.25 dB -13.70 dB 5:02 09-Black Market Baby (Remastered)
    DR9 -1.23 dB -11.43 dB 4:26 10-Eyeball Kid (Remastered)
    DR10 -1.25 dB -13.27 dB 3:40 11-Picture In A Frame (Remastered)
    DR11 -1.25 dB -14.35 dB 3:55 12-Chocolate Jesus (Remastered)
    DR9 -1.25 dB -12.52 dB 4:24 13-Georgia Lee (Remastered)
    DR8 -1.24 dB -11.03 dB 3:10 14-Filipino Box Spring Hog (Remastered)
    DR10 -1.25 dB -13.37 dB 4:25 15-Take It With Me (Remastered)
    DR8 -1.25 dB -10.53 dB 4:37 16-Come On Up To The House (Remastered)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 16
    Official DR value: DR10

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2903 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!