![The Stooges - Live at Goose Lake: August 8th 1970 (2020) [24bit/192kHz]](https://pixhost.icu/avaxhome/a9/dc/007adca9_medium.jpg)
The Stooges - Live at Goose Lake: August 8th 1970 (2020) [24bit/192kHz]
![The Stooges - Live at Goose Lake: August 8th 1970 (2020) [24bit/192kHz]](https://pixhost.icu/avaxhome/a9/dc/007adca9.jpg)
The Stooges - Live at Goose Lake: August 8th 1970 (2020)
Vinyl Rip | FLAC (tracks) 24-bit/192 kHz | Time - 40:27 minutes | 1,5 GB | Artwork - 26 MB
Punk Rock, Garage Punk, Avant-Punk | Label: Third Man Records
Vinyl Rip | FLAC (tracks) 24-bit/192 kHz | Time - 40:27 minutes | 1,5 GB | Artwork - 26 MB
Punk Rock, Garage Punk, Avant-Punk | Label: Third Man Records
The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges.
But what if that simply…wasn’t the case? What if you could prove otherwise? Well, it’d be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan’s electric set at Newport in ‘65. Irrefutable evidence of what ACTUALLY went down.
Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4” stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band.
Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece Fun House, the sound, the performance, everything about this record is revelatory.
Would you believe that…Alexander actually DID play bass on this occasion? Or that, despite grievous failures on some songs, Alexander is damn solid on others? Especially on the bass-led songs “Dirt” and “Fun House”? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise.
Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees.
Tracklist:
A1 – Intro
A2 – Loose
A3 – Down On The Street
A4 – T.V. Eye
A5 – Dirt
B1 – 1970 (I Feel Alright)
B2 – Fun House
B3 – L.A. Blues
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2020-08-10 17:54:26
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Stooges / Live At Goose Lake August 8th, 1970
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.61 dB -22.95 dB 0:38 A1-Intro
DR12 -0.53 dB -14.23 dB 3:10 A2-Loose
DR12 -1.70 dB -15.48 dB 4:20 A3-Down On The Street
DR13 -0.61 dB -16.13 dB 6:04 A4-T.V. Eye
DR12 -1.88 dB -17.44 dB 7:44 A5-Dirt
DR11 -0.61 dB -14.33 dB 4:07 B1-1970 (I Feel Alright)
DR11 -0.53 dB -12.80 dB 6:24 B2-Fun House
DR11 -1.54 dB -15.84 dB 8:01 B3-L.A. Blues
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5254 kbps
Codec: FLAC
================================================================================
log date: 2020-08-10 17:54:26
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Stooges / Live At Goose Lake August 8th, 1970
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.61 dB -22.95 dB 0:38 A1-Intro
DR12 -0.53 dB -14.23 dB 3:10 A2-Loose
DR12 -1.70 dB -15.48 dB 4:20 A3-Down On The Street
DR13 -0.61 dB -16.13 dB 6:04 A4-T.V. Eye
DR12 -1.88 dB -17.44 dB 7:44 A5-Dirt
DR11 -0.61 dB -14.33 dB 4:07 B1-1970 (I Feel Alright)
DR11 -0.53 dB -12.80 dB 6:24 B2-Fun House
DR11 -1.54 dB -15.84 dB 8:01 B3-L.A. Blues
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5254 kbps
Codec: FLAC
================================================================================
o Hardware:
• TT: Clearaudio “Custom”
• Motor controller: Pro-Ject Speed Box SE II
• Cartridge: Clearaudio SYMPHONY V2 MC
• Interconnects: Clearaudio (Original)
• Phonopreamplifier: Pro-Ject Phono Box RS
o Cleaning process:
• Wood glue: no
• Nessie Vinylcleaner Record Cleaning Maschine: yes
o Recording:
• Recording:
Pro-Ject Phono Box RS –> connected with a Steinberg UR22 –> connected via USB to a WIN10 Personal Computer (Intel(R) Core(TM) i7-4790 CPU @ 3.60GHz) –> Recording Software: iZotope RX3
• Microphone cable: XLR (female) - 6.3 mono jack
• Monitor/Headphone: AUDEZE ISINE10 - IN-EAR / Bowers & Wilkins P7 - OVER EAR / SONY WH-1000XM3 - OVER EAR
o Software / Treatment /Tagging
This is what I do in general. Not every step is done for all my rips – otherwise as mentioned below:
o Clickrepair
• Light de-Clicking, significant clicks/anomalies manually removing
• De-Noising: no
• @ Level: 30 (YES!) I decide if it will be repaired or not! 100% handmade! / non automatic mode;
• heavy clicks / anomalies, mark the region, copy in a new (iZotope RX Advanced) temp-file.
Open in Clickrepair (every option off) and let it run until the click/part and repair/removing manually
(Clickrepair is able to calculate the possible groove running, try out how it most fits …)
o iZotope RX Advanced
• manual click/anomalies removal – very carefully (if necessary) / various settings (mine)
Clicks - Algorithm: Single-band, Click type: Click, Sensitivity: 1.2, Click widening [ms]: 0.0
Decrackle (only gap, Lead-in, Lead-out)* - Quality: High, Amplitude skew: 9.0
Clicks (only gap, Lead-in, Lead-out)* - Algorithm: Single-band, Click type: Click, Sensitivity: 9, Click widening [ms]: 0.0
Clicks/pops - Algorithm: M-Band (random clicks), Click type: Discontinuity, Sensitivity: 5, Click widening [ms]: 4.0
Clicks/pops - Algorithm: M-Band (random clicks), Click type: Custom, Sensitivity: 5, Click widening [ms]: 2.0
Thumps - Algorithm: M-Band (random clicks), Click type: Thump, Sensitivity: 4, Frequency skew: -5.0, Click widening [ms]: 0.0
Denoise - (only gap, Lead-in, Lead-out)* Dialog/Manual, Threshold: -1.5, Reduction: 5.5, click "Learn" and "Process"
Hum - (only gap, Lead-in, Lead-out)* Base frequency 50 Hz(Germany), Filter Q: 97,7, 1 harmonics, Harmonic gains [dB]: -45.0, Filter DC-offset: yes
Gain (YES) - Normalize - Target peak level: -0.53 dBFS
* NO Signal will be harmed!
• split into individual tracks
• A final listening of each track
o FLAC
• dbPowerAmp: Level 5
o Tagging/DR-Log
• pre-Tagging: via FOOBAR2000 -> Discogs-link (Discogs release - if available)
• DR-Log: via FOOBAR2000 (by using the 24-bit/96khz cleaned wave files)
• Final Tagging: via MP3tag (fine tuning, incl. some individual Tags)
o Artwork
• Brother MFC Scanner
• Microsoft Image Composite Editor Version 2.0.3.0 (64bit) (Freeware) – Image Stitcher
• Corel PSP Pro 2019 (64-bit) – Preparation
• TT: Clearaudio “Custom”
• Motor controller: Pro-Ject Speed Box SE II
• Cartridge: Clearaudio SYMPHONY V2 MC
• Interconnects: Clearaudio (Original)
• Phonopreamplifier: Pro-Ject Phono Box RS
o Cleaning process:
• Wood glue: no
• Nessie Vinylcleaner Record Cleaning Maschine: yes
o Recording:
• Recording:
Pro-Ject Phono Box RS –> connected with a Steinberg UR22 –> connected via USB to a WIN10 Personal Computer (Intel(R) Core(TM) i7-4790 CPU @ 3.60GHz) –> Recording Software: iZotope RX3
• Microphone cable: XLR (female) - 6.3 mono jack
• Monitor/Headphone: AUDEZE ISINE10 - IN-EAR / Bowers & Wilkins P7 - OVER EAR / SONY WH-1000XM3 - OVER EAR
o Software / Treatment /Tagging
This is what I do in general. Not every step is done for all my rips – otherwise as mentioned below:
o Clickrepair
• Light de-Clicking, significant clicks/anomalies manually removing
• De-Noising: no
• @ Level: 30 (YES!) I decide if it will be repaired or not! 100% handmade! / non automatic mode;
• heavy clicks / anomalies, mark the region, copy in a new (iZotope RX Advanced) temp-file.
Open in Clickrepair (every option off) and let it run until the click/part and repair/removing manually
(Clickrepair is able to calculate the possible groove running, try out how it most fits …)
o iZotope RX Advanced
• manual click/anomalies removal – very carefully (if necessary) / various settings (mine)
Clicks - Algorithm: Single-band, Click type: Click, Sensitivity: 1.2, Click widening [ms]: 0.0
Decrackle (only gap, Lead-in, Lead-out)* - Quality: High, Amplitude skew: 9.0
Clicks (only gap, Lead-in, Lead-out)* - Algorithm: Single-band, Click type: Click, Sensitivity: 9, Click widening [ms]: 0.0
Clicks/pops - Algorithm: M-Band (random clicks), Click type: Discontinuity, Sensitivity: 5, Click widening [ms]: 4.0
Clicks/pops - Algorithm: M-Band (random clicks), Click type: Custom, Sensitivity: 5, Click widening [ms]: 2.0
Thumps - Algorithm: M-Band (random clicks), Click type: Thump, Sensitivity: 4, Frequency skew: -5.0, Click widening [ms]: 0.0
Denoise - (only gap, Lead-in, Lead-out)* Dialog/Manual, Threshold: -1.5, Reduction: 5.5, click "Learn" and "Process"
Hum - (only gap, Lead-in, Lead-out)* Base frequency 50 Hz(Germany), Filter Q: 97,7, 1 harmonics, Harmonic gains [dB]: -45.0, Filter DC-offset: yes
Gain (YES) - Normalize - Target peak level: -0.53 dBFS
* NO Signal will be harmed!
• split into individual tracks
• A final listening of each track
o FLAC
• dbPowerAmp: Level 5
o Tagging/DR-Log
• pre-Tagging: via FOOBAR2000 -> Discogs-link (Discogs release - if available)
• DR-Log: via FOOBAR2000 (by using the 24-bit/96khz cleaned wave files)
• Final Tagging: via MP3tag (fine tuning, incl. some individual Tags)
o Artwork
• Brother MFC Scanner
• Microsoft Image Composite Editor Version 2.0.3.0 (64bit) (Freeware) – Image Stitcher
• Corel PSP Pro 2019 (64-bit) – Preparation
Thanks to the Original customer!