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    The Blasters - American Music (1980) - VINYL - (Hightone re-issue) - 24-bit/96kHz plus CD-compatible format

    Posted By: eharmonica
    The Blasters - American Music (1980) - VINYL - (Hightone re-issue) - 24-bit/96kHz plus CD-compatible format

    Blasters - American Music (1980) - VINYL
    Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u's, md5 checksum, no cue or log (vinyl) | RS + HotFile
    1010 MB (24/96) or 330 MB redbook | Artwork | Rock | 1980

    Here's the first recordings by The Blasters. This pressing is a re-issue with 6 bonus tracks. A special place in my heart is reserved for "Crazy Baby" because an old girlfriend of mine who had those words tatoo-ed on her breast.

    Here's the first recordings by The Blasters. This pressing is a re-issue with 6 bonus tracks. A special place in my heart is reserved for "Crazy Baby" because an old girlfriend of mine who had the words "Crazy Baby" tatoo-ed on her breast. Never mind her great ass. Come to think of it, maybe it isn't the tatoo I think of after all….


    From allmusic:
    Review by William Ruhlmann
    Right from the beginning, with Dave Alvin's title song, the Blasters made their statement, that basic rock & roll was as contemporary in 1980 as it had been in the mid-'50s. The other 12 tracks, which mixed Dave and Phil Alvin originals with covers like "I Wish You Would" and "Never No More Blues," reiterated the opening remark, re-creating the feel of a biker bar after a couple of tall ones. Actually, the Blasters didn't have much to say beyond this record, of which only a couple of thousand copies were pressed, but they went on to a few years with Warner Bros. [In the late '90s, the debut was released on CD with six bonus tracks, all covers, and that statement seemed just as valid as it had at first.]

    A curious first line here from Chistgau:
    One of two bands cited as proof that L.A. punks aren't just bigots with mohawks (the other, the Go-Go's, has–gulp!–girls in it), these rock and rollers don't quite fit their rockabilly revivalist pigeonhole. Where the average Whitecat is so pencil-necked he can hardly hold up an acoustic bass, they have muscles, and where the average Rockin' Ronnie Weiser signing is a barely literate has-been who never really was, they have brains and potential. Or so songs like "Barn Burning" and, believe it or not, "American Music" lead one to believe. They do get that chickenshit Scotty Moore guitar sound right, though. With Ronnie at the boards, they don't have much choice. B+

    Sounds disappointed that he likes them, huh? That's East Coast snobbery/stupidity for you. In spades.


    01 - American Music.flac
    02 - Real Rock Drive.flac
    03 - Barefoot Rock.flac
    04 - I Don't Want To.flac
    05 - Marie Marie.flac
    06 - I Wish You Would.flac
    07 - She Ain't Got The Beat.flac
    08 - Flat Top Joint.flac
    09 - Crazy Baby.flac
    10 - Never No More Blues.flac
    11 - Buzz Buzz Buzz.flac
    12 - She's Gone Away.flac
    13 - Barn Burning.flac
    14 - 21 Days In Jail.flac
    15 - Love 24 Hours A Day.flac
    16 - I Fell In Love.flac
    17 - Cry For Me.flac
    18 - I'm Glad.flac
    19 - Ashamed Of Myself.flac
    20 - Lone Wolf.flac



    No music was harmed in the making of this vinyl rip.





    This is what I do in general. Not every step is done for all rips:
    LP > Rega P1 with Ortofon Super 30 > TC-750LC > E-Mu 0202 > Adobe Audition 3 (AA) @ 96kHz 32bit float > Manual click removal in AA > Click

    Repair set @ 20 > AA used to balance L/R > (for MONO: Equalizer (from the ClickRepair guy) used to combine L+R >) AA to split tracks, fade

    in/out, and for manual click removal >

    for 24bit: use AA to truncate the 32bit file >
    for 16bit: Izoptope RX Advanced to resample the 32bit file to 44.1kHz > and then to dither to`16bit using MBIT+ >

    All > Trader's Little Helper to FLAC and (for 16bit: sector align if necessary, pad) > MP3 Tagger to edit tags.

    "16bit" = 16bit at 44.1kHz
    "24bit" = 24bit at 96kHz



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