![Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [Official Digital Download 24-bit/96kHz]](https://pixhost.icu/avaxhome/ed/a3/0030a3ed_medium.jpeg)
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [Official Digital Download 24-bit/96kHz]
![Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [Official Digital Download 24-bit/96kHz]](https://pixhost.icu/avaxhome/ed/a3/0030a3ed.jpeg)
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 74:35 minutes | 1,33 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum - one of the highlights of Vesperae solennes de confessore which conclude the disc.
Tracklist:
01 - Requiem, K626 (1791) - I. Introitus: Requiem
02 - Requiem, K626 (1791) - II. Kyrie
03 - Requiem, K626 (1791) - III. Sequentia - 1. Dies irae
04 - Requiem, K626 (1791) - III. Sequentia - 2. Tuba mirum
05 - Requiem, K626 (1791) - III. Sequentia - 3. Rex tremendae
06 - Requiem, K626 (1791) - III. Sequentia - 4. Recordare
07 - Requiem, K626 (1791) - III. Sequentia - 5. Confutatis
08 - Requiem, K626 (1791) - III. Sequentia - 6. Lacrimosa
09 - Requiem, K626 (1791) - III. Sequentia - 7. Amen
10 - Requiem, K626 (1791) - IV. Offertorium - 1. Domine Jesu
11 - Requiem, K626 (1791) - IV. Offertorium - 2. Hostias
12 - Requiem, K626 (1791) - V. Sanctus
13 - Requiem, K626 (1791) - VI. Benedictus
14 - Requiem, K626 (1791) - VII. Agnus Dei
15 - Requiem, K626 (1791) - VIII. Communio: Lux aeterna
16 - Vesperae solennes de confessore, K339 (1780) - I. Dixit Dominus (Psalm 109)
17 - Vesperae solennes de confessore, K339 (1780) - II. Confitebor (Psalm 110)
18 - Vesperae solennes de confessore, K339 (1780) - III. Beatus vir (Psalm 111)
19 - Vesperae solennes de confessore, K339 (1780) - IV. Laudate pueri (Psalm 112)
20 - Vesperae solennes de confessore, K339 (1780) - V. Laudate Dominum (Psalm 116)
21 - Vesperae solennes de confessore, K339 (1780) - VI. Magnificat
22 - Appendix: Tuba mirum from Requiem, alternative version (see notes by Masato Suzuki)
Musicians:
Carolyn Sampson: soprano
Marianne Beate Kielland: mezzo-soprano
Makoto Sakurada: tenor
Christian Immler: baritone
Bach Collegium Japan Chorus & Orchestra - Conducted by Masaaki Suzuki
Analyzed: Marianne Beate Kielland, Sampson, Carolyn, Sakurada, Makoto, Immler, Christian / Mozart - Requiem
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.25 dB -19.93 dB 4:25 1/22-(Requiem, K626 (1791)) - I. Introitus: Requiem
DR12 -0.13 dB -17.26 dB 2:19 2/22-(Requiem, K626 (1791)) - II. Kyrie
DR12 -0.05 dB -15.80 dB 1:58 3/22-(Requiem, K626 (1791)) - III. Sequentia - 1. Dies irae
DR14 -4.17 dB -26.34 dB 2:50 4/22-(Requiem, K626 (1791)) - III. Sequentia - 2. Tuba mirum
DR14 -1.55 dB -20.08 dB 1:59 5/22-(Requiem, K626 (1791)) - III. Sequentia - 3. Rex tremendae
DR16 -0.83 dB -22.22 dB 4:06 6/22-(Requiem, K626 (1791)) - III. Sequentia - 4. Recordare
DR13 -3.97 dB -22.93 dB 2:19 7/22-(Requiem, K626 (1791)) - III. Sequentia - 5. Confutatis
DR13 -0.08 dB -20.14 dB 3:06 8/22-(Requiem, K626 (1791)) - III. Sequentia - 6. Lacrimosa
DR10 -2.00 dB -19.93 dB 1:06 9/22-(Requiem, K626 (1791)) - III. Sequentia - 7. Amen
DR13 -1.05 dB -20.19 dB 3:12 10/22-(Requiem, K626 (1791)) - IV. Offertorium - 1. Domine Jesu
DR13 -1.55 dB -20.49 dB 3:22 11/22-(Requiem, K626 (1791)) - IV. Offertorium - 2. Hostias
DR12 -1.52 dB -17.85 dB 1:25 12/22-(Requiem, K626 (1791)) - V. Sanctus
DR14 -3.84 dB -23.31 dB 5:12 13/22-(Requiem, K626 (1791)) - VI. Benedictus
DR13 -1.24 dB -21.01 dB 3:37 14/22-(Requiem, K626 (1791)) - VII. Agnus Dei
DR13 -2.15 dB -20.43 dB 5:20 15/22-(Requiem, K626 (1791)) - VIII. Communio: Lux aeterna
DR13 -1.29 dB -18.07 dB 4:13 16/22-(Vesperae solennes de confessore, K339 (1780)) - I. Dixit Dominus (Psalm 109)
DR13 -0.94 dB -20.14 dB 4:13 17/22-(Vesperae solennes de confessore, K339 (1780)) - II. Confitebor (Psalm 110)
DR13 -2.42 dB -20.28 dB 4:48 18/22-(Vesperae solennes de confessore, K339 (1780)) - III. Beatus vir (Psalm 111)
DR12 -2.92 dB -19.24 dB 3:11 19/22-(Vesperae solennes de confessore, K339 (1780)) - IV. Laudate pueri (Psalm 112)
DR13 -5.05 dB -24.66 dB 4:10 20/22-(Vesperae solennes de confessore, K339 (1780)) - V. Laudate Dominum (Psalm 116)
DR13 -0.60 dB -18.45 dB 4:24 21/22-(Vesperae solennes de confessore, K339 (1780)) - VI. Magnificat
DR17 -3.37 dB -26.38 dB 3:19 22/22-Tuba mirum from Requiem, alternative version
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2294 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.25 dB -19.93 dB 4:25 1/22-(Requiem, K626 (1791)) - I. Introitus: Requiem
DR12 -0.13 dB -17.26 dB 2:19 2/22-(Requiem, K626 (1791)) - II. Kyrie
DR12 -0.05 dB -15.80 dB 1:58 3/22-(Requiem, K626 (1791)) - III. Sequentia - 1. Dies irae
DR14 -4.17 dB -26.34 dB 2:50 4/22-(Requiem, K626 (1791)) - III. Sequentia - 2. Tuba mirum
DR14 -1.55 dB -20.08 dB 1:59 5/22-(Requiem, K626 (1791)) - III. Sequentia - 3. Rex tremendae
DR16 -0.83 dB -22.22 dB 4:06 6/22-(Requiem, K626 (1791)) - III. Sequentia - 4. Recordare
DR13 -3.97 dB -22.93 dB 2:19 7/22-(Requiem, K626 (1791)) - III. Sequentia - 5. Confutatis
DR13 -0.08 dB -20.14 dB 3:06 8/22-(Requiem, K626 (1791)) - III. Sequentia - 6. Lacrimosa
DR10 -2.00 dB -19.93 dB 1:06 9/22-(Requiem, K626 (1791)) - III. Sequentia - 7. Amen
DR13 -1.05 dB -20.19 dB 3:12 10/22-(Requiem, K626 (1791)) - IV. Offertorium - 1. Domine Jesu
DR13 -1.55 dB -20.49 dB 3:22 11/22-(Requiem, K626 (1791)) - IV. Offertorium - 2. Hostias
DR12 -1.52 dB -17.85 dB 1:25 12/22-(Requiem, K626 (1791)) - V. Sanctus
DR14 -3.84 dB -23.31 dB 5:12 13/22-(Requiem, K626 (1791)) - VI. Benedictus
DR13 -1.24 dB -21.01 dB 3:37 14/22-(Requiem, K626 (1791)) - VII. Agnus Dei
DR13 -2.15 dB -20.43 dB 5:20 15/22-(Requiem, K626 (1791)) - VIII. Communio: Lux aeterna
DR13 -1.29 dB -18.07 dB 4:13 16/22-(Vesperae solennes de confessore, K339 (1780)) - I. Dixit Dominus (Psalm 109)
DR13 -0.94 dB -20.14 dB 4:13 17/22-(Vesperae solennes de confessore, K339 (1780)) - II. Confitebor (Psalm 110)
DR13 -2.42 dB -20.28 dB 4:48 18/22-(Vesperae solennes de confessore, K339 (1780)) - III. Beatus vir (Psalm 111)
DR12 -2.92 dB -19.24 dB 3:11 19/22-(Vesperae solennes de confessore, K339 (1780)) - IV. Laudate pueri (Psalm 112)
DR13 -5.05 dB -24.66 dB 4:10 20/22-(Vesperae solennes de confessore, K339 (1780)) - V. Laudate Dominum (Psalm 116)
DR13 -0.60 dB -18.45 dB 4:24 21/22-(Vesperae solennes de confessore, K339 (1780)) - VI. Magnificat
DR17 -3.37 dB -26.38 dB 3:19 22/22-Tuba mirum from Requiem, alternative version
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2294 kbps
Codec: FLAC
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Thanks to the Original customer!