Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Sophie Yates - Bach: Complete English Suites (2021) [Official Digital Download 24/96]

    Posted By: delpotro
    Sophie Yates - Bach: Complete English Suites (2021) [Official Digital Download 24/96]

    Sophie Yates - Bach: Complete English Suites (2021)
    FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 148:58 minutes | 3,19 GB
    Classical | Label: Chandos Records, Official Digital Download

    There is no surviving autograph manuscript of Bach’s ‘English’ Suites, and for such a set of magnificent pieces, an important and well-loved part of the baroque keyboard ‘canon’, surprisingly little is known about its history. What we do know is that the suites are amongst Bach’s earlier works – probably written in the second decade of the eighteenth century – and that the appellation ‘English’ was not given to them until the 1750s. In order to understand these fascinating works on a deeper level, we have to appreciate the importance of dance in the cultural context of eighteenth-century Europe. As a social skill, the ability to dance correctly was considered so vital that every court had a Dancing Master, often French, who taught the different types of dances to aspiring courtiers. Because of this, dancing, and by extension the instrumental dance suite, was one of the factors contributing to French taste’s becoming a defining characteristic of the baroque style. As we know that the Dancing Master traditionally taught by playing tunes on the violin, it is quite possible that Bach’s own renditions of the dance forms were influenced by the playing of Jean-François Monjou – Dancing Master at the Cöthen court, where the young Johann Sebastian worked from 1717 until 1723. On that basis, acclaimed early keyboard specialist Sophie Yates has recorded these works on a double-manual Flemish harpsichord by Andrew Garlick, a copy of the petit ravalement instrument by Ioannes Ruckers, 1624, now at the Musée Unterlinden, Colmar, France.

    Tracklist:
    Disc 1 (01:14:05)
    1. Suite I, BWV 806: I. Prelude (02:51)
    2. Suite I, BWV 806: II. Allemande (06:28)
    3. Suite I, BWV 806: III. Courante I (01:58)
    4. Suite I, BWV 806: IV. Courante II avec deux Doubles (03:42)
    5. Suite I, BWV 806: V. Sarabande (04:27)
    6. Suite I, BWV 806: VI. Bourrée I - Bourrée II - (Bourrée I repetatur et claudatur) (05:08)
    7. Suite I, BWV 806: VII. Gigue (03:12)
    8. Suite II, BWV 807: I. Prelude (05:07)
    9. Suite II, BWV 807: II. Allemande (04:51)
    10. Suite II, BWV 807: III. Courante (02:04)
    11. Suite II, BWV 807: IV. Sarabande - Les agréments de la même Sarabande (04:01)
    12. Suite II, BWV 807: V. Bourrée I alternativement - Bourrée II - (05:19)
    13. Suite II, BWV 807: VI. Gigue - Da Capo (senza ripetizione) al Fine (03:48)
    14. Suite III, BWV 808: I. Prelude (03:24)
    15. Suite III, BWV 808: II. Allemande (04:37)
    16. Suite III, BWV 808: III. Courante (02:40)
    17. Suite III, BWV 808: IV. Sarabande - Les agréments de la même Sarabande (03:45)
    18. Suite III, BWV 808: V. Gavotte alternativement - Gavotte II ou la Musette (03:38)
    19. Suite III, BWV 808: VI. Gigue (03:05)

    Disc 2 (01:14:39)
    1. Suite IV, BWV 809: I. Prelude. Vitement (05:05)
    2. Suite IV, BWV 809: II. Allemande (04:19)
    3. Suite IV, BWV 809: III. Courante (01:51)
    4. Suite IV, BWV 809: IV. Sarabande (04:03)
    5. Suite IV, BWV 809: V. Menuet I - Menuet II - Repetatur Menuet I (03:51)
    6. Suite IV, BWV 809: VI. Gigue (03:46)
    7. Suite V, BWV 810: I. Prelude (05:05)
    8. Suite V, BWV 810: II. Allemande (04:47)
    9. Suite V, BWV 810: III. Courante (02:24)
    10. Suite V, BWV 810: IV. Sarabande (03:56)
    11. Suite V, BWV 810: V. Passepied I en Rondeau - Passepied II (03:54)
    12. Suite V, BWV 810: VI. Gigue (03:16)
    13. Suite VI, BWV 811: I. Prelude (09:04)
    14. Suite VI, BWV 811: II. Allemande (04:48)
    15. Suite VI, BWV 811: III. Courante (02:59)
    16. Suite VI, BWV 811: IV. Sarabande - Double (03:45)
    17. Suite VI, BWV 811: V. Gavotte I - Gavotte II - Repetatur Gavotte I (04:10)
    18. Suite VI, BWV 811: VI. Gigue (03:36)

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2021-09-30 15:03:56

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Sophie Yates / Bach: Complete English Suites
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -11.06 dB -25.81 dB 2:51 01-Bach: Suite I, BWV 806: I. Prelude
    DR12 -11.96 dB -26.32 dB 6:28 02-Bach: Suite I, BWV 806: II. Allemande
    DR11 -9.53 dB -22.95 dB 1:58 03-Bach: Suite I, BWV 806: III. Courante I
    DR11 -11.16 dB -25.20 dB 3:42 04-Bach: Suite I, BWV 806: IV. Courante II avec deux Doubles
    DR13 -10.77 dB -25.57 dB 4:27 05-Bach: Suite I, BWV 806: V. Sarabande
    DR12 -10.35 dB -24.72 dB 5:08 06-Bach: Suite I, BWV 806: VI. Bourrée I - Bourrée II - (Bourrée I repetatur et claudatur)
    DR11 -8.29 dB -22.95 dB 3:12 07-Bach: Suite I, BWV 806: VII. Gigue
    DR12 -9.01 dB -23.33 dB 5:08 08-Bach: Suite II, BWV 807: I. Prelude
    DR11 -11.92 dB -25.97 dB 4:51 09-Bach: Suite II, BWV 807: II. Allemande
    DR11 -9.70 dB -22.84 dB 2:05 10-Bach: Suite II, BWV 807: III. Courante
    DR13 -9.72 dB -25.96 dB 4:02 11-Bach: Suite II, BWV 807: IV. Sarabande - Les agréments de la même Sarabande
    DR11 -10.42 dB -25.44 dB 5:19 12-Bach: Suite II, BWV 807: V. Bourrée I alternativement - Bourrée II -
    DR12 -8.57 dB -22.13 dB 3:48 13-Bach: Suite II, BWV 807: VI. Gigue - Da Capo (senza ripetizione) al Fine
    DR11 -7.66 dB -22.73 dB 3:25 14-Bach: Suite III, BWV 808: I. Prelude
    DR12 -11.35 dB -25.89 dB 4:37 15-Bach: Suite III, BWV 808: II. Allemande
    DR12 -10.00 dB -23.63 dB 2:40 16-Bach: Suite III, BWV 808: III. Courante
    DR13 -10.23 dB -27.07 dB 3:46 17-Bach: Suite III, BWV 808: IV. Sarabande - Les agréments de la même Sarabande
    DR11 -11.77 dB -25.25 dB 3:39 18-Bach: Suite III, BWV 808: V. Gavotte alternativement - Gavotte II ou la Musette
    DR12 -9.42 dB -22.86 dB 3:05 19-Bach: Suite III, BWV 808: VI. Gigue
    DR13 -8.08 dB -23.61 dB 5:06 20-Bach: Suite IV, BWV 809: I. Prelude. Vitement
    DR12 -11.77 dB -26.54 dB 4:19 21-Bach: Suite IV, BWV 809: II. Allemande
    DR12 -9.54 dB -23.62 dB 1:52 22-Bach: Suite IV, BWV 809: III. Courante
    DR12 -11.98 dB -28.19 dB 4:03 23-Bach: Suite IV, BWV 809: IV. Sarabande
    DR12 -10.85 dB -25.40 dB 3:52 24-Bach: Suite IV, BWV 809: V. Menuet I - Menuet II - Repetatur Menuet I
    DR12 -7.61 dB -21.82 dB 3:46 25-Bach: Suite IV, BWV 809: VI. Gigue
    DR11 -8.71 dB -22.18 dB 5:06 26-Bach: Suite V, BWV 810: I. Prelude
    DR12 -10.34 dB -25.50 dB 4:48 27-Bach: Suite V, BWV 810: II. Allemande
    DR11 -9.78 dB -22.81 dB 2:24 28-Bach: Suite V, BWV 810: III. Courante
    DR12 -12.15 dB -27.91 dB 3:56 29-Bach: Suite V, BWV 810: IV. Sarabande
    DR11 -11.87 dB -25.94 dB 3:54 30-Bach: Suite V, BWV 810: V. Passepied I en Rondeau - Passepied II
    DR12 -9.31 dB -22.71 dB 3:17 31-Bach: Suite V, BWV 810: VI. Gigue
    DR12 -8.47 dB -23.27 dB 9:05 32-Bach: Suite VI, BWV 811: I. Prelude
    DR12 -11.31 dB -26.44 dB 4:49 33-Bach: Suite VI, BWV 811: II. Allemande
    DR11 -11.84 dB -25.44 dB 2:59 34-Bach: Suite VI, BWV 811: III. Courante
    DR13 -10.91 dB -28.27 dB 3:45 35-Bach: Suite VI, BWV 811: IV. Sarabande - Double
    DR11 -9.78 dB -23.29 dB 4:10 36-Bach: Suite VI, BWV 811: V. Gavotte I - Gavotte II - Repetatur Gavotte I
    DR12 -7.00 dB -21.13 dB 3:36 37-Bach: Suite VI, BWV 811: VI. Gigue
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 37
    Official DR value: DR12

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 3286 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!