Sonny Rollins - Rollins Plays For Bird (1956/2008/2014) [Official Digital Download]

When Charlie Parker died, people who never had done anything in recognition of his great talent, suddenly rushed to the mourner’s bench and delivered eulogies. This record is by musicians who knew him intimately, appreciated him tremendously during his lifetime and felt his loss far more acutely than any of the self-styled sufferers. This is a simple tribute in the form of a medley composed of seven tunes that were recorded and, for the most part, played often by Parker.

The medley was chosen by Sonny Rollins, the most important saxophonist carrying on and enriching the Parker tradition. Sonny also chose the musicians to help him play the tribute. At the time, the five together embodied the Max Roach Quintet. Leader Roach and Kenny Dorham had played with Parker in his quintets and were well qualified to take part in the tribute. While Wade Legge and George Morrow never worked with Bird, their playing is in keeping with the tenets of the Parker tradition. Oddly enough, the seven tunes are all from the post-1950 Parker repertoire.

As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird's passing. This idea poses some peculiar challenges, added on to the fact that the quintet of Rollins starts the proceedings with a 27-minute medley of seven tunes seamlessly stitched together. Pianist Wade Legge, an unsung hero of jazz in the '50s for sure, plays some wonderful music here, and laces the grooves of the tunes together, while bassist George Morrow and the always exceptional drummer Max Roach keep things moving forward. Even more unusual is that trumpeter Kenny Dorham is in many instances invisible on the date, playing less than a cursory role to Rollins. Dorham rarely plays together with him, and is much more separate than equal, which in many regards is a shame. Considering how well Dorham and tenor saxophonist Joe Henderson worked as a tandem, one wonders why this happened. The music certainly has its moments, as on the inexhaustible medley. Rollins plays the melody on alternating songs "I Remember You" and "They Can't Take That Away from Me," Dorham has at it for "My Melancholy Baby" and "Just Friends," with Legge getting his two cents in on trio only versions of "Old Folks" and "My Little Suede Shoes." Finally the whole band joins in on the ten-minute finale "Star Eyes." Even for the heartiest fans, this long-winded exercise might prove taxing. Rollins does the ballad "I've Grown Accustomed to Your (Her) Face," and the horns finally play together for the nearly 12-minute cool waltz "Kids Know." A disappointment in terms of the division of labor, and not the merging of titans jazz lovers would have wished for, this recording still provides a great deal of high level music that could have been so much more.

Tracklist:

01 - Medley: I Remember You / My Melancholy Baby / Old Folks / They Can’t Take That Away From Me / Just Friends / My Little Suede Shoes / Star Eyes
02 - Kid's Know
03 - I've Grown Accustomed To Your Face
04 - The House I Live In

Produced by Bob Weinstock.
Recorded on October 5, 1956 at Rudy Van Gelder Studio, Hackensack, New Jersey.
All transfers were made from the analog master tapes to digital at 24-bit resolution. Supervision by Bob Weinstock.
Remastered by Rudy Van Gelder at Van Gelder Studio in 2007.

Musicians:
Sonny Rollins - tenor saxophone
Kenny Dorham - trumpet
Wade Legge - piano
George Morrow - bass
Max Roach - drums

A Note From Rudy Van Gelder:
I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.

Thanks to the Original customer!