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    3. Camille Saint-Saëns - Malikova / WDR-SO Köln / Sanderling - Piano Concertos Nos. 3 & 5 (2007) {Hybrid-SACD // ISO & HiRes FLAC}

    Camille Saint-Saëns - Malikova / WDR-SO Köln / Sanderling - Piano Concertos Nos. 3 & 5 (2007) {Hybrid-SACD // ISO & HiRes FLAC}

    Posted By: luckburz
    Date: 27 Dec 2015 09:55:33
    Camille Saint-Saëns - Malikova / WDR-SO Köln / Sanderling - Piano Concertos Nos. 3 & 5 (2007) {Hybrid-SACD // ISO & HiRes FLAC}

    Camille Saint-Saëns - Piano Concertos Nos. 3 & 5
    Anna Malikova, Piano / WDR-Sinfonieorchester Köln / Thomas Sanderling
    SACD ISO (2.0/MCH): 2,75 GB | 24B/88,2kHz Stereo FLAC: 941 MB | Full Artwork
    Label/Cat#: Audite # aud 10.012 | Country/Year: Germany 2007 | 5% Recovery Info
    Genre: Classical | Style: Romantic

    MD5 [X] CUE [ ] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip [ ]

    Camille Saint-Saëns - Malikova / WDR-SO Köln / Sanderling - Piano Concertos Nos. 3 & 5 (2007) {Hybrid-SACD // ISO & HiRes FLAC}


    16908362[0x102004a]: SACD-Ripper Version 0.36
    16908362[0x102004a]: config: 00 00 00 0c 00 00 00 00 ff 41 00 04 00 00 00 00
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    16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908362[0x102004a]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 5d 90 00
    16908362[0x102004a]: device_info: 80 00 00 00 10 12 9e 70 80 00 00 00 00 58 e0 00
    16908362[0x102004a]: device_info: 00 00 00 00 00 00 00 00 00 00 00 00 7f ff ff ff
    16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908362[0x102004a]: disc inserted..
    16908362[0x102004a]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
    16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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    16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908362[0x102004a]: Album Title: Saint Saens Piano Concertos Vol2
    16908362[0x102004a]: Album Artist: Anna Malikova, Thomas Sanderling, WDR SO
    16908362[0x102004a]: Disc Version: 01.20
    16908362[0x102004a]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
    16908362[0x102004a]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
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    16908362[0x102004a]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 5d 90 00
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    16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908362[0x102004a]: succeeded. raw_spu number is 0
    16908362[0x102004a]: succeeded. entry d0
    16908362[0x102004a]: Establishing the interrupt tag on the interrupt PPU thread.
    16908362[0x102004a]: ioctl_report_key1[45023901] 0
    16908362[0x102004a]: sac_exec_generate_key 0 c9 0
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    16908362[0x102004a]: sac_exec_validate_key_3[0]
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    16908362[0x102004a]: Queuing raw: /dev_usb006/Anna Malikova, Thomas Sanderling, WDR SO - Saint Saens Piano Concertos Vol2.iso, start_lsn: 0, length_lsn: 1442112
    16908362[0x102004a]: disc ejected..
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    16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01

    Anna Malikova, Thomas Sanderling, Wdr So - [2004] Saint Saens Piano Concertos Vol2 [2.0] (SACD[PS3] - 24bit88.2kHz)
    ======================================================================================
    SACD[PS3]ISO to flac conversion using SACD_Conversion_script version 0.5

    Track list
    –––––

    01 Pno Concerto No 3, Moderato Assai - Piu Mosso (Allegro Maestoso) 14:07.72
    02 Andante 07:50.17
    03 Allegro No Troppo 08:23.07
    04 Pno Concerto No 5, Allegro Animato 12:24.36
    05 Andante - Allegretto Tranquillo Quasi Andantino 12:02.47
    06 Molto Allegro 06:10.13

    Technical Details
    ––––––––-

    01) ISO image created using sacd-ripper for PS3

    02) Edited Master Dff file extracted using SACD_Extract

    03) Edited Master Dff file analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

    04) Dff files for loudest tracks extracted from the ISO using SACD_Extract and converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with -6.00dB gain

    05) Non-clipping gain calculated using SoX

    06) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.00dB gain as calculated above

    07) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

    08) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

    09) Finalised tracks converted to flac [level 8] and tagged using tag.exe

    10) Dynamic Range measured using Foobar DR Meter plugin

    foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
    log date: 2014-12-02 20:06:11

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Anna Malikova, Thomas Sanderling, Wdr So / Saint Saens Piano Concertos Vol2
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -0.45 dB -23.19 dB 14:08 01-Pno Concerto No 3, Moderato Assai - Piu Mosso (Allegro Maestoso)
    DR14 -10.20 dB -33.12 dB 7:50 02-Andante
    DR15 -1.61 dB -21.15 dB 8:23 03-Allegro No Troppo
    DR14 -4.13 dB -25.64 dB 12:24 04-Pno Concerto No 5, Allegro Animato
    DR15 -6.91 dB -28.87 dB 12:02 05-Andante - Allegretto Tranquillo Quasi Andantino
    DR15 -1.49 dB -21.78 dB 6:10 06-Molto Allegro
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 6
    Official DR value: DR15

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2303 kbps
    Codec: FLAC
    ================================================================================


    foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
    log date: 2015-11-16 09:35:42

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Anna Malikova, Thomas Sanderling, Wdr So / Saint Saens Piano Concertos Vol2
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -0.45 dB -23.19 dB 14:08 01-Pno Concerto No 3, Moderato Assai - Piu Mosso (Allegro Maestoso)
    DR14 -10.20 dB -33.12 dB 7:50 02-Andante
    DR15 -1.61 dB -21.15 dB 8:23 03-Allegro No Troppo
    DR14 -4.13 dB -25.64 dB 12:24 04-Pno Concerto No 5, Allegro Animato
    DR15 -6.91 dB -28.87 dB 12:02 05-Andante - Allegretto Tranquillo Quasi Andantino
    DR15 -1.49 dB -21.78 dB 6:10 06-Molto Allegro
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 6
    Official DR value: DR15

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2303 kbps
    Codec: FLAC
    ================================================================================



    SACD Info:

    Camille Saint-Saëns - Piano Concertos Nos. 3 & 5

    Anna Malikova, Piano / WDR-Sinfonieorchester Köln / Thomas Sanderling

    Label: Audite
    Co-Prod.: WDR
    Catalog#: aud 10.012
    Format: Hybrid-SACD, Album, Stereo, Multichannel
    Country: Germany
    Released: 2007
    Genre: Classical
    Style: Romantic

    Info: Free Give-Away with Audite Catalogue 2007, originally issued in 2004 as audite 92.510, "C. Saint-Saëns: Piano Concertos Vol. II"

    Tracklist:

    1 Klavierkonzert Nr. 3 Es-dur op. 29 - Moderato assai - Più mosso (Allegro maes… 14:06
    2 Klavierkonzert Nr. 3 Es-dur op. 29 - Andante 7:50
    3 Klavierkonzert Nr. 3 Es-dur op. 29 - Allegro non troppo 8:23
    4 Klavierkonzert Nr. 5 F-dur op. 103 - Allegro animato 12:24
    5 Klavierkonzert Nr. 5 F-dur op. 103 - Andante - Allegretto tranquillo quasi an… 12:02
    6 Klavierkonzert Nr. 5 F-dur op. 103 - Molto allegro 6:10

    The basic issues concerning the recording of classical music remained unchanged for several decades. The first problem to be considered and solved was the inadequate quality of sound reproduction, but soon those involved ceased to be hampered by the limitations of recording techniques and were fully able to realize their own conceptions of how they wanted the music to sound.

    The leap from CD stereo to SACD Surround Sound represented another significant step forward. These newly emerging media will, however, be unable to effect any further relevant improvements. Their advantages are only seen to the full in the context of video productions. Those of us who prefer not to be distracted by pictures do not profit from these technical progress.

    So don’t let yourself to be confused by the daily advertisements for new formats! The basic issues concerning the presentation and recording of music are no longer determined by the medium, but only by the way performers and producers want the music to sound.

    audite does not intend to join the race for new formats; it will continue to work with SACD. Ludger Böckenhoff

    he five piano concertos of St.-Saens are not frequently heard and that is a shame in view of the endless repeats of the Tchaikovsky, Grieg and Schumann warhorses. They are all well-composed examples of the best of French instrumental music of the later 19th century and full of lovely melodies that would appeal greatly to concert audiences. I hadn’t enjoyed any of them for some time and it was a pleasure to have these two concertos in enveloping hi-res surround. I don’t know how we missed out on Vol. I but plan to check into that.
    Brian Bloom talks in his Denon receiver review this issue about the people who often prefer the stereo mix on SACDs to the multichannel. I admit I seldom check either the CD or stereo options anymore because I always hear about the same thing in comparison. I really can’t imagine why anyone with five properly matched and located speakers would prefer the stereo mix to the multichannel mix! On these concertos the two-channel option is excellent and there is little one would miss. However, when switching to the multichannel option the soundstage takes on a depth and breadth it didn’t have, and the piano is better separated from the sound of the orchestra. There’s much more “air” around everything. The piano still sounds too wide but that’s a given.
    The first movement of the Third Concerto is so bombastic one might almost think the composer was humorously depicting a lion or elephant from his Carnival of the Animals. It’s slow movement is rather brooding, but the finale is a colorful showpiece for the soloist. The Fifth Concerto is sometimes subtitled “Egyptian Concerto” because that is where it was composed. St.-Saens frequently spent time in North Africa, which had started when he was a child with a medical problems. He indicated the middle movement was a sort of tour of the Orient. One theme in it is a Nubian love song which the composer had heard boatmen on the Nile sing. The opening and closing movements are however thoroughly French. Orchestration is very colorful, with solos originating in the winds and strings. 4/5 ~audiophile-audition

    Camille Saint-Saëns - Malikova / WDR-SO Köln / Sanderling - Piano Concertos Nos. 3 & 5 (2007) {Hybrid-SACD // ISO & HiRes FLAC}


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