Rush - All The World’s A Stage (1976) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Rush - All The World’s A Stage
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1800mb & 500mb
Mastered At J.A.M.F.
Label: Mercury / SRM-2-7508 | Released: 1976 | Genre: Hard-Progressive
A1 Bastille Day 4:48
A2 Anthem 4:48
A3 Fly By Night / In The Mood 4:50
A4 Something For Nothing 3:50
–
B1 Lakeside Park 4:45
B2 2112 – I. Overture / II. The Temple Of Syrinx 6:48
B3 2112 – III. Presentation 4:25
B4 2112 – IV. Soliloquy / V. Grand Finale 4:38
–
C1 By-Tor & The Snow Dog 11:24
C2 In The End 7:50
–
D1 Working Man / Finding My Way 13:45
D2 What You’re Doing 5:44
Companies, etc.
Recorded At – Massey Hall
Mixed At – Toronto Sound Studios
Mastered At – J.A.M.F.
Manufactured By – Phonogram, Inc.
Distributed By – Phonodisc, Inc.
Published By – Core Music Publishing
Phonographic Copyright (p) – Phonogram, Inc.
Copyright © – Phonogram, Inc.
Credits
Bass, Vocals – Geddy Lee
Engineer – Terry Brown
Graphics – Hugh Syme
Guitar – Alex Lifeson
Percussion – Neil Peart
Photography By – David Street (3)
Producer – Rush, Terry Brown
Recorded By – Fedco Mobile Unit
Written-By – A. Lifeson* (tracks: A1, A2, B1 to D2), G. Lee* (tracks: A1 to B2, B4 to D2), N. Peart* (tracks: A1 to C1)
Notes
℗© 1976 Phonogram, Inc., a Polygram Company
Released in a Roll-Fold sleeve.
Discs are designed for continual play on auto-changer:
Record 1 contains A & D Sides; Record 2 contains B & C Sides
Recorded live at Massey Hall, Toronto on June 11, 12, 13, 1976
Label variation: Like Rush – All The World’s A Stage except less space between “Produced by Rush and Terry Brown” and “℗ 1976 Phonogram Inc.” on all labels.
Barcode and Other Identifiers
Matrix / Runout (A Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508 A-3 JAMF
Matrix / Runout (B Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-B3 JAMF
Matrix / Runout (C Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-C4 JAMF
Matrix / Runout (D Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-D4 JAMF
Matrix / Runout (A Side Etch, except JAMF, 2, A Stamp [Variant 2]): SRM-2-7508 A-3 JAMF 2 A
Matrix / Runout (B Side Etch, except JAMF Stamp [Variant 2]): P SRM-2-7508-D4 JAMF
Matrix / Runout (C Side Etch, except JAMF, ϛ Stamp [Variant 2]): P SRM-2-7508-B3 ϛ JAMF
Matrix / Runout (D Side Etch, except JAMF, ϛ Stamp [Variant 2]): SRM-2-7508-C4 ϛ JAMF
Rights Society: ASCAP
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1800mb & 500mb
Mastered At J.A.M.F.
Label: Mercury / SRM-2-7508 | Released: 1976 | Genre: Hard-Progressive
A1 Bastille Day 4:48
A2 Anthem 4:48
A3 Fly By Night / In The Mood 4:50
A4 Something For Nothing 3:50
–
B1 Lakeside Park 4:45
B2 2112 – I. Overture / II. The Temple Of Syrinx 6:48
B3 2112 – III. Presentation 4:25
B4 2112 – IV. Soliloquy / V. Grand Finale 4:38
–
C1 By-Tor & The Snow Dog 11:24
C2 In The End 7:50
–
D1 Working Man / Finding My Way 13:45
D2 What You’re Doing 5:44
Companies, etc.
Recorded At – Massey Hall
Mixed At – Toronto Sound Studios
Mastered At – J.A.M.F.
Manufactured By – Phonogram, Inc.
Distributed By – Phonodisc, Inc.
Published By – Core Music Publishing
Phonographic Copyright (p) – Phonogram, Inc.
Copyright © – Phonogram, Inc.
Credits
Bass, Vocals – Geddy Lee
Engineer – Terry Brown
Graphics – Hugh Syme
Guitar – Alex Lifeson
Percussion – Neil Peart
Photography By – David Street (3)
Producer – Rush, Terry Brown
Recorded By – Fedco Mobile Unit
Written-By – A. Lifeson* (tracks: A1, A2, B1 to D2), G. Lee* (tracks: A1 to B2, B4 to D2), N. Peart* (tracks: A1 to C1)
Notes
℗© 1976 Phonogram, Inc., a Polygram Company
Released in a Roll-Fold sleeve.
Discs are designed for continual play on auto-changer:
Record 1 contains A & D Sides; Record 2 contains B & C Sides
Recorded live at Massey Hall, Toronto on June 11, 12, 13, 1976
Label variation: Like Rush – All The World’s A Stage except less space between “Produced by Rush and Terry Brown” and “℗ 1976 Phonogram Inc.” on all labels.
Barcode and Other Identifiers
Matrix / Runout (A Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508 A-3 JAMF
Matrix / Runout (B Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-B3 JAMF
Matrix / Runout (C Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-C4 JAMF
Matrix / Runout (D Side Etch, except JAMF Stamp [Variant 1]): SRM-2-7508-D4 JAMF
Matrix / Runout (A Side Etch, except JAMF, 2, A Stamp [Variant 2]): SRM-2-7508 A-3 JAMF 2 A
Matrix / Runout (B Side Etch, except JAMF Stamp [Variant 2]): P SRM-2-7508-D4 JAMF
Matrix / Runout (C Side Etch, except JAMF, ϛ Stamp [Variant 2]): P SRM-2-7508-B3 ϛ JAMF
Matrix / Runout (D Side Etch, except JAMF, ϛ Stamp [Variant 2]): SRM-2-7508-C4 ϛ JAMF
Rights Society: ASCAP
Rush - All The World’s A Stage (1976) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Rush - All The World’s A Stage (1976) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Rush - All The World’s A Stage (1976) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz
This Rip: 2019
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
This LP: NM- / From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
They came riding from the North, ready to do battle with the notion that progressive rock was a dying art form. No disservice to JOHN RUTSEY, but new drummer/lyricist NEIL PEART was the missing chink in this power trio’s armor, as “Fly By Night” makes plain. This is a firestorm of a record, with music delivered in great chunks of hot metal: the epic “By-Tor and The Snow Dog”, the searing “Beneath, Between and Behind”, et al. PEART’s drumming, sometimes treated with an echo, is the perfect foil to LEE’s impassioned (if awkwardly high register) vocals and Lifeson’s gargantuan guitars. At this stage, RUSH hadn’t incorporated the standard LEE/LIFESON/PEART credits for their music, allowing various members to pair off in songwriting (including a song written completely by Lee, “Best I Can”). The title track, which served as the album’s single, is as catchy a song as they’ve written over their career (the style is reprised on “In The End”, my personal favorite on here). The LED ZEPPELIN comparisons still hold on a few tracks, notably “Making Memories”, which sounds like an outtake from “Houses of the Holy” (or a southern boogie band, given LIFESON’s leads). The band also slips into GENESIS territory on the delicate “Rivendell”, with LIFESON stretching out the guitar notes a la STEVE HACKETT.
“Fly By Night” may find the band groping for their own voice, but what I hear is a band throwing down the gauntlet and challenging for their own fiefdom in prog rock’s storied land.
Review by daveconn, progarchives.com
Welcome to the Dark Side of the Vinyl
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Vinyl / CUE/ FLAC/ High Definition Cover: