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Pieter-Jan Belder - J.S. Bach: Miscellaneous Pieces for Harpsichord (2022) [Official Digital Download 24/96]
![Pieter-Jan Belder - J.S. Bach: Miscellaneous Pieces for Harpsichord (2022) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/3d/79/0095793d.jpg)
Pieter-Jan Belder - J.S. Bach: Miscellaneous Pieces for Harpsichord (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 202:14 minutes | 4,29 GB
Classical | Label: Brilliant Classics, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 202:14 minutes | 4,29 GB
Classical | Label: Brilliant Classics, Official Digital Download
Over a career spanning more than 30 years, the Dutch harpsichordist and conductor Pieter-Jan Belder has become renowned as a Bach interpreter with his surveys in concert and on record of the keyboard and orchestral masterpieces such as The Well-Tempered Clavier, the Brandenburg Concertos and no fewer than three recordings of the Goldberg Variations.
On this new album, recorded in 2020 and 2021 on a modern Titus Crijnen copy of a Ruckers model, Pieter-Jan Belder turns to the overlooked corners of Bach’s early writing for the harpsichord. These include standalone fugues, fantasias and suites based on themes by contemporary composers such as Reincken and Albinoni. Nevertheless, there is no sense of routine or technical exercise about them. The pieces here are almost all extrovert, playing to the strengths of the young Bach as a performer as well as composer, and already demonstrating that confidence which would go on to mark his mature compositions. An appreciation of French flair is discernible in the F minor Suite BWV823 and elsewhere, but the dominant influence is the keyboard writing of Girolamo Frescobaldi, whose toccatas and canzonas were studied by Bach from an early age.
The better-known pieces here include the sober and songful Aria variata BWV989 with its courtly French theme, and the E flat Prelude, Fugue and Allegro originally written for lute, but which also finds a happy home on the harpsichord. The most famous but also most uncharacteristic piece is the mysterious Capriccio ‘on the departure of a beloved brother’ which appears to be a work of Bach’s late teenage years, though no definite corroborative proof of its commission or purpose has yet come to light. Rather, it seems unique in Bach’s output as a humorous parody of styles and emotions.
In his Bach “journey”; the recording of the complete keyboard works by Johann Sebastian Bach, harpsichordist Pieter-Jan Belder has compiled a collection of “miscellaneous” works, mostly early works: suites, sonatas, fantasias, variations, a capriccio, fugues and preludes & fugues. These pieces offer a fascinating insight in the “making of genius”, the experiments with musical ideas, form and rhetoric which clearly show the hand of the Master he became later.
Included are some very attractive works, like the Capriccio sopra la lontananza del Fratello dilettissimo BWV992, a delightful programmatic work, the Aria Variata BWV 989 and the Ouverture in F BWV 820.
Pieter-Jan Belder is currently engaged in the new recording of the complete keyboard works by Bach. Belder is one of the world’s foremost keyboard players, with an astonishing number of CD’s to his name: the complete Scarlatti Sonatas, Bach keyboard works, Rameau, Soler, Duphly, Marais, CPE Bach, Corelli, Purcell, Telemann, the complete Fitzwilliam Virginal Book…to be continued. Critics praise his versatility, his innate feeling for style, his impeccable technique: “Superb keyboard artistry and consummate technique”(MusicWeb), “alive, fresh-sounding and thoroughly engaged..” (Fanfare), “The most vital Bach performances of the moment” (Volkskrant).
Tracklist:
1. Fantasie A Minor, BWV 922 (07:22)
2. Ouverture in F Major, BWV 820: I. Ouverture (02:32)
3. Ouverture in F Major, BWV 820: II. Entrée (02:01)
4. Ouverture in F Major, BWV 820: III. Menuet 1&2 (02:25)
5. Ouverture in F Major, BWV 820: IV. Bourrée (01:00)
6. Ouverture in F Major, BWV 820: V. Gigue (00:42)
7. Sonata in D Major, BWV 963: I. Allegro (02:49)
8. Sonata in D Major, BWV 963: II. Adagio (00:50)
9. Sonata in D Major, BWV 963: III. Fuga (02:11)
10. Sonata in D Major, BWV 963: IV. Adagio (00:44)
11. Sonata in D Major, BWV 963: V. Thema all' imitatione Gallina Cucca (02:30)
12. Fugue in D Minor, BWV 948 (04:19)
13. Suite in F Minor, BWV 823: I. Prélude (01:47)
14. Suite in F Minor, BWV 823: II. Sarabande en Rondeau (03:22)
15. Suite in F Minor, BWV 823: III. Gigue (01:54)
16. Prelude and Fugue in B Minor on a Theme by Albinoni: I. Praeludium, BWV 923 (03:30)
17. Prelude and Fugue in B Minor on a Theme by Albinoni: II. Fuga, BWV 951 (08:06)
18. Praeludium et partita del tuono terza in F Major, BWV 833: I. Praeludium (01:25)
19. Praeludium et partita del tuono terza in F Major, BWV 833: II. Allemande (02:49)
20. Praeludium et partita del tuono terza in F Major, BWV 833: III. Courante (01:56)
21. Praeludium et partita del tuono terza in F Major, BWV 833: IV. Sarabande & Double (01:55)
22. Praeludium et partita del tuono terza in F Major, BWV 833: V. Air (01:25)
23. Prelude and Fugue in A Major, BWV 896: I. Praeludium (00:41)
24. Prelude and Fugue in A Major, BWV 896: II. Fuge (02:27)
25. Capriccio in honorem Johann Christoph Bachii Ohrdruf in E Major, BWV 993 (06:10)
26. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: I. Arioso, ist eine Schmeichelung der Freunde, um denselben von (02:10)
27. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: II. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in de (00:55)
28. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: III. Adagiosissimo Ist ein allgemeines Lamento der Freunde (01:17)
29. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: IV. Allhier kommen die Freunde, weil sie doch sehen, dass es and (02:50)
30. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: V. Allegro Poco, aria del Postiglione (01:39)
31. Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: VI. Fuga all' imitatione della Posta (05:52)
32. Suite in A Major, BWV 832: I. Allemande (05:40)
33. Suite in A Major, BWV 832: II. Air pour les Trompettes (02:58)
34. Suite in A Major, BWV 832: III. Sarabande (03:05)
35. Suite in A Major, BWV 832: IV. Bourrée (03:28)
36. Suite in A Major, BWV 832: V. Gigue (02:10)
37. Fugue in C Major, BWV 946 after Albinoni (03:39)
38. Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: I. Fantasia (05:09)
39. Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: II. Fuga (04:11)
40. Fugue in A Major, BWV 950 on a Theme by Albinoni (01:41)
41. Praeludium in C Minor, BWV 921 (05:20)
42. Fantasie in C Minor, BWV 1121 (01:55)
43. Sonata in A Minor, BWV 967 (01:40)
44. Fantasie in G Minor 'in duobus subiectis', BWV 917 (03:08)
45. Fugue in A Minor, BWV 947 (00:40)
46. Canzona in D Minor, BWV 588 (01:00)
47. Fugue in A Major, BWV 949 (02:34)
48. Praeludium in E-Flat Major, BWV 815 (02:44)
49. Fugue in B-Flat Major, BWV 955 on a Theme by Erselius (03:06)
50. Aria variata, BWV 989 (01:46)
51. Sonata in D Minor, BWV 965 after Reincken: I. Adagio (04:06)
52. Sonata in D Minor, BWV 965 after Reincken: II. Fuga (00:45)
53. Sonata in D Minor, BWV 965 after Reincken: III. Adagio (00:38)
54. Sonata in D Minor, BWV 965 after Reincken: IV. Presto (03:55)
55. Sonata in D Minor, BWV 965 after Reincken: V. Allemande (03:03)
56. Sonata in D Minor, BWV 965 after Reincken: VI. Courante (05:39)
57. Sonata in D Minor, BWV 965 after Reincken: VII. Sarabande (03:23)
58. Sonata in D Minor, BWV 965 after Reincken: VIII. Gigue (15:50)
59. Fugue in B-Flat Major, BWV 954 on a Theme by Reincken (01:47)
60. Sonate in C Major, BWV 966 after Reincken: I. Praeludium (03:44)
61. Sonate in C Major, BWV 966 after Reincken: II. Fuga (00:27)
62. Sonate in C Major, BWV 966 after Reincken: III. Adagio (00:36)
63. Sonate in C Major, BWV 966 after Reincken: IV. Allegro (04:47)
64. Sonate in C Major, BWV 966 after Reincken: V. Allemande (02:24)
65. Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: I. Praeludium (02:08)
66. Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: II. Fuge (06:43)
67. Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: III. Allegro (04:14)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-09-29 12:45:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter-Jan Belder / J.S. Bach: Miscellaneous Pieces for Harpsichord
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.01 dB -19.38 dB 7:22 01-Fantasie A Minor, BWV 922
DR13 -3.03 dB -18.07 dB 2:33 02-Ouverture in F Major, BWV 820: I. Ouverture
DR13 -4.20 dB -19.78 dB 2:01 03-Ouverture in F Major, BWV 820: II. Entrée
DR12 -6.92 dB -20.96 dB 2:25 04-Ouverture in F Major, BWV 820: III. Menuet 1&2
DR12 -6.10 dB -19.65 dB 1:01 05-Ouverture in F Major, BWV 820: IV. Bourrée
DR11 -4.78 dB -18.78 dB 0:43 06-Ouverture in F Major, BWV 820: V. Gigue
DR13 -4.66 dB -21.05 dB 2:50 07-Sonata in D Major, BWV 963: I. Allegro
DR13 -6.02 dB -21.88 dB 0:51 08-Sonata in D Major, BWV 963: II. Adagio
DR12 -6.75 dB -21.68 dB 2:12 09-Sonata in D Major, BWV 963: III. Fuga
DR14 -5.29 dB -24.17 dB 0:45 10-Sonata in D Major, BWV 963: IV. Adagio
DR14 -2.81 dB -19.13 dB 2:30 11-Sonata in D Major, BWV 963: V. Thema all' imitatione Gallina Cucca
DR14 -2.26 dB -18.49 dB 4:19 12-Fugue in D Minor, BWV 948
DR12 -3.67 dB -18.73 dB 1:48 13-Suite in F Minor, BWV 823: I. Prélude
DR12 -7.91 dB -22.87 dB 3:23 14-Suite in F Minor, BWV 823: II. Sarabande en Rondeau
DR13 -4.11 dB -18.80 dB 1:54 15-Suite in F Minor, BWV 823: III. Gigue
DR12 -2.51 dB -17.22 dB 3:31 16-Prelude and Fugue in B Minor on a Theme by Albinoni: I. Praeludium, BWV 923
DR13 -3.50 dB -18.72 dB 8:07 17-Prelude and Fugue in B Minor on a Theme by Albinoni: II. Fuga, BWV 951
DR12 -7.25 dB -21.25 dB 1:25 18-Praeludium et partita del tuono terza in F Major, BWV 833: I. Praeludium
DR13 -5.16 dB -22.04 dB 2:50 19-Praeludium et partita del tuono terza in F Major, BWV 833: II. Allemande
DR12 -4.31 dB -19.21 dB 1:57 20-Praeludium et partita del tuono terza in F Major, BWV 833: III. Courante
DR12 -10.69 dB -24.37 dB 1:56 21-Praeludium et partita del tuono terza in F Major, BWV 833: IV. Sarabande & Double
DR12 -4.18 dB -20.82 dB 1:25 22-Praeludium et partita del tuono terza in F Major, BWV 833: V. Air
DR11 -11.28 dB -24.38 dB 0:42 23-Prelude and Fugue in A Major, BWV 896: I. Praeludium
DR12 -4.73 dB -19.20 dB 2:28 24-Prelude and Fugue in A Major, BWV 896: II. Fuge
DR13 -2.68 dB -19.46 dB 6:11 25-Capriccio in honorem Johann Christoph Bachii Ohrdruf in E Major, BWV 993
DR12 -9.30 dB -22.96 dB 2:11 26-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: I. Arioso, ist eine Schmeichelung der Freunde, um denselben von seiner Reise Abzuhalten
DR12 -9.08 dB -22.36 dB 0:56 27-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: II. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten Vorfallen
DR12 -5.75 dB -19.71 dB 1:17 28-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: III. Adagiosissimo Ist ein allgemeines Lamento der Freunde
DR13 -5.76 dB -20.55 dB 2:50 29-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: IV. Allhier kommen die Freunde, weil sie doch sehen, dass es anders nicht sein kann, und nehmen Abschied
DR12 -10.22 dB -25.46 dB 1:40 30-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: V. Allegro Poco, aria del Postiglione
DR13 -5.34 dB -20.38 dB 5:53 31-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: VI. Fuga all' imitatione della Posta
DR13 -4.37 dB -20.72 dB 5:40 32-Suite in A Major, BWV 832: I. Allemande
DR13 -4.21 dB -19.74 dB 2:59 33-Suite in A Major, BWV 832: II. Air pour les Trompettes
DR13 -3.95 dB -19.52 dB 3:05 34-Suite in A Major, BWV 832: III. Sarabande
DR13 -3.64 dB -19.48 dB 3:29 35-Suite in A Major, BWV 832: IV. Bourrée
DR12 -8.15 dB -23.34 dB 2:10 36-Suite in A Major, BWV 832: V. Gigue
DR14 -5.55 dB -21.46 dB 3:40 37-Fugue in C Major, BWV 946 after Albinoni
DR13 -6.12 dB -22.31 dB 5:09 38-Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: I. Fantasia
DR12 -4.97 dB -20.55 dB 4:11 39-Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: II. Fuga
DR12 -3.99 dB -19.06 dB 1:41 40-Fugue in A Major, BWV 950 on a Theme by Albinoni
DR14 -4.46 dB -22.04 dB 5:20 41-Praeludium in C Minor, BWV 921
DR12 -9.38 dB -25.12 dB 1:55 42-Fantasie in C Minor, BWV 1121
DR13 -6.80 dB -23.73 dB 1:41 43-Sonata in A Minor, BWV 967
DR13 -9.94 dB -26.72 dB 3:09 44-Fantasie in G Minor 'in duobus subiectis', BWV 917
DR13 -5.43 dB -21.99 dB 0:40 45-Fugue in A Minor, BWV 947
DR12 -7.66 dB -22.50 dB 1:01 46-Canzona in D Minor, BWV 588
DR13 -4.73 dB -20.49 dB 2:35 47-Fugue in A Major, BWV 949
DR12 -9.15 dB -24.24 dB 2:45 48-Praeludium in E-Flat Major, BWV 815
DR14 -4.00 dB -20.44 dB 3:07 49-Fugue in B-Flat Major, BWV 955 on a Theme by Erselius
DR11 -8.17 dB -22.61 dB 1:46 50-Aria variata, BWV 989
DR12 -5.77 dB -19.65 dB 4:06 51-Sonata in D Minor, BWV 965 after Reincken: I. Adagio
DR11 -12.14 dB -25.48 dB 0:46 52-Sonata in D Minor, BWV 965 after Reincken: II. Fuga
DR11 -7.20 dB -20.58 dB 0:38 53-Sonata in D Minor, BWV 965 after Reincken: III. Adagio
DR12 -7.82 dB -23.04 dB 3:55 54-Sonata in D Minor, BWV 965 after Reincken: IV. Presto
DR13 -6.97 dB -22.47 dB 3:03 55-Sonata in D Minor, BWV 965 after Reincken: V. Allemande
DR12 -6.57 dB -22.09 dB 5:39 56-Sonata in D Minor, BWV 965 after Reincken: VI. Courante
DR12 -4.99 dB -19.70 dB 3:23 57-Sonata in D Minor, BWV 965 after Reincken: VII. Sarabande
DR14 -5.57 dB -22.30 dB 15:50 58-Sonata in D Minor, BWV 965 after Reincken: VIII. Gigue
DR11 -8.18 dB -23.25 dB 1:48 59-Fugue in B-Flat Major, BWV 954 on a Theme by Reincken
DR12 -6.81 dB -21.15 dB 3:45 60-Sonate in C Major, BWV 966 after Reincken: I. Praeludium
DR10 -13.90 dB -28.40 dB 0:27 61-Sonate in C Major, BWV 966 after Reincken: II. Fuga
DR11 -6.78 dB -19.84 dB 0:37 62-Sonate in C Major, BWV 966 after Reincken: III. Adagio
DR12 -9.35 dB -24.20 dB 4:48 63-Sonate in C Major, BWV 966 after Reincken: IV. Allegro
DR12 -6.81 dB -21.25 dB 2:25 64-Sonate in C Major, BWV 966 after Reincken: V. Allemande
DR13 -13.66 dB -28.81 dB 2:09 65-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: I. Praeludium
DR14 -5.01 dB -19.95 dB 6:44 66-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: II. Fuge
DR13 -4.01 dB -20.12 dB 4:14 67-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 67
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3162 kbps
Codec: FLAC
================================================================================
log date: 2022-09-29 12:45:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Pieter-Jan Belder / J.S. Bach: Miscellaneous Pieces for Harpsichord
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.01 dB -19.38 dB 7:22 01-Fantasie A Minor, BWV 922
DR13 -3.03 dB -18.07 dB 2:33 02-Ouverture in F Major, BWV 820: I. Ouverture
DR13 -4.20 dB -19.78 dB 2:01 03-Ouverture in F Major, BWV 820: II. Entrée
DR12 -6.92 dB -20.96 dB 2:25 04-Ouverture in F Major, BWV 820: III. Menuet 1&2
DR12 -6.10 dB -19.65 dB 1:01 05-Ouverture in F Major, BWV 820: IV. Bourrée
DR11 -4.78 dB -18.78 dB 0:43 06-Ouverture in F Major, BWV 820: V. Gigue
DR13 -4.66 dB -21.05 dB 2:50 07-Sonata in D Major, BWV 963: I. Allegro
DR13 -6.02 dB -21.88 dB 0:51 08-Sonata in D Major, BWV 963: II. Adagio
DR12 -6.75 dB -21.68 dB 2:12 09-Sonata in D Major, BWV 963: III. Fuga
DR14 -5.29 dB -24.17 dB 0:45 10-Sonata in D Major, BWV 963: IV. Adagio
DR14 -2.81 dB -19.13 dB 2:30 11-Sonata in D Major, BWV 963: V. Thema all' imitatione Gallina Cucca
DR14 -2.26 dB -18.49 dB 4:19 12-Fugue in D Minor, BWV 948
DR12 -3.67 dB -18.73 dB 1:48 13-Suite in F Minor, BWV 823: I. Prélude
DR12 -7.91 dB -22.87 dB 3:23 14-Suite in F Minor, BWV 823: II. Sarabande en Rondeau
DR13 -4.11 dB -18.80 dB 1:54 15-Suite in F Minor, BWV 823: III. Gigue
DR12 -2.51 dB -17.22 dB 3:31 16-Prelude and Fugue in B Minor on a Theme by Albinoni: I. Praeludium, BWV 923
DR13 -3.50 dB -18.72 dB 8:07 17-Prelude and Fugue in B Minor on a Theme by Albinoni: II. Fuga, BWV 951
DR12 -7.25 dB -21.25 dB 1:25 18-Praeludium et partita del tuono terza in F Major, BWV 833: I. Praeludium
DR13 -5.16 dB -22.04 dB 2:50 19-Praeludium et partita del tuono terza in F Major, BWV 833: II. Allemande
DR12 -4.31 dB -19.21 dB 1:57 20-Praeludium et partita del tuono terza in F Major, BWV 833: III. Courante
DR12 -10.69 dB -24.37 dB 1:56 21-Praeludium et partita del tuono terza in F Major, BWV 833: IV. Sarabande & Double
DR12 -4.18 dB -20.82 dB 1:25 22-Praeludium et partita del tuono terza in F Major, BWV 833: V. Air
DR11 -11.28 dB -24.38 dB 0:42 23-Prelude and Fugue in A Major, BWV 896: I. Praeludium
DR12 -4.73 dB -19.20 dB 2:28 24-Prelude and Fugue in A Major, BWV 896: II. Fuge
DR13 -2.68 dB -19.46 dB 6:11 25-Capriccio in honorem Johann Christoph Bachii Ohrdruf in E Major, BWV 993
DR12 -9.30 dB -22.96 dB 2:11 26-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: I. Arioso, ist eine Schmeichelung der Freunde, um denselben von seiner Reise Abzuhalten
DR12 -9.08 dB -22.36 dB 0:56 27-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: II. Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde könnten Vorfallen
DR12 -5.75 dB -19.71 dB 1:17 28-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: III. Adagiosissimo Ist ein allgemeines Lamento der Freunde
DR13 -5.76 dB -20.55 dB 2:50 29-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: IV. Allhier kommen die Freunde, weil sie doch sehen, dass es anders nicht sein kann, und nehmen Abschied
DR12 -10.22 dB -25.46 dB 1:40 30-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: V. Allegro Poco, aria del Postiglione
DR13 -5.34 dB -20.38 dB 5:53 31-Capriccio sopra la lontananza del Fratello dilettissimo, BWV 992: VI. Fuga all' imitatione della Posta
DR13 -4.37 dB -20.72 dB 5:40 32-Suite in A Major, BWV 832: I. Allemande
DR13 -4.21 dB -19.74 dB 2:59 33-Suite in A Major, BWV 832: II. Air pour les Trompettes
DR13 -3.95 dB -19.52 dB 3:05 34-Suite in A Major, BWV 832: III. Sarabande
DR13 -3.64 dB -19.48 dB 3:29 35-Suite in A Major, BWV 832: IV. Bourrée
DR12 -8.15 dB -23.34 dB 2:10 36-Suite in A Major, BWV 832: V. Gigue
DR14 -5.55 dB -21.46 dB 3:40 37-Fugue in C Major, BWV 946 after Albinoni
DR13 -6.12 dB -22.31 dB 5:09 38-Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: I. Fantasia
DR12 -4.97 dB -20.55 dB 4:11 39-Fantasia and Fugue in B Minor, BWV 951a on a Theme by Albinoni: II. Fuga
DR12 -3.99 dB -19.06 dB 1:41 40-Fugue in A Major, BWV 950 on a Theme by Albinoni
DR14 -4.46 dB -22.04 dB 5:20 41-Praeludium in C Minor, BWV 921
DR12 -9.38 dB -25.12 dB 1:55 42-Fantasie in C Minor, BWV 1121
DR13 -6.80 dB -23.73 dB 1:41 43-Sonata in A Minor, BWV 967
DR13 -9.94 dB -26.72 dB 3:09 44-Fantasie in G Minor 'in duobus subiectis', BWV 917
DR13 -5.43 dB -21.99 dB 0:40 45-Fugue in A Minor, BWV 947
DR12 -7.66 dB -22.50 dB 1:01 46-Canzona in D Minor, BWV 588
DR13 -4.73 dB -20.49 dB 2:35 47-Fugue in A Major, BWV 949
DR12 -9.15 dB -24.24 dB 2:45 48-Praeludium in E-Flat Major, BWV 815
DR14 -4.00 dB -20.44 dB 3:07 49-Fugue in B-Flat Major, BWV 955 on a Theme by Erselius
DR11 -8.17 dB -22.61 dB 1:46 50-Aria variata, BWV 989
DR12 -5.77 dB -19.65 dB 4:06 51-Sonata in D Minor, BWV 965 after Reincken: I. Adagio
DR11 -12.14 dB -25.48 dB 0:46 52-Sonata in D Minor, BWV 965 after Reincken: II. Fuga
DR11 -7.20 dB -20.58 dB 0:38 53-Sonata in D Minor, BWV 965 after Reincken: III. Adagio
DR12 -7.82 dB -23.04 dB 3:55 54-Sonata in D Minor, BWV 965 after Reincken: IV. Presto
DR13 -6.97 dB -22.47 dB 3:03 55-Sonata in D Minor, BWV 965 after Reincken: V. Allemande
DR12 -6.57 dB -22.09 dB 5:39 56-Sonata in D Minor, BWV 965 after Reincken: VI. Courante
DR12 -4.99 dB -19.70 dB 3:23 57-Sonata in D Minor, BWV 965 after Reincken: VII. Sarabande
DR14 -5.57 dB -22.30 dB 15:50 58-Sonata in D Minor, BWV 965 after Reincken: VIII. Gigue
DR11 -8.18 dB -23.25 dB 1:48 59-Fugue in B-Flat Major, BWV 954 on a Theme by Reincken
DR12 -6.81 dB -21.15 dB 3:45 60-Sonate in C Major, BWV 966 after Reincken: I. Praeludium
DR10 -13.90 dB -28.40 dB 0:27 61-Sonate in C Major, BWV 966 after Reincken: II. Fuga
DR11 -6.78 dB -19.84 dB 0:37 62-Sonate in C Major, BWV 966 after Reincken: III. Adagio
DR12 -9.35 dB -24.20 dB 4:48 63-Sonate in C Major, BWV 966 after Reincken: IV. Allegro
DR12 -6.81 dB -21.25 dB 2:25 64-Sonate in C Major, BWV 966 after Reincken: V. Allemande
DR13 -13.66 dB -28.81 dB 2:09 65-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: I. Praeludium
DR14 -5.01 dB -19.95 dB 6:44 66-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: II. Fuge
DR13 -4.01 dB -20.12 dB 4:14 67-Praeludium, Fugue & Allegro in E-Flat Major, BWV 998: III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 67
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3162 kbps
Codec: FLAC
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Thanks to the Original customer!