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    Pavel Nersessian - Schumann, Poulenc & Others: Piano Works (Live in Japan, 2022) (2022) [Official Digital Download 24/96]

    Posted By: delpotro
    Pavel Nersessian - Schumann, Poulenc & Others: Piano Works (Live in Japan, 2022) (2022) [Official Digital Download 24/96]

    Pavel Nersessian - Schumann, Poulenc & Others: Piano Works (Live in Japan, 2022) (2022)
    FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 83:51 minutes | 1,31 GB
    Classical | Label: Matsunaga Piano, Official Digital Download

    “His performance brought a veritable roar of approval from the audience,” wrote the Irish Times, after Pavel Nersessian received the 1st Prize in the GPA Dublin International Piano Competition in 1991. Being one of the most remarkable pianists of his generation in Russia, he is known for his ability to play equally convincingly in the whole palette of the piano repertoire. He won prizes in the Beethoven Competition in Vienna in 1985, the Paloma O’Shea Competition in Santander, and the Tokyo Competition.

    Nersessian was a pupil of the famous Central Music School of the Moscow Tchaikovsky Conservatoire, where his teacher was Yu. Levin. Later he was a student of the Conservatoire under Prof. S. Dorensky. Upon graduating from the Conservatoire in 1987 with maximum marks he was invited to join the faculty.

    Pavel Nersessian has been touring Russia and surrounding states from the age of eight, and has given performances in London, Glasgow, Edinburgh, New York, Los Angeles, Paris, Cannes, Leipzig, Vienna, Budapest, Madrid, Tokyo, Osaka, Seoul, Dublin, Muenchen, Caracas, Rio de Janeiro, Belgrade, Cairo, Kiev, Beijing and many other cities.

    Mr. Nersessian, by special invitation from the Kirov and the Perm Ballet, performed solo part in Balanchine’s Ballet Imperial based on the music of Tchaikovsky’s 2nd Piano Concerto with performances in the Kirov, Bolshoi, Chatelet and Covent Garden. He also played a solo part in J. Robbins’ ballet “The concert, or The Perils of Everybody” on the music of F. Chopin.

    He is known for his collaboration with chamber music groups and other musicians, such as Borodin and Glinka Quartets, National Symphony Orchestra in Russia, Thomas Sanderling, Tugan Sokhiev, Alexandr Chernushenko, Valeriy Polyansky, Mikhail Agrest, Pascal Moragues, Julius Milkis, Evgeny Petrov, Pavel Kogan, Abel Perreira, Benjamin Schmid, Stepan Yakovich, Ani Kavafian, Andrei Gridchuk, Alena Baeva, Zlatomir Fung, Filip Kopachevsky, Yana Ivanilova, Nina Kogan, Mikhail Bereznitsky, Maxim Emelyanychev, Diana Vishneva, Philippe Cassard, Alexandre Lazarev, Gaik Kazazyan, Lukas Geniushas, Richard Young, Valentin Uriupin, Itamar Zorman, Yulia Lezhneva and many others. He has recorded numerous disks with compositions of Chopin, Schumann, Schubert, Brahms, Tchaikovsky, Beethoven, Shostakovich, and he has given masterclasses in the USA, Russia, Estonia, Kazakhstan, Ireland, Germany, Spain, Italy, Korea, Brazil, and Japan.

    In 2005 he became a merited artist of the Russian Federation.

    For more than 25 years P. Nersessian has been assisting his teacher, professor S. Dorensky. He has worked with such talented pupils as N. Lugansky, D. Matsuev, V. Rudenko, O. Kern, A. Shtarkman, Yu. Stadler, I. Tasovats, F. Amirov, M. Amara, A. Dossin, V. Igoshina, A. Mamriev, V. Korchinskaya-Kogan, S. Simonian, Z. Chochieva, G. Chaidze, N. Pisareva, A. Sychev, F. Kopachevsky, P. Kolesnikov, A. Tarasevich-Nikolaev, L. Bernsdorf, P. Elisha and many others.

    Pavel Nersessian served as a jury member in many international piano competitions: Dublin, Hamamatsu, Sendai, Maria Canals in Barcelona, Hilton Head, Almaty, Valencia and other international piano competitions.

    In 2013 he started to work as a professor of piano in Boston university.

    Tracklist:
    1. Faschingsschwank aus Wien, Op. 26: I. Allegro (Live in Japan, 2022) (08:25)
    2. Faschingsschwank aus Wien, Op. 26: II. Romanze (Live in Japan, 2022) (02:27)
    3. Faschingsschwank aus Wien, Op. 26: III. Scherzino (Live in Japan, 2022) (02:11)
    4. Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Live in Japan, 2022) (02:17)
    5. Faschingsschwank aus Wien, Op. 26: V. Finale (Live in Japan, 2022) (04:11)
    6. Les soirées de Nazelles, FP 84: I. Préambule (Live in Japan, 2022) (03:16)
    7. Les soirées de Nazelles, FP 84: IIa. Var. 1, Le comble de la distinction (Live in Japan, 2022) (01:24)
    8. Les soirées de Nazelles, FP 84: IIb. Var. 2, Le cœur sur la main (Live in Japan, 2022) (02:05)
    9. Les soirées de Nazelles, FP 84: IIc. Var. 3, La désinvolture et la discrétion (Live in Japan, 2022) (01:14)
    10. Les soirées de Nazelles, FP 84: IId. Var. 4, La suite dans les idées (Live in Japan, 2022) (01:57)
    11. Les soirées de Nazelles, FP 84: IIe. Var. 5, Le charme enjôleur (Live in Japan, 2022) (02:24)
    12. Les soirées de Nazelles, FP 84: IIf. Var. 6, Le contentement de soi (Live in Japan, 2022) (01:07)
    13. Les soirées de Nazelles, FP 84: IIg. Var. 7, Le goût du malheur (Live in Japan, 2022) (01:56)
    14. Les soirées de Nazelles, FP 84: IIh. Var. 8, L’alerte vieillesse (Live in Japan, 2022) (01:08)
    15. Les soirées de Nazelles, FP 84: III. Cadence (Live in Japan, 2022) (01:27)
    16. Les soirées de Nazelles, FP 84: IV. Final (Live in Japan, 2022) (04:40)
    17. Pièces de clavecin, Book 2, Quatriême suite: No. 23, Le caquet (Live in Japan, 2022) (01:18)
    18. Suite in E Minor, RCT 2: V. Le rappel des oiseaux (Live in Japan, 2022) (02:54)
    19. Pièces de clavecin, troisième suite: No. 16, Le coucou (Live in Japan, 2022) (01:44)
    20. Troisième livre de pièces de clavecin, dix-septième ordre: No. 2, Les petits moulins à vent (Live in Japan, 2022) (01:50)
    21. Pièces de clavecin, deuxième suite: No. 15, L'Hirondelle (Live in Japan, 2022) (02:17)
    22. Premier livre de pièces de clavecin, deuxième ordre: No. 23, Les papillons (Live in Japan, 2022) (01:13)
    23. Pièces de clavecin avec une méthode, Suite in D Major, RCT 3: No. 17, Les cyclopes (Live in Japan, 2022) (03:25)
    24. Carnaval, Op. 9: No. 1, Préambule (Live in Japan, 2022) (02:29)
    25. Carnaval, Op. 9: No. 2, Pierrot (Live in Japan, 2022) (01:29)
    26. Carnaval, Op. 9: No. 3, Arlequin (Live in Japan, 2022) (00:44)
    27. Carnaval, Op. 9: No. 4, Valse noble (Live in Japan, 2022) (01:20)
    28. Carnaval, Op. 9: No. 5, Eusebius (Live in Japan, 2022) (01:35)
    29. Carnaval, Op. 9: No. 6, Florestan (Live in Japan, 2022) (00:58)
    30. Carnaval, Op. 9: No. 7, Coquette (Live in Japan, 2022) (01:11)
    31. Carnaval, Op. 9: No. 8a, Réplique (Live in Japan, 2022) (00:37)
    32. Carnaval, Op. 9: No. 8b, Sphinxes (Live in Japan, 2022) (00:18)
    33. Carnaval, Op. 9: No. 9, Papillons (Live in Japan, 2022) (00:47)
    34. Carnaval, Op. 9: No. 10, Lettres dansantes (Live in Japan, 2022) (00:51)
    35. Carnaval, Op. 9: No. 11, Chiarina (Live in Japan, 2022) (01:11)
    36. Carnaval, Op. 9: No. 12, Chopin (Live in Japan, 2022) (01:10)
    37. Carnaval, Op. 9: No. 13, Estrella (Live in Japan, 2022) (00:23)
    38. Carnaval, Op. 9: No. 14, Reconnaissance (Live in Japan, 2022) (01:46)
    39. Carnaval, Op. 9: No. 15, Pantalon et Colombine (Live in Japan, 2022) (00:56)
    40. Carnaval, Op. 9: No. 16, Valse allemande (Live in Japan, 2022) (00:47)
    41. Carnaval, Op. 9: No. 17, Paganini (Live in Japan, 2022) (01:20)
    42. Carnaval, Op. 9: No. 18, Aveu (Live in Japan, 2022) (01:07)
    43. Carnaval, Op. 9: No. 19, Promenade (Live in Japan, 2022) (01:52)
    44. Carnaval, Op. 9: No. 20, Pause (Live in Japan, 2022) (00:17)
    45. Carnaval, Op. 9: No. 21, Marche des Davidsbündler contre les Philistins (Live in Japan, 2022) (03:29)

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2022-10-08 12:35:48

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Pavel Nersessian / Schumann, Poulenc & Others: Piano Works (Live in Japan, 2022)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -2.05 dB -19.84 dB 8:25 01-I. Allegro (Live in Japan, 2022)
    DR15 -8.59 dB -30.50 dB 2:28 02-II. Romanze (Live in Japan, 2022)
    DR11 -2.14 dB -19.81 dB 2:12 03-III. Scherzino (Live in Japan, 2022)
    DR12 -5.46 dB -20.67 dB 2:18 04-IV. Intermezzo (Live in Japan, 2022)
    DR13 -0.10 dB -17.97 dB 4:11 05-V. Finale (Live in Japan, 2022)
    DR13 -2.45 dB -20.25 dB 3:17 06-I. Préambule (Live in Japan, 2022)
    DR12 -4.88 dB -23.88 dB 1:25 07-IIa. Var. 1, Le comble de la distinction (Live in Japan, 2022)
    DR13 -2.58 dB -23.79 dB 2:05 08-IIb. Var. 2, Le cœur sur la main (Live in Japan, 2022)
    DR12 -2.73 dB -21.24 dB 1:14 09-IIc. Var. 3, La désinvolture et la discrétion (Live in Japan, 2022)
    DR15 -0.74 dB -22.82 dB 1:58 10-IId. Var. 4, La suite dans les idées (Live in Japan, 2022)
    DR13 -4.53 dB -23.71 dB 2:25 11-IIe. Var. 5, Le charme enjôleur (Live in Japan, 2022)
    DR14 -0.10 dB -18.25 dB 1:08 12-IIf. Var. 6, Le contentement de soi (Live in Japan, 2022)
    DR13 -10.28 dB -28.35 dB 1:56 13-IIg. Var. 7, Le goût du malheur (Live in Japan, 2022)
    DR12 -2.82 dB -20.50 dB 1:09 14-IIh. Var. 8, L’alerte vieillesse (Live in Japan, 2022)
    DR15 -1.25 dB -21.90 dB 1:27 15-III. Cadence (Live in Japan, 2022)
    DR13 -0.12 dB -20.91 dB 4:40 16-IV. Final (Live in Japan, 2022)
    DR11 -9.88 dB -24.11 dB 1:18 17-No. 23, Le caquet (Live in Japan, 2022)
    DR12 -8.57 dB -24.88 dB 2:55 18-V. Le rappel des oiseaux (Live in Japan, 2022)
    DR11 -9.99 dB -24.49 dB 1:44 19-No. 16, Le coucou (Live in Japan, 2022)
    DR12 -9.31 dB -25.41 dB 1:51 20-No. 2, Les petits moulins à vent (Live in Japan, 2022)
    DR12 -7.32 dB -22.16 dB 2:18 21-No. 15, L'Hirondelle (Live in Japan, 2022)
    DR11 -9.74 dB -24.68 dB 1:14 22-No. 23, Les papillons (Live in Japan, 2022)
    DR14 -0.40 dB -17.62 dB 3:26 23-No. 17, Les cyclopes (Live in Japan, 2022)
    DR13 -0.75 dB -17.06 dB 2:29 24-No. 1, Préambule (Live in Japan, 2022)
    DR13 -3.89 dB -24.11 dB 1:30 25-No. 2, Pierrot (Live in Japan, 2022)
    DR12 -2.05 dB -21.03 dB 0:45 26-No. 3, Arlequin (Live in Japan, 2022)
    DR12 -3.41 dB -21.40 dB 1:20 27-No. 4, Valse noble (Live in Japan, 2022)
    DR13 -9.04 dB -28.44 dB 1:36 28-No. 5, Eusebius (Live in Japan, 2022)
    DR11 -3.12 dB -18.19 dB 0:59 29-No. 6, Florestan (Live in Japan, 2022)
    DR13 -7.32 dB -24.72 dB 1:11 30-No. 7, Coquette (Live in Japan, 2022)
    DR11 -12.55 dB -28.71 dB 0:38 31-No. 8a, Réplique (Live in Japan, 2022)
    DR1 -15.21 dB -36.23 dB 0:19 32-No. 8b, Sphinxes (Live in Japan, 2022)
    DR12 -9.69 dB -23.83 dB 0:47 33-No. 9, Papillons (Live in Japan, 2022)
    DR12 -2.33 dB -20.39 dB 0:52 34-No. 10, Lettres dansantes (Live in Japan, 2022)
    DR13 -5.91 dB -24.02 dB 1:11 35-No. 11, Chiarina (Live in Japan, 2022)
    DR12 -10.86 dB -27.42 dB 1:11 36-No. 12, Chopin (Live in Japan, 2022)
    DR9 -2.30 dB -15.63 dB 0:24 37-No. 13, Estrella (Live in Japan, 2022)
    DR12 -8.88 dB -24.08 dB 1:46 38-No. 14, Reconnaissance (Live in Japan, 2022)
    DR12 -3.93 dB -19.13 dB 0:56 39-No. 15, Pantalon et Colombine (Live in Japan, 2022)
    DR12 -2.06 dB -18.04 dB 0:48 40-No. 16, Valse allemande (Live in Japan, 2022)
    DR12 -2.07 dB -17.92 dB 1:21 41-No. 17, Paganini (Live in Japan, 2022)
    DR11 -9.90 dB -31.62 dB 1:08 42-No. 18, Aveu (Live in Japan, 2022)
    DR13 -3.27 dB -23.68 dB 1:52 43-No. 19, Promenade (Live in Japan, 2022)
    DR9 -1.61 dB -15.67 dB 0:18 44-No. 20, Pause (Live in Japan, 2022)
    DR13 -0.10 dB -16.02 dB 3:30 45-No. 21, Marche des Davidsbündler contre les Philistins (Live in Japan, 2022)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 45
    Official DR value: DR12

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2299 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!