Miles Davis - Kind Of Blue (1959) [Japanese Reissue 2007]
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 3.0 > 1-bit/2.8224 MHz | 45:42 minutes | Scans included | 3,74 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 984 MB
Kind of Blue has been regarded by many critics as the greatest jazz record, Davis's masterpiece, and one of the best albums of all time. Its influence on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded. The album was one of fifty recordings chosen in 2002 by the Library of Congress to be added to the National Recording Registry, and in 2003 it was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue possess such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band – Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb – one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz – but it's hard to imagine it as anything other than a cornerstone of any jazz collection.
Tracklist:
01 - So What
02 - Freddie Freeloader
03 - Blue in Green
04 - All Blues
05 - Flamenco Sketches
Recorded on March 2 ("1-3") and April 22, 1959 ("4-5") at Columbia 30th Street Studio, NYC.
Personnel
Miles Davis – trumpet
Julian "Cannonball" Adderley – alto saxophone (except on "Blue in Green")
John Coltrane – tenor saxophone
Bill Evans – piano (except on "Freddie Freeloader")
Wynton Kelly – piano (on "Freddie Freeloader")
Paul Chambers – double bass
Jimmy Cobb – drums
foobar2000 1.5.2 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: MILES DAVIS / KIND OF BLUE
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.83 dB -29.06 dB 9:23 01-So What
DR15 -3.20 dB -27.01 dB 9:46 02-Freddie Freeloader
DR14 -6.97 dB -32.59 dB 5:36 03-Blue in Green
DR15 -6.47 dB -29.89 dB 11:33 04-All Blues
DR15 -8.27 dB -32.80 dB 9:23 05-Flamenco Sketches
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 5
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: MILES DAVIS / KIND OF BLUE
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.89 dB -24.52 dB 9:23 01-So What
DR15 -4.52 dB -23.78 dB 9:45 02-Freddie Freeloader
DR14 -7.34 dB -29.75 dB 5:36 03-Blue in Green
DR15 -5.40 dB -25.64 dB 11:34 04-All Blues
DR15 -6.24 dB -28.29 dB 9:24 05-Flamenco Sketches
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 5
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
––––––––––––––––––––––––––––––––––––––––
Analyzed: MILES DAVIS / KIND OF BLUE
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.83 dB -29.06 dB 9:23 01-So What
DR15 -3.20 dB -27.01 dB 9:46 02-Freddie Freeloader
DR14 -6.97 dB -32.59 dB 5:36 03-Blue in Green
DR15 -6.47 dB -29.89 dB 11:33 04-All Blues
DR15 -8.27 dB -32.80 dB 9:23 05-Flamenco Sketches
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 5
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: MILES DAVIS / KIND OF BLUE
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.89 dB -24.52 dB 9:23 01-So What
DR15 -4.52 dB -23.78 dB 9:45 02-Freddie Freeloader
DR14 -7.34 dB -29.75 dB 5:36 03-Blue in Green
DR15 -5.40 dB -25.64 dB 11:34 04-All Blues
DR15 -6.24 dB -28.29 dB 9:24 05-Flamenco Sketches
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 5
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
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Uncompressed SACD ISO size > 4,15 GB
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