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    Gisela May - Singt Tucholsky (Amiga 8 50 110) (GDR 197_, 1967) (Vinyl 24-96 & 16-44.1)

    Posted By: luckburz
    Gisela May - Singt Tucholsky (Amiga 8 50 110) (GDR 197_, 1967) (Vinyl 24-96 & 16-44.1)

    Gisela May - Singt Tucholsky
    FLAC | Artwork | 24Bit 96kHz: 661 MB | 16Bit 44.1kHz: 197 MB
    Cat#: Amiga Amiga 8 50 110 | Country/Year: German Democratic Republic 197_, 1967 (ReIssue)
    Genre: Chanson | Hoster: Filesonic/Uploaded

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    Gisela May - Singt Tucholsky (Amiga 8 50 110) (GDR 197_, 1967) (Vinyl 24-96 & 16-44.1)


    Gisela May - Singt Tucholsky (Amiga 8 50 110) (GDR 197_, 1967) (Vinyl 24-96 & 16-44.1)






    AMIGA was the state owned ("peoples owned") record label of the former GDR. Who wanted to release music had to compromise to the state policy and control. Nevertheless a lot of great music was produced there and this project aims to collect some of this to prevent it from falling into oblivion. This collection is of course subjectively and will never be complete. Anyway, i hope you will have some fun with it!

    Part # 01: Barbara Thalheim - Kinder der Nacht
    Part # 02: Klaus Renft Combo - Klaus Renft Combo
    Part # 03: Klaus Renft Combo - Renft
    Part # 04: Stefan Diestelmann Folk Blues ...an Diestelmann Folk Blues Band
    Part # 05: Lift - Lift
    Part # 06: Lift - Meeresfahrt
    Part # 07: Lift - Spiegelbild
    Part # 08: Lift - Nach Hause
    Part # 09: Electra - Adaptionen
    Part # 10: Stern-Combo Meissen - Weisses Gold
    Part # 11: Stern Meissen - Stundenschlag
    Part # 12: Prinzip - Der Steher
    Part # 13: Karussell - Entweder Oder
    Part # 14: Karussell - Schlaraffenberg
    Part # 15: Petra Zieger & Band - Das Eis Taut


    Info:

    Gisela May – Gisela May Singt Tucholsky

    Label: AMIGA
    Catalog#: 8 50 110
    Format: Vinyl, LP, Album, Stereo
    Country: German Democratic Republic (GDR)
    Released: 197_, originally released 1967 (Mono)
    Genre: Pop
    Style: Chanson

    Tracklist:

    A1 Augen In Der Gross-Stadt
    A2 Lamento
    A3 Sie Zu Ihm
    A4 Die Nachfolgerin
    Music By – Hanns Eisler
    A5 Das Lied Von Der Gleichgültigkeit
    A6 Das Lächeln Der Mona Lisa
    A7 Chanson - Japanlied

    B1 Das Leibregiment
    B2 Wenn Eena Jeborn Wird
    B3 Wenn Eena Dot Is
    B4 Mutterns Hände
    B5 Der Graben
    Music By – Hanns Eisler
    B6 Rote Melodie
    B7 Krieg Dem Kriege


    Credits:

    * Design – Ehbets
    * Leader [Studio-orchester] – Henry Krtschil
    * Lyrics By – Kurt Tucholsky
    * Orchestra – Studio-Orchester
    * Photography – Steinfeldt
    * Vocals – Gisela May


    Discogs Url: http://www.discogs.com/Gisela-May-Gisela-May-Singt-Tucholsky/release/2911016


    Gisela May (born May, 31 1924) is a distinguished German character actress of theatre and a singer, critically acclaimed for performing the songs written by Bertolt Brecht and Kurt Weil. She also appeared as a film and TV actress in a number of movies between 1951 and 1991.

    Gisela May studied at the drama school in Leipzig. She was employed for nine years at various theatres, including the State Theatre of Schwerin and the State Theatre in Halle. From 1951 she was engaged at the Deutsches Theater in Berlin, Max Reinhardt's former workplace. She played a variety of roles from the classics to modern.

    In 1962 Gisela May moved to Bertolt Brecht's theatre group, the Berliner Ensemble, to which she belonged for 30 years. Here she played many roles including Madame Cabet in "The Days of the Commune," Mrs Peachum in "The Threepenny Opera,and " Mrs Kopecka in "Schweik in the Second World War." The theatrical highlight in Brecht's stage work was her personification of Mother Courage. This performance was for about 13 years until the end of 1992 central to the repertoire of the Berliner Ensemble. Since 1992, the artist has been freelance, often working at Berlin's Renaissance Theatre.

    Gisela May's second career as a chanteuse ran parallel to her acting. The composer Hanns Eisler valued her particularly for her command of Brecht's style, and worked with her.

    In addition to song interpretation Gisela May has experience in the Musicals: in Hello Dolly, she performed as the title character at the Metropol Theatre in Berlin, as well as Fraulein Schneider in "Cabaret" at the “Theater des Westens”.

    Tours through Europe, across America and Australia have taken her to New York at Carnegie Hall, to the Sydney Opera House and La Scala, Milan. In 1989 she performed in London at a celebration of the 40th anniversary of the DDR.

    May has been internationally acclaimed as First Lady of the Political Song and Best Brecht Interpreter. She has performed all over the world for the past forty years. May was one of the leading artists in the former DDR from the early fifties onward. She enjoyed an intensive collaboration with composer Hanns Eisler and was attached as an actress to the Berliner Ensemble for thirty years, until she was fired in 1990, after the fall of the Berlin Wall.

    Now she sings every two months at the Berliner Ensemble the songs of Brecht, Weill, Eisler and Paul Dessau.

    Gisela May is the subject of the film, "Every Song Tells a Story" (1998). The film won the Prix Meilleure Vie d'Artiste Festival International du Film d'Art' 1998, [Paris].wikipedia


    Gisela May (* 31. Mai 1924 in Wetzlar) ist eine deutsche Schauspielerin und Diseuse, die sich vor allem als Brechtinterpretin einen Namen machte.
    Erste Engagements hatte sie in Dresden, Görlitz, Leipzig, Halle und Schwerin. Seit 1951 wirkte sie in Berlin, erst am Deutschen Theater, seit 1962 am Berliner Ensemble, dem sie über dreißig Jahre lang angehörte. Ab 1978 spielte sie bis zu ihrem Ausscheiden 1992 Brechts Mutter Courage, der sie eine eigene Interpretation gab – vor ihr hatte „die Weigel“ am Berliner Ensemble die Rolle verkörpert und damit Maßstäbe gesetzt. Neben Brechts Die Tage der Commune und Brecht/Weills Die sieben Todsünden der Kleinbürger spielte sie unter anderem die Titelrollen in Lessings Minna von Barnhelm, Stewart/Herman Hallo, Dolly!, Shaws Frau Warrens Gewerbe, die Mutter Wolfen in Hauptmanns Biberpelz.

    1957 erkannte Hanns Eisler bei einem Programm das besondere Talent der May für das Chanson und die Möglichkeiten ihrer Stimme, deren Kraft, Vielseitigkeit, Empfinden, Klugheit, Virtuosität, Eleganz und Schlichtheit, was Gisela May in den folgenden Jahren vervollkommnete.

    In eigenen Programmen trägt sie Chansons, politische Songs und Gedichte vor. Sie gastierte in vielen Ländern Europas, in den USA und Australien: Aus vier Jahreszeiten (Bertolt Brecht), Kurt Tucholsky hasst – liebt, Hoppla wir leben (Hollaender, Mehring, Wedekind), Jacques-Brel-Abend, Erich Kästner, Hanns-Eisler-Abend. Ihr künstlerischer Partner war viele Jahre der Komponist und Pianist Manfred Schmitz.

    Sie war von 1956 bis 1965 verheiratet mit dem Journalisten und Dokumentaristen Georg Honigmann, dem Vater der Schriftstellerin Barbara Honigmann. Nach der Scheidung lebte sie mit Wolfgang Harich zusammen.

    Ab 1963 war sie Präsidentin der deutsch-italienischen Gesellschaft der DDR, ab 1972 Mitglied der Akademie der Künste.

    Einem breiten Publikum im Westen Deutschlands wurde sie durch ihre Beteiligung an der Fernsehserie Adelheid und ihre Mörder bekannt. wikipedia


    =Hardware=
    LP>
    Shure M97xE>
    Dual CS 505-3>
    Handcrafted low capacitance custom cables, teflon® insulated & silver-plated coaxial conductors>
    Kenwood C1 Custom Revision I>
    - Phono Stage input and RIAA equalisation capacitors replaced by Styroflex and Polypropylen types resp.
    - Electrolytic capacitors not mounted by manufacturer onto the RIAA stage power Supply refitted (Philips NOS types)
    - All electrolytic capacitors in signal chain replaced by foil capacitors
    - All old JRC OpAmps replaced by Burr Brown (Phono Stage) and Analog Devices OpAmps resp.>
    Handcrafted low capacitance custom cables, polyethylene insulated twinaxial conductors>
    Audiotrak Prodigy 7.1 HiFi w/ AD712 OpAmps @ 24/96>
    HDD
    =Software=
    Adobe Audition 3
    ClickRepair
    Trader´s Little Helper (FLAC)
    +16Bit Version:
    Weiss Saracon 01.61-27
    Dither: POWr3

    Date of rip: 2011-05-31
    Please keep the info sheet included if you share this!



    Links:








    If you have problems extracting the RAR files on your HD, please verify these checksums. If they do not match, redownload the not-matching part and try again.

    (copy & paste to your editor and save as *.md5 in the folder where the RAR files are located)

    16Bit

    08e8bd4193773f60dcb14498e61a8049 *FHQA-GiMa-GiMaSiTu-16B.rar

    24Bit

    e4b392cc1277aa7c36752366d5ff0935 *FHQA-GiMa-GiMaSiTu-24B.part1.rar
    59b1ed74179d72986998947c6d12b966 *FHQA-GiMa-GiMaSiTu-24B.part2.rar
    a5f20f6e88d3b61e64285ae73e130229 *FHQA-GiMa-GiMaSiTu-24B.part3.rar



    Dynamic Range Analysis

    –––––––––––––––––––––––––––––––––––––––––––––––
    Analyzed folder: F:\=== VINYL RIPS ===\Gisela May - Singt Tucholsky\16Bit\
    –––––––––––––––––––––––––––––––––––––––––––––––
    DR Peak RMS Filename
    –––––––––––––––––––––––––––––––––––––––––––––––

    DR13 -4.48 dB -21.10 dB A1 - Augen In Der Gross-Stadt.wav
    DR11 -5.67 dB -19.22 dB A2 - Lamento.wav
    DR14 -3.83 dB -20.96 dB A3 - Sie Zu Ihm.wav
    DR13 -3.24 dB -20.89 dB A4 - Die Nachfolgerin.wav
    DR13 -4.05 dB -20.87 dB A5 - Das Lied Von Der Gleichgültigkeit.wav
    DR11 -6.12 dB -21.23 dB A6 - Das Lächeln Der Mona Lisa.wav
    DR13 -5.01 dB -20.79 dB A7 - Chanson - Japanlied.wav
    DR13 -1.01 dB -16.58 dB B1 - Das Leibregiment.wav
    DR13 -3.59 dB -19.17 dB B2 - Wenn Eena Jeborn Wird.wav
    DR12 -4.14 dB -19.40 dB B3 - Wenn Eena Dot Is.wav
    DR16 -5.40 dB -24.21 dB B4 - Mutterns Hände.wav
    DR12 -2.42 dB -18.39 dB B5 - Der Graben.wav
    DR12 -4.77 dB -20.20 dB B6 - Rote Melodie.wav
    DR13 -4.67 dB -21.61 dB B7 - Krieg Dem Kriege.wav
    –––––––––––––––––––––––––––––––––––––––––––––––

    Number of files: 14
    Official DR value: DR13

    ==============================================================================================




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    finest-hq-audio



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