Marina Tarasova & Ivan Sokolov - French Cello Sonatas, Vol. 3: Alkan & Farrenc (2025)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 57:35 minutes | 964 MB
Classical | Label: Brilliant Classics, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 57:35 minutes | 964 MB
Classical | Label: Brilliant Classics, Official Digital Download
This third instalment in Brilliant Classics’ French Cello Sonatas series features the phenomenal composer Louise Farrenc (1804–1875), who is enjoying a much deserved revival amid contemporary focus on women composers, and the enigmatic and formidable Charles-Valentin Alkan (1813–1888), renowned for his complex compositional language and extreme piano virtuosity.
Farrenc was a French composer, virtuoso pianist and a teacher of the Romantic period. Her compositions include three symphonies, a few choral works, numerous chamber pieces and a wide variety of piano music. Her Cello Sonata in B-flat, Op.46, in three movements, was one of her last compositions (1859). The treatment of the two instruments, especially the piano, with its extensive use of tremolo, broken octaves and scale passages, indicates inspiration taken from Beethoven’s cello sonatas as a model. The opening movement, Allegro moderato, glides along effortlessly. A lovely Andante sostenuto, full of ornamentation serves as the middle movement. The finale is a lively Allegro.
The work of French composer and virtuoso pianist Charles-Valentin Alkan possesses a unique blend of complexity, innovation and emotional depth, positioning him as one of the most distinctive Romantic composers. Known for his formidable technique and reclusive nature, Alkan's compositions were marked by their technical demands and unorthodox structures, attracting both admiration and mystique. His Cello Sonata in E, Op.47 stands out as an example of his flair for blending instrumental colour and thematic development. Composed in 1856 (three years before Farrenc’s), this piece is an intriguing exploration of the cello’s expressive range, juxtaposed with the piano’s virtuosic potential. It is structured in four movements, each showcasing the composer’s penchant for unexpected turns and rich harmonies.
The first movement introduces a lyrical yet intricate dialogue between cello and piano, establishing an interplay that continues throughout the sonata. The third movement, marked Adagio, highlights Alkan's capacity for profound, almost spiritual expressiveness, contrasting the vigorous and playful nature of the final Allegretto. This combination of heartfelt emotion and formidable technical demands makes the work a true test for performers. Though not as frequently performed as mainstream Romantic sonatas, Alkan’s Cello Sonata has been rediscovered for its inventive composition and serves as a testament to his ingenuity and the depth of his often-overlooked musical legacy.
Tracklist:
01. Cello Sonata in B-Flat Major, Op. 46: I. Allegro Moderato
02. Cello Sonata in B-Flat Major, Op. 46: II. Andante Sostenuto
03. Cello Sonata in B-Flat Major, Op. 46: III. Final. Allegro
04. Sonate de concert in E Major for Cello and Piano, Op. 47: I. Allegro Molto
05. Sonate de concert in E Major for Cello and Piano, Op. 47: II. Allegretto
06. Sonate de concert in E Major for Cello and Piano, Op. 47: III. Adagio
07. Sonate de concert in E Major for Cello and Piano, Op. 47: IV. Finale alla saltarella. Prestissimo
foobar2000 v2.24.1 / DR Meter v0.7
log date: 2025-01-03 13:22:00
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Analyzed: Marina Tarasova / French Cello Sonatas, Vol. 3: Alkan & Farrenc
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DR Peak RMS Duration Track
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DR13 -0.55 dBFS -16.85 dBFS 11:53 01-Cello Sonata in B-Flat Major, Op. 46: I. Allegro Moderato
DR11 -4.67 dBFS -20.42 dBFS 5:00 02-Cello Sonata in B-Flat Major, Op. 46: II. Andante Sostenuto
DR13 -0.61 dBFS -17.57 dBFS 8:14 03-Cello Sonata in B-Flat Major, Op. 46: III. Final. Allegro
DR13 -0.51 dBFS -17.55 dBFS 11:54 04-Sonate de concert in E Major for Cello and Piano, Op. 47: I. Allegro Molto
DR12 -2.04 dBFS -18.84 dBFS 5:39 05-Sonate de concert in E Major for Cello and Piano, Op. 47: II. Allegretto
DR14 -1.68 dBFS -22.39 dBFS 8:00 06-Sonate de concert in E Major for Cello and Piano, Op. 47: III. Adagio
DR13 -0.50 dBFS -16.75 dBFS 6:55 07-Sonate de concert in E Major for Cello and Piano, Op. 47: IV. Finale alla saltarella. Prestissimo
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Number of tracks: 7
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2335 kbps
Codec: FLAC
================================================================================
log date: 2025-01-03 13:22:00
––––––––––––––––––––––––––––––––––––––––
Analyzed: Marina Tarasova / French Cello Sonatas, Vol. 3: Alkan & Farrenc
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.55 dBFS -16.85 dBFS 11:53 01-Cello Sonata in B-Flat Major, Op. 46: I. Allegro Moderato
DR11 -4.67 dBFS -20.42 dBFS 5:00 02-Cello Sonata in B-Flat Major, Op. 46: II. Andante Sostenuto
DR13 -0.61 dBFS -17.57 dBFS 8:14 03-Cello Sonata in B-Flat Major, Op. 46: III. Final. Allegro
DR13 -0.51 dBFS -17.55 dBFS 11:54 04-Sonate de concert in E Major for Cello and Piano, Op. 47: I. Allegro Molto
DR12 -2.04 dBFS -18.84 dBFS 5:39 05-Sonate de concert in E Major for Cello and Piano, Op. 47: II. Allegretto
DR14 -1.68 dBFS -22.39 dBFS 8:00 06-Sonate de concert in E Major for Cello and Piano, Op. 47: III. Adagio
DR13 -0.50 dBFS -16.75 dBFS 6:55 07-Sonate de concert in E Major for Cello and Piano, Op. 47: IV. Finale alla saltarella. Prestissimo
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 7
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2335 kbps
Codec: FLAC
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