![Maria Callas - Puccini: Tosca (1965/2014) [Official Digital Download 24-bit/96kHz]](https://pixhost.icu/avaxhome/08/e2/003be208_medium.jpg)
Maria Callas - Puccini: Tosca (1965/2014) [Official Digital Download 24-bit/96kHz]
![Maria Callas - Puccini: Tosca (1965/2014) [Official Digital Download 24-bit/96kHz]](https://pixhost.icu/avaxhome/08/e2/003be208.jpg)
Maria Callas - Puccini: Tosca (1965) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 112:23 minutes | 2,37 GB
Studio Master, Official Digital Download | Artwork: Digital booklets
Tosca was the role in which – in 1965, the year this recording was made – Callas gave her last complete performances at the Royal Opera House, Covent Garden, the Metropolitan Opera and the Paris Opéra. This was her final complete recording of an opera, and, 12 years after her first version of Tosca, it reunited her with the Scarpia of Tito Gobbi. They were joined by Carlo Bergonzi as Cavaradossi. Gramophone praised ‘a thrilling and very complete interpretation, with scene after scene, bar after bar, brought to life by sheer intelligence and dramatic insight’.
Tosca played a crucial part in Callas's career. It was her first major success in Greece in 1942, and the final opera in which she appeared, in London in 1965. She sang the title role 51 times - her most performed part after Norma and Violetta - and made two studio recordings of the opera. In addition, the diva's only role preserved in staged performance on videotape was Tosca -Act II, opposite Tito Gobbi, filmed in 1958 (Paris) and 1964 (London), plus an abridged version for American television in 1956, with George London.
This recording, which followed the historic 1964 Zeffirelli production at Covent Garden, is indispensible. Although the 1953 Callas Tosco under De Sabata is widely considered a definitive reading of the opera, this version offers added depth of characterisation, and countless details. All the iconic Tosca 'moments7 are addressed in a manner so indelible, so right, as to seem inevitable. And although the ensuing decade had reduced Callas's vocal opulence and steadiness on top, the singing per se is gorgeous.
As was the case in the theatre at the time, Callas's lyricism in the Act I love duet is astonishingly beautiful. The duet which follows, opposite Gobbi's legendary Scarpia, lays the groundwork for the Act II confrontation and murder, the most thrilling on recordings. In the one moment of repose in that act, Callas creates a mini-masterpiece with 'Vissi d'arte' - intimate, personal and vocally impeccable. Her Act III monologue describing the murder of Scarpia is riveting, the climactic phrase soaring to high С and plunging down two octaves into chest voice on one breath. Callas follows this with phrases sung meltingly to her Cavaradossi (the vocally elegant Carlo Bergonzi).
Seeing Callas and Gobbi in Tosco in the opera house, one had the sensation of peeking through a keyhole at the actual events upon which an opera was later based, so vivid was their collaboration. One of the many miracles of this recording is the way in which it captures that dynamic - the diva's final complete opera on disc, a souvenir of greatness.
Tracklist:
01 - Act 1: "Ah! Finalmente!" (Angelotti, Sacristan, Cavaradossi)
02 - Act 1: "Dammi i colori…Recondita armonia" (Cavaradossi, Sagrestano)
03 - Act 1: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca)
04 - Act 1: "Mario! Mario! Mario!" (Tosca, Cavaradossi)
05 - Act 1: "Ah, quegli occhi! … Quale occhi al mondo può di paro" (Tosca, Cavaradossi)
06 - Act 1: "E buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Chorus)
07 - Act 1: "Un tal baccano in chiesa!" (Scarpia, Sacristan, Spoletta)
08 - Act 1: "Tutto è chiaro … Tosca? Che non mi veda … Mario! Mario!"
09 - Act 1: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia)
10 - Act 1: "Tre sbirri" (Scarpia, Spoletta, Chorus)
11 - Act 2: "Tosca è un buon falco" (Scarpia, Sciarrone)
12 - Act 2: "Ha più forte" (Scarpia, Sciarrone, Spoletta)
13 - Act 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi)
14 - Act 2: "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca)
15 - Act 2: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca, Sciarrone, Cavaradossi)
16 - Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi)
17 - Act 2: "Nel pozzo…Del giardino" (Scarpia, Sciarrone, Tosca, Cavaradossi)
18 - Act 2: "Se la giurata" (Scarpia, Tosca)
19 - Act 2: "Vissi d'arte" (Tosca)
20 - Act 2: "Vedi, ecco, vedi" (Tosca, Scarpia, Spoletta)
21 - Act 2: "E qual via scegliete?" (Scarpia, Tosca)
22 - Act 3: "Io de' sospiri" (Shepherd's voice)
23 - Act 3: "Mario Cavaradossi?" (Jailer, Cavaradossi)
24 - Act 3: "E lucevan le stelle" (Cavaradossi)
25 - Act 3: "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
26 - Act 3: "O dolci mani" (Cavaradossi, Tosca)
27 - Act 3: "E non giungono" (Tosca, Cavaradossi, Jailer)
28 - Act 3: "Com'è lunga l'attesa!" (Tosca)
29 - Act 3: "Presto! su, Mario! Andiamo! Andiamo!, Su!" (Tosca, Voices, Sciarrone, Spoletta)
Libretto: Luigi Illica & Giuseppe Giacosa
Recorded: 3,4,7–12,14, December 1964, & 19 January 1965 at Salle Wagram, Paris.
Newly Remastered from the Original Master tapes at Abbey Road Studios, London, U.K.
Performers:
Maria Callas, soprano (Tosca)
Carlo Bergonzi, tenor (Cavaradossi)
Tito Gobbi, baritone (Scarpia)
Giorgio Tadeo, bass (Il Sagristano)
Leonardo Monreale, bass (Angelotti)
Renato Ercolani, tenor (Spoletta)
Ugo Trama, bass (Sciarrone)
David Sellar, boy soprano (Un pastore)
Leonardo Monreale, bass (Un carceriere)
Choeurs du Théâtre National de l’Opéra. Chorus master: Jean Laforge
Orchestre de la Société des Concerts du Conservatoire - Conducted by Georges Prêtre.
Analyzed: Carlo Bergonzi, Giorgio Tadeo, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (1)
Carlo Bergonzi, Leonardo Monreale, Giorgio Tadeo, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (2)
Carlo Bergonzi, Leonardo Monreale, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (3)
Carlo Bergonzi, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (4-5)
Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (6)
David Sellar, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (7)
Leonardo Monreale, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (8)
Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (9)
Maria Callas, Carlo Bergonzi, Leonardo Monreale, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (10)
Maria Callas, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (11-12)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (13-14)
Maria Callas, Tito Gobbi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (15)
Maria Callas, Tito Gobbi, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (16)
Maria Callas, Ugo Trama, Renato Ercolani, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (17)
Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (18)
Tito Gobbi, Carlo Bergonzi, Renato Ercolani, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (19)
Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (20)
Tito Gobbi, Maria Callas, Carlo Bergonzi, Renato Ercolani, Leonardo Monreale, Giorgio Tadeo, Ugo Trama, David Sellar, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (21)
Tito Gobbi, Maria Callas, Giorgio Tadeo, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (22)
Tito Gobbi, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (23-24)
Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (25)
Tito Gobbi, Renato Ercolani, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (26)
Tito Gobbi, Renato Ercolani, Georges Prête, Orchestre de la Société des Concerts du Conservatoire / Giacomo Puccini: Tosca (1964-65) (27)
Tito Gobbi, Ugo Trama, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (28)
Tito Gobbi, Ugo Trama, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (29)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.44 dB -20.41 dB 4:19 02-Act 1: "Dammi i colori…Recondita armonia" (Cavaradossi, Sagrestano)
DR12 -0.23 dB -16.94 dB 4:56 06-Act 1: "E buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Chorus)
DR12 -0.54 dB -18.83 dB 1:07 03-Act 1: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca)
DR11 -0.61 dB -15.64 dB 2:43 25-Act 3: "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
DR11 -1.44 dB -19.14 dB 5:14 26-Act 3: "O dolci mani" (Cavaradossi, Tosca)
DR11 -2.21 dB -19.58 dB 3:02 24-Act 3: "E lucevan le stelle" (Cavaradossi)
DR14 -7.90 dB -30.93 dB 5:48 22-Act 3: "Io de' sospiri" (Shepherd's voice)
DR13 -3.61 dB -22.48 dB 4:30 23-Act 3: "Mario Cavaradossi?" (Jailer, Cavaradossi)
DR14 -0.20 dB -20.04 dB 5:17 01-Act 1: "Ah! Finalmente!" (Angelotti, Sacristan, Cavaradossi)
DR12 -0.44 dB -19.80 dB 2:42 27-Act 3: "E non giungono" (Tosca, Cavaradossi, Jailer)
DR12 -1.63 dB -19.66 dB 7:16 04-Act 1: "Mario! Mario! Mario!" (Tosca, Cavaradossi)
DR12 -1.61 dB -19.05 dB 5:43 05-Act 1: "Ah, quegli occhi! … Quale occhi al mondo può di paro" (Tosca, Cavaradossi)
DR10 -2.16 dB -17.27 dB 3:00 19-Act 2: "Vissi d'arte" (Tosca)
DR11 -1.70 dB -17.60 dB 2:31 28-Act 3: "Com'è lunga l'attesa!" (Tosca)
DR10 -0.28 dB -15.92 dB 3:43 09-Act 1: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia)
DR13 -1.11 dB -20.13 dB 3:42 20-Act 2: "Vedi, ecco, vedi" (Tosca, Scarpia, Spoletta)
DR10 -0.24 dB -12.99 dB 1:29 29-Act 3: "Presto! su, Mario! Andiamo! Andiamo!, Su!" (Tosca, Voices, Sciarrone, Spoletta)
DR12 -0.21 dB -17.35 dB 5:42 17-Act 2: "Nel pozzo…Del giardino" (Scarpia, Sciarrone, Tosca, Cavaradossi)
DR13 -0.27 dB -20.07 dB 2:27 14-Act 2: "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca)
DR12 -0.20 dB -18.41 dB 3:52 07-Act 1: "Un tal baccano in chiesa!" (Scarpia, Sacristan, Spoletta)
DR11 -0.29 dB -15.30 dB 3:12 16-Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi)
DR14 -1.22 dB -19.23 dB 3:02 08-Act 1: "Tutto è chiaro … Tosca? Che non mi veda … Mario! Mario!"
DR11 -0.31 dB -16.14 dB 3:27 18-Act 2: "Se la giurata" (Scarpia, Tosca)
DR13 -0.29 dB -20.60 dB 6:43 21-Act 2: "E qual via scegliete?" (Scarpia, Tosca)
DR12 -0.61 dB -18.77 dB 3:57 15-Act 2: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca, Sciarrone, Cavaradossi)
DR14 -0.33 dB -20.27 dB 3:11 13-Act 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi)
DR10 -0.19 dB -14.34 dB 4:10 10-Act 1: "Tre sbirri" (Scarpia, Spoletta, Chorus)
DR15 -0.64 dB -23.91 dB 3:16 11-Act 2: "Tosca è un buon falco" (Scarpia, Sciarrone)
DR13 -0.23 dB -17.36 dB 2:22 12-Act 2: "Ha più forte" (Scarpia, Sciarrone, Spoletta)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 29
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2898 kbps
Codec: FLAC
================================================================================
Carlo Bergonzi, Leonardo Monreale, Giorgio Tadeo, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (2)
Carlo Bergonzi, Leonardo Monreale, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (3)
Carlo Bergonzi, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (4-5)
Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (6)
David Sellar, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (7)
Leonardo Monreale, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (8)
Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (9)
Maria Callas, Carlo Bergonzi, Leonardo Monreale, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (10)
Maria Callas, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (11-12)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (13-14)
Maria Callas, Tito Gobbi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (15)
Maria Callas, Tito Gobbi, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (16)
Maria Callas, Ugo Trama, Renato Ercolani, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (17)
Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (18)
Tito Gobbi, Carlo Bergonzi, Renato Ercolani, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (19)
Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (20)
Tito Gobbi, Maria Callas, Carlo Bergonzi, Renato Ercolani, Leonardo Monreale, Giorgio Tadeo, Ugo Trama, David Sellar, Choeurs de l'Opéra National de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (21)
Tito Gobbi, Maria Callas, Giorgio Tadeo, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (22)
Tito Gobbi, Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (23-24)
Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (25)
Tito Gobbi, Renato Ercolani, Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (26)
Tito Gobbi, Renato Ercolani, Georges Prête, Orchestre de la Société des Concerts du Conservatoire / Giacomo Puccini: Tosca (1964-65) (27)
Tito Gobbi, Ugo Trama, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (28)
Tito Gobbi, Ugo Trama, Renato Ercolani, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre / Giacomo Puccini: Tosca (1964-65) (29)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.44 dB -20.41 dB 4:19 02-Act 1: "Dammi i colori…Recondita armonia" (Cavaradossi, Sagrestano)
DR12 -0.23 dB -16.94 dB 4:56 06-Act 1: "E buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Chorus)
DR12 -0.54 dB -18.83 dB 1:07 03-Act 1: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca)
DR11 -0.61 dB -15.64 dB 2:43 25-Act 3: "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
DR11 -1.44 dB -19.14 dB 5:14 26-Act 3: "O dolci mani" (Cavaradossi, Tosca)
DR11 -2.21 dB -19.58 dB 3:02 24-Act 3: "E lucevan le stelle" (Cavaradossi)
DR14 -7.90 dB -30.93 dB 5:48 22-Act 3: "Io de' sospiri" (Shepherd's voice)
DR13 -3.61 dB -22.48 dB 4:30 23-Act 3: "Mario Cavaradossi?" (Jailer, Cavaradossi)
DR14 -0.20 dB -20.04 dB 5:17 01-Act 1: "Ah! Finalmente!" (Angelotti, Sacristan, Cavaradossi)
DR12 -0.44 dB -19.80 dB 2:42 27-Act 3: "E non giungono" (Tosca, Cavaradossi, Jailer)
DR12 -1.63 dB -19.66 dB 7:16 04-Act 1: "Mario! Mario! Mario!" (Tosca, Cavaradossi)
DR12 -1.61 dB -19.05 dB 5:43 05-Act 1: "Ah, quegli occhi! … Quale occhi al mondo può di paro" (Tosca, Cavaradossi)
DR10 -2.16 dB -17.27 dB 3:00 19-Act 2: "Vissi d'arte" (Tosca)
DR11 -1.70 dB -17.60 dB 2:31 28-Act 3: "Com'è lunga l'attesa!" (Tosca)
DR10 -0.28 dB -15.92 dB 3:43 09-Act 1: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia)
DR13 -1.11 dB -20.13 dB 3:42 20-Act 2: "Vedi, ecco, vedi" (Tosca, Scarpia, Spoletta)
DR10 -0.24 dB -12.99 dB 1:29 29-Act 3: "Presto! su, Mario! Andiamo! Andiamo!, Su!" (Tosca, Voices, Sciarrone, Spoletta)
DR12 -0.21 dB -17.35 dB 5:42 17-Act 2: "Nel pozzo…Del giardino" (Scarpia, Sciarrone, Tosca, Cavaradossi)
DR13 -0.27 dB -20.07 dB 2:27 14-Act 2: "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca)
DR12 -0.20 dB -18.41 dB 3:52 07-Act 1: "Un tal baccano in chiesa!" (Scarpia, Sacristan, Spoletta)
DR11 -0.29 dB -15.30 dB 3:12 16-Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi)
DR14 -1.22 dB -19.23 dB 3:02 08-Act 1: "Tutto è chiaro … Tosca? Che non mi veda … Mario! Mario!"
DR11 -0.31 dB -16.14 dB 3:27 18-Act 2: "Se la giurata" (Scarpia, Tosca)
DR13 -0.29 dB -20.60 dB 6:43 21-Act 2: "E qual via scegliete?" (Scarpia, Tosca)
DR12 -0.61 dB -18.77 dB 3:57 15-Act 2: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca, Sciarrone, Cavaradossi)
DR14 -0.33 dB -20.27 dB 3:11 13-Act 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi)
DR10 -0.19 dB -14.34 dB 4:10 10-Act 1: "Tre sbirri" (Scarpia, Spoletta, Chorus)
DR15 -0.64 dB -23.91 dB 3:16 11-Act 2: "Tosca è un buon falco" (Scarpia, Sciarrone)
DR13 -0.23 dB -17.36 dB 2:22 12-Act 2: "Ha più forte" (Scarpia, Sciarrone, Spoletta)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 29
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2898 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!