Leonard Cohen - Recent Songs (1979/2014)
FLAC (tracks) 24-bit/44,1 kHz | Time - 53:26 minutes | 534 MB
Studio Master, Official Digital Download | Artwork: Front cover
"Recent Songs" is the sixth studio album by Leonard Cohen, released in 1979. Produced by Leonard Cohen and Henry Lewy, it was a return to Cohen's acoustic folk music after the Phil Spector experimentation of Death of a Ladies' Man, but now with many Jazz and Oriental influences.
The first thing Leonard Cohen's music fans noticed about his sixth new studio album, given the typically open-ended title Recent Songs, was that, musically, it marked a return to the gypsy folk sound of his early records after the incongruous arrangements Phil Spector imposed on its predecessor, Death of a Ladies' Man, only two years earlier. There were subtle musical developments, particularly a flavor of the American Southwest, courtesy of the band Passenger, which played on several tracks, but the acoustic guitars and violin recalled classic Cohen. Fans of the artist's poetry noticed something else. His writing had become increasingly bitter and angry during the 1970s in the books The Energy of Slaves and Death of a Lady's Man as well as in his lyrics, but there was a new equanimity in these Recent Songs that began with the welcoming introduction of "The Guests." All was not suddenly well, of course, but "the open-hearted many" outnumbered "the broken-hearted few." Cohen's usual mixture of religious and sexual imagery in the songs was elegant and evocative rather than painful. If he was conscious of the sacrifices he had made in vain in "Came So Far for Beauty," he was nevertheless able to make a sincere plea to a woman in "The Window," mixing it with a prayer to "gentle this soul." The album was full of references to absence and dislocation, but Cohen deliberately countered them with humor. The cover of "The Lost Canadian (Un Canadient Errant)" was enlivened by a mariachi arrangement, and the album ended with "Ballad of the Absent Mare," an allegory about a cowboy's search for a horse that ended with the suggestion that the pursuit was only a romantic game. Though often abstract, Recent Songs suggested Cohen had regained a certain equilibrium after a long dark period.
Tracklist:
01 - The Guests
02 - Humbled in Love
03 - The Window
04 - Came So Far for Beauty
05 - The Lost Canadian (Un Canadien Errant)
06 - The Traitor
07 - Our Lady of Solitude
08 - The Gypsy's Wife
09 - The Smokey Life
10 - Ballad of the Absent Mare (Longer Version)
Analyzed: Leonard Cohen / Recent Songs
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DR Peak RMS Duration Track
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DR13 -0.30 dB -16.71 dB 6:40 01-The Guests
DR14 -0.30 dB -17.07 dB 5:15 02-Humbled in Love
DR12 -0.30 dB -14.33 dB 5:57 03-The Window
DR12 -4.74 dB -20.83 dB 4:05 04-Came So Far for Beauty
DR12 -0.37 dB -14.61 dB 4:44 05-The Lost Canadian (Un Canadien Errant)
DR12 -0.76 dB -15.69 dB 6:16 06-The Traitor
DR13 -0.30 dB -16.42 dB 3:14 07-Our Lady of Solitude
DR12 -0.30 dB -14.99 dB 5:13 08-The Gypsy's Wife
DR11 -0.30 dB -13.48 dB 5:19 09-The Smokey Life
DR13 -0.30 dB -14.87 dB 6:43 10-Ballad of the Absent Mare (Longer Version)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1377 kbps
Codec: FLAC
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––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.30 dB -16.71 dB 6:40 01-The Guests
DR14 -0.30 dB -17.07 dB 5:15 02-Humbled in Love
DR12 -0.30 dB -14.33 dB 5:57 03-The Window
DR12 -4.74 dB -20.83 dB 4:05 04-Came So Far for Beauty
DR12 -0.37 dB -14.61 dB 4:44 05-The Lost Canadian (Un Canadien Errant)
DR12 -0.76 dB -15.69 dB 6:16 06-The Traitor
DR13 -0.30 dB -16.42 dB 3:14 07-Our Lady of Solitude
DR12 -0.30 dB -14.99 dB 5:13 08-The Gypsy's Wife
DR11 -0.30 dB -13.48 dB 5:19 09-The Smokey Life
DR13 -0.30 dB -14.87 dB 6:43 10-Ballad of the Absent Mare (Longer Version)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1377 kbps
Codec: FLAC
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