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    László Borbély - J. S. Bach: Die Kunst der Fuge, BWV 1080 (2022) [Official Digital Download 24/192]

    Posted By: delpotro
    László Borbély - J. S. Bach: Die Kunst der Fuge, BWV 1080 (2022) [Official Digital Download 24/192]

    László Borbély - J. S. Bach: Die Kunst der Fuge, BWV 1080 (2022)
    FLAC (tracks) 24-bit/192 kHz | Front Cover & Digital Booklet | Time - 92:49 minutes | 3,75 GB
    Classical | Label: Hunnia Records, Official Digital Download

    Borbely says “Why am I attracted to such ‘insurmountable peaks’ as Bach’s Die Kunst der Fuge? I have always been captivated by researching complex musical structures and the regularities of music as language. Working on such a monumental and searchingly demanding work is challenging for me primarily because it is at this level that I can confront my own limits, my own “finiteness”. It becomes evident here that we, humans, can only aim at Perfection but will never be able to achieve it. This is the reason I never feel that my interpretation is “ready”. I would even abhor the idea. Why? Because one’s approach to a work will never be and can never be final. Bach’s music is also a continually forming, changing, infinite “game”, renewing itself again and again. Bach placed musical variability into divine invariability.

    Bach’s Die Kunst der Fuge is a testament, which poses several unanswerable (or only partially answerable) questions in its incompleteness, and, in other aspects, giving ever-present research tasks for musicians who take on the challenge. The work is the perfection of the genre and construction of the fugue (meaning ‘running’ or ‘flight’ in Latin), Bach’s technical and structural faculties attaining their peak of complexity. Bach intended the work for the Leipzig Corresponding Society of the Musical Sciences, founded by his former pupil, Lorenz Christoph Mizler. He was a member of this body from 1747. Members were obliged to send a work each year to society and Bach wished to fulfil his obligation with this cycle in 1749. The time of composition of the work, however, is unclear, several signs pointing at Bach’s working on it from the early 1740s. It first appeared in print one year after Bach’s death, in 1751.”

    Tracklist:
    01. Contrapunctus 1
    02. Contrapunctus 2
    03. Contrapunctus 3
    04. Contrapunctus 4
    05. Contrapunctus 5
    06. Contrapunctus 6 a 4 in Stylo Francese
    07. Contrapunctus 7 a 4 per Augmentationem et Diminutionem
    08. Contrapunctus 8 a3
    09. Contrapunctus 9 a 4 alla Duodecima
    10. Contrapunctus 10 a 4 alla Decima
    11. Contrapunctus 11 a 4
    12. Contrapunctus inversus a 4 – Forma recta
    13. Contrapunctus inversus a 4 – Forma inversa
    14. Contrapunctus inversus a 3 – Forma recta
    15. Contrapunctus inversus a 3 – Forma inversa
    16. Canon alla Ottava
    17. Canon alla Decima in Contrapunto alla Terza
    18. Canon alla Duodecima in Contrapunto alla Quinta
    19. Canon per Augmentationem in Contrario Motu
    20. Augmentationem in Contrario Motu

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2022-07-06 18:10:23

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: László Borbély / J. S. Bach, Die Kunst der Fuge, BWV 1080
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 0.00 dB -27.63 dB 4:01 01-Contrapunctus 1
    DR12 -4.55 dB -20.67 dB 2:55 02-Contrapunctus 2
    DR11 0.00 dB -26.56 dB 3:39 03-Contrapunctus 3
    DR13 0.00 dB -23.50 dB 3:10 04-Contrapunctus 4
    DR13 0.00 dB -28.44 dB 4:02 05-Contrapunctus 5
    DR14 -6.95 dB -24.96 dB 5:03 06-Contrapunctus 6 a 4 in Stylo Francese
    DR14 0.00 dB -24.35 dB 4:08 07-Contrapunctus 7 a 4 per Augmentationem et Diminutionem
    DR13 0.00 dB -25.26 dB 6:26 08-Contrapunctus 8 a3
    DR12 -8.63 dB -23.82 dB 2:29 09-Contrapunctus 9 a 4 alla Duodecima
    DR14 0.00 dB -28.97 dB 5:44 10-Contrapunctus 10 a 4 alla Decima
    DR14 -7.10 dB -25.91 dB 8:52 11-Contrapunctus 11 a 4
    DR12 0.00 dB -27.91 dB 4:01 12-Contrapunctus inversus a 4 – Forma recta
    DR12 0.00 dB -30.50 dB 3:56 13-Contrapunctus inversus a 4 – Forma inversa
    DR12 0.00 dB -25.85 dB 2:27 14-Contrapunctus inversus a 3 – Forma recta
    DR12 0.00 dB -25.39 dB 2:26 15-Contrapunctus inversus a 3 – Forma inversa
    DR11 0.00 dB -25.38 dB 4:18 16-Canon alla Ottava
    DR12 0.00 dB -27.31 dB 4:09 17-Canon alla Decima in Contrapunto alla Terza
    DR13 0.00 dB -27.87 dB 5:14 18-Canon alla Duodecima in Contrapunto alla Quinta
    DR12 0.00 dB -28.13 dB 4:28 19-Canon per Augmentationem in Contrario Motu
    DR13 -9.33 dB -29.15 dB 11:22 20-Augmentationem in Contrario Motu
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 20
    Official DR value: DR12

    Samplerate: 192000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 5616 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!