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    Khan - Space Shanty (1972) Original FR Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Khan - Space Shanty (1972) Original FR Pressing - LP/FLAC In 24bit/96kHz

    Khan - Space Shanty
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
    Label: Kingdom Records ‎/ KV 6003 | Released: 1972 | Genre: Progressive-Rock

    A1 Space Shanty (Incl. The Cobalt Sequence And March Of The Sine Squadrons)
    A2 Stranded (Incl. Effervescent Psycho Novelty No. 5)
    A3 Mixed Up Man Of The Mountains

    B1 Driving To Amsterdam
    B2 Stargazers
    B3 Hollow Stone (Including Escape Of The Space Pilots)


    Credits

    Artwork By [Original Sleeve Design] – David Anstey
    Bass Guitar, Vocals – Nick Greenwood
    Drums – Eric Peachey
    Engineer – George Chkiantz, Pete Booth
    Engineer [Remix] – Dave Grinsted
    Engineer, Engineer [Remix] – Derek Varnals
    Guitar, Vocals – Steve Hillage
    Organ, Piano, Marimba, Celesta – Dave Stewart
    Producer – Neil Slaven
    Written-By – Greenwood* (tracks: 3), Hillage*

    Notes
    Orange Kingdom label with SACM logo.
    Made in France by Disques Vogue


    Khan - Space Shanty (1972) Original FR Pressing - LP/FLAC In 24bit/96kHz

    Khan - Space Shanty (1972) Original FR Pressing - LP/FLAC In 24bit/96kHz

    Khan - Space Shanty (1972) Original FR Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2019
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX6: Only Manual (Click per click)
    This LP: NM / From my collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    There are several albums that I consider as a truly masterpieces of progressive rock and music in general. All of them are flawless, challenging, and you will discover something new every time you put it in your CD player. However, there are as many tastes as individuals themselves and every masterpiece is not for everyone. There is no point to convince someone that some symphonic progressive album is a masterpiece, if that person prefers, let’s say, fusion, or progressive metal or something else. You have to be careful every time and to check even the albums of highest rank.

    However, KHAN’s “Space Shanty” is maybe the only album that I could easily recommend to literally anyone. It’s got the artistic value, the history value, the methodology value. It is undoubtedly a masterpiece and I can’t imagine anyone disliking this one, with all the respect for the differences.

    The most difficult thing is to explain why it is so good. Well, I’m not sure how to explain, but there is no absolutely one single second of filler time on the record, all the songs are perfectly floating into into another (although this is not a concept album), and all the tracks are well-balanced instrument-wise, representing the perfect, homogenic blend of styles at the same time. Musicians are the top class, providing us enjoyable moments all the time without any unnecessary virtuoso extravaganza. Hillage’s solos are unique and gorgeous, and again so unmistakeably his very own. Stewart gave us here the fines Hammond sound in rock history, with palette with chosen timbres which are fitting perfectly into the story. Incredible.
    Review by clarke2001, progarchives.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip.

    Vinyl / CUE/ FLAC/ High Definition Cover: