The Kenny Clarke / Francy Boland Big Band - Latin Kaleidoscope (BASF CRM 685) (GER 1969) (Vinyl 24-96 & 16-44.1)

The Kenny Clarke / Francy Boland Big Band - Latin Kaleidoscope
FLAC | NO LOG & CUE | Artwork | 24Bit: 809 MB | 16Bit: 262 MB
Cat#: BASF CRM 685 | Country/Year: Germany 1969

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Info:

Kenny Clarke - Francy Boland Big Band, The - Latin Kaleidoscope

Label: BASF, MPS Records
Catalog#: CRM 685, 15 213 ST
Format: Vinyl, LP, Album
Country: Germany
Released: 1969
Genre: Jazz, Latin
Style: Afro-Cuban Jazz, Big Band, Latin Jazz

Tracklist:

Gary McFarland's "Latin Kaleidoscope"


I Movement

A1 Un Graso De Areia
Soloist, Flute - Sahib Shihab
Soloist, Trumpet - Dusko Gojkovic
A2 Duas Rosas

II Movement

A3 A Rosa Negra
A4 Uma Fita De Tres Cores
Soloist, Saxophone [Baritone] - Sahib Shihab
Soloist, Saxophone [Tenor] - Ronnie Scott

III Movement

A5 Olhos Negros
Soloist, Saxophone [Tenor] - Ronnie Scott
Soloist, Trombone - Åke Persson
A6 Ramo De Flores



Francy Boland's "Cuban Fever"



I Movement

B1 Fiebre Cuban
B2 Mambo De Las Brujas
Soloist, Flute - Sahib Shihab
B3 Strano Sueno
Soloist, Saxophone [Alto] - Phil Woods
Soloist, Saxophone [Tenor] - Tony Coe

II Movement

B4 Cara Bruja

III Movement

B5 Crespusculo Y Aurora
Soloist, Trumpet - Benny Bailey


Credits
Arranged By - Francy Boland
Artwork By [Coverdesign And Layout] - Heinz Bähr
Bass - Jean Warland , Jimmy Woode
Drums - Kenny Clare , Kenny Clarke
Leader [Co-leader] - Francy Boland , Kenny Clarke
Liner Notes - Manfred Miller
Percussion - Tootie Heath , Kenny Clare , Sabu Martinez , Shake Keane , Tony Inzalaco
Photography [Back Cover] - Peter Kliem
Photography [Inside] - I. Gheno , Peter Kliem , U. Oldenburg
Piano - Francy Boland
Producer, Supervised By - Gigi Campi
Recorded By [Recording Engineer] - Wolfgang Hirschmann
Saxophone [Alto] - Derek Humble , Phil Woods
Saxophone [Baritone] - Sahib Shihab
Saxophone [Tenor] - Johnny Griffin , Ronnie Scott , Tony Coe
Trombone - Åke Persson , Eric Van Lier , Nat Peck
Trumpet - Benny Bailey , Dusko Gojkovic, Idrees Sulieman , Jimmy Deuchar , Milo Pavlovic

Notes:

Recorded August 28th/29th 1968 at Lindstroem Studios Cologne

Subtitle: "Gigi Campi Presents 17 Men And Their Music 3"

Discogs Url: http://www.discogs.com/release/2396193
Wikipedia Url (artist): http://en.wikipedia.org/wiki/The_Kenny_Clarke-Francy_Boland_Big_Band

The Kenny Clarke-Francy Boland Big Band was one of the most noteworthy jazz big bands formed outside the United States.

It was formed in 1961, when, with the help of producer Gigi Campi, the US drummer Kenny Clarke and Belgian pianist and composer Francy Boland and ex-Ellington bassist Jimmy Woode brought together several jazz musicians of note. Although based in Europe, the band was truly multinational, also having several US musicians in the line-up.

It was disbanded in 1972, after having recorded more than 15 albums. They released many of their albums on the German jazz record label MPS Records. wikipedia

Biography by Scott Yanow

Kenny Clarke was a highly influential if subtle drummer who helped to define bebop drumming. He was the first to shift the time-keeping rhythm from the bass drum to the ride cymbal, an innovation that has been copied and utilized by a countless number of drummers since the early '40s.

Clarke played vibes, piano and trombone in addition to drums while in school. After stints with Roy Eldridge (1935) and the Jeter-Pillars band, Clarke joined Edgar Hayes' Big Band (1937-38). He made his recording debut with Hayes (which is available on a Classics CD) and showed that he was one of the most swinging drummers of the era. A European tour with Hayes gave Clarke an opportunity to lead his own session, but doubling on vibes was a definite mistake! Stints with the orchestras of Claude Hopkins (1939) and Teddy Hill (1940-41) followed and then Clarke led the house band at Minton's Playhouse (which also included Thelonious Monk). The legendary after-hours sessions led to the formation of bop and it was during this time that Clarke modernized his style and received the nickname "Klook-Mop" (later shortened to "Klook") due to the irregular "bombs" he would play behind soloists. A flexible drummer, Clarke was still able to uplift the more traditional orchestras of Louis Armstrong and Ella Fitzgerald (1941) and the combos of Benny Carter (1941-42), Red Allen and Coleman Hawkins; he also recorded with Sidney Bechet. However after spending time in the military, Clarke stayed in the bop field, working with Dizzy Gillespie's big band and leading his own modern sessions; he co-wrote "Epistrophy" with Monk and "Salt Peanuts" with Gillespie. Clarke spent the late '40s in Europe, was with Billy Eckstine in the U.S. in 1951 and became an original member of the Modern Jazz Quartet (1951-55). However he felt confined by the music and quit the MJQ to freelance, performing on an enormous amount of records during 1955-56.

In 1956 Clarke moved to France where he did studio work, was hired by touring American all-stars and played with Bud Powell and Oscar Pettiford in a trio called the Three Bosses (1959-60). Clarke was co-leader with Francy Boland of a legendary all-star big band (1961-72), one that had Kenny Clarke playing second drums! Other than a few short visits home, Kenny Clarke worked in France for the remainder of his life and was a major figure on the European jazz scene. allmusicguide


=Hardware=
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=Software=
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Resampled:
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Dithered:
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Date of rip: 2010-08-12
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