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John Eliot Gardiner - Brahms: Symphony No. 3 (2009) [Official Digital Download 24/48] **[RE-UP]**
![John Eliot Gardiner - Brahms: Symphony No. 3 (2009) [Official Digital Download 24/48] **[RE-UP]**](https://pixhost.icu/avaxhome/99/78/00657899.jpg)
John Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Brahms: Symphony No. 3 (2009)
FLAC (tracks) 24-bit/48 kHz | 1:10:24 | 683 mb
Studio Master, Official Digital Download | Artwork: Front Cover, d.booklet
FLAC (tracks) 24-bit/48 kHz | 1:10:24 | 683 mb
Studio Master, Official Digital Download | Artwork: Front Cover, d.booklet
Soli Deo Gloria is proud to release the third instalment in the successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms.
The choral pieces on this release demonstrate beautifully the extent to which choral thinking permeates Brahms’ orchestral writing. Gardiner states that ‘just as there is choral thinking evident in his symphonies, surely there are also signs of orchestral thinking embedded within his choral writing.’ Both Nänie and Gesang der Parzen show fascinating links with Brahms’ last two symphonies Parzen sharing with the Third not just an adjacent opus number but an immensely powerful orchestral opening, with passing references to ‘early music’ styles next to passages of the most advanced harmony.
Einförmig ist der Liebe Gram, an irresistible little piece written for women’s voices, sees Brahms take the final song from Schubert’s Winterreise and turn it into a haunting six-part canon. Another example of Brahms forging links with a revered predecessor.
Written nearly six years after Brahms completed his Second Symphony, his third symphony was described by Hans Richter on its premiere as Brahms’ ‘Erioica’. A friend of Brahms and music critic at the time, Eduard Hanslick, wrote: “Many music lovers will prefer the titanic force of the First Symphony; others, the untroubled charm of the Second, but the Third strikes me as being artistically the most nearly perfect”
Tracklist:
01. 5 Lieder, op. 41: No. 1. Ich schwing mein Horn ins Jammertal
02. 4 Gesange, Op. 17: No. 1. Es tont ein voller Harfenklang
03. 5 Gesange, Op. 104: No. 1. Nachtwache I
04. 13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram
05. Gesang der Parzen, Op. 89
06. Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto
07. Symphony No. 3 in F major, Op. 90: II. Andante
08. Symphony No. 3 in F major, Op. 90: III. Poco allegretto
09. Symphony No. 3 in F major, Op. 90: IV. Allegro - Un poco sostenuto
10. Nanie, Op. 82
Recording locations: Recorded live at the Salle Pleyel, Paris and Royal Festival Hall, London.
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-04-09 11:26:18
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Analyzed: Orchestre RĂ©volutionnaire et Romantique, John Eliot Gardiner, Monteverdi Choir / Brahms: Symphony No. 3
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DR Peak RMS Duration Track
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DR15 -10.70 dB -31.60 dB 4:23 01-5 Lieder, op. 41: No. 1. Ich schwing mein Horn ins Jammertal
DR13 -2.07 dB -22.26 dB 3:15 02-4 Gesange, Op. 17: No. 1. Es tont ein voller Harfenklang
DR14 -2.31 dB -24.61 dB 3:04 03-5 Gesange, Op. 104: No. 1. Nachtwache I
DR14 -7.70 dB -26.47 dB 2:42 04-13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram
DR13 0.00 dB -17.90 dB 11:17 05-Gesang der Parzen, Op. 89
DR13 0.00 dB -17.98 dB 11:33 06-Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto
DR13 -4.35 dB -23.09 dB 8:25 07-Symphony No. 3 in F major, Op. 90: II. Andante
DR13 -6.05 dB -24.18 dB 5:55 08-Symphony No. 3 in F major, Op. 90: III. Poco allegretto
DR13 0.00 dB -17.38 dB 7:47 09-Symphony No. 3 in F major, Op. 90: IV. Allegro - Un poco sostenuto
DR14 0.00 dB -20.22 dB 12:04 10-Nanie, Op. 82
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Number of tracks: 10
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1360 kbps
Codec: FLAC
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Thanks to the Original customer.