![Eric Ferring, Madeline Slettedahl & Quatuor Agate - We have tomorrow (2023) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/0c/10/00a3100c_medium.jpg)
Eric Ferring, Madeline Slettedahl & Quatuor Agate - We have tomorrow (2023) [Official Digital Download 24/96]
![Eric Ferring, Madeline Slettedahl & Quatuor Agate - We have tomorrow (2023) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/0c/10/00a3100c.jpg)
Eric Ferring, Madeline Slettedahl & Quatuor Agate - We have tomorrow (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:59 minutes | 1,29 GB
Classical, Vocal | Label: Delos Music, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 76:59 minutes | 1,29 GB
Classical, Vocal | Label: Delos Music, Official Digital Download
The emotive young American tenor Eric Ferring delivers a moving and ambitious collection of art songs with a chamber music emphasis. In this follow-up release to his acclaimed debut album No Choice but Love (Lexicon Classics), Ferring is joined to great effect by pianist Madeline Slettedahl and the French ensemble Quatuor Agate.
Still in the early phases of his singing career, the Iowa-born Ferring has already performed numerous times with the Metropolitan Opera, and appeared at Santa Fe Opera, the Spoleto Festival and Lyric Opera of Chicago, where he garnered an Emmy Award for his performance in Pagliacci. Ferring has also sung widely in Europe, in such houses as Opéra de Rouen, Opéra de Paris and the Opéra national du Rhin. He also participated in a world tour of Rodelinda with The English Concert.
We have tomorrow is an impressive survey featuring important cycles by Samuel Barber, Gabriel Fauré and Arthur Shepherd, and songs by Florence Price, Johannes Brahms and Amy Beach. Ferring’s sometimes unusual choice of materials shows him to be a musician of wide-ranging taste and interests.
Ferring and Slettedahl, his close collaborator for the past several years, have given the album an original cast by including six works that require string players. The Paris-based Quatuor Agate—Adrien Jurkovic and Thomas Descamps, violins; Raphaël Pagnon, viola; Simon Iachemet, cello—eloquently demonstrates art song’s affinity with small instrumental ensembles.
Tracklist:
01. Barber: Mélodies passagères, Op. 27: I. Puisque tout passe
02. Barber: Mélodies passagères, Op. 27: II. Un cygne
03. Barber: Mélodies passagères, Op. 27: III. Tombeau dans un parc
04. Barber: Mélodies passagères, Op. 27: IV. Le clocher chante
05. Barber: Mélodies passagères, Op. 27: V. Départ
06. Price: Hold Fast to Dreams
07. Price: We have tomorrow
08. Brahms: Zwei Gesänge, Op. 91: I. Gestillte Sehnsucht
09. Brahms: Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied
10. Beach: Three Songs, Op. 19: No. 2, Ecstasy
11. Beach: Three Songs, Op. 21: No. 1, Chanson d'Amour
12. Beach: Two Songs, Op. 100: No. 1, A mirage
13. Beach: Two Songs, Op. 100: No. 2, Stella viatoris
14. Shepherd: Triptych for High Voice and String Quartet: I. He it is
15. Shepherd: Triptych for High Voice and String Quartet: II. The day is no more
16. Shepherd: Triptych for High Voice and String Quartet: III. Light, my light
17. Faure: La bonne chanson, Op. 61: I. Une sainte en son auréole
18. Faure: La bonne chanson, Op. 61: II. Puisque l'aube grandit
19. Faure: La bonne chanson, Op. 61: III. La lune blanche luit dans les bois
20. Faure: La bonne chanson, Op. 61: IV. J'allais par des chemins perfides
21. Faure: La bonne chanson, Op. 61: V. J'ai presque peur, en vérité
22. Faure: La bonne chanson, Op. 61: VI. Avant que tu ne t'en ailles
23. Faure: La bonne chanson, Op. 61: VII. Donc, ce sera par un clair jour d'été
24. Faure: La bonne chanson, Op. 61: VIII. N'est-ce pas?
25. Faure: La bonne chanson, Op. 61: IX. L'hiver a cessé
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2023-10-03 15:30:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Eric Ferring, Madeline Slettedahl and Quatuor Agate / We have tomorrow
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -5.61 dB -25.31 dB 1:41 01-Barber: Mélodies passagères, Op. 27: I. Puisque tout passe
DR15 -4.23 dB -24.89 dB 2:40 02-Barber: Mélodies passagères, Op. 27: II. Un cygne
DR14 -8.93 dB -29.64 dB 1:55 03-Barber: Mélodies passagères, Op. 27: III. Tombeau dans un parc
DR13 -5.40 dB -22.02 dB 1:13 04-Barber: Mélodies passagères, Op. 27: IV. Le clocher chante
DR14 -3.77 dB -24.22 dB 1:52 05-Barber: Mélodies passagères, Op. 27: V. Départ
DR11 -4.09 dB -20.29 dB 1:50 06-Price: Hold Fast to Dreams
DR12 -2.53 dB -20.12 dB 1:18 07-Price: We have tomorrow
DR15 -4.95 dB -26.11 dB 6:26 08-Brahms: Zwei Gesänge, Op. 91: I. Gestillte Sehnsucht
DR14 -4.44 dB -24.29 dB 5:31 09-Brahms: Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied
DR13 -5.77 dB -26.62 dB 2:31 10-Beach: Three Songs, Op. 19: No. 2, Ecstasy
DR15 -0.63 dB -21.53 dB 5:03 11-Beach: Three Songs, Op. 21: No. 1, Chanson d'Amour
DR14 -5.07 dB -27.33 dB 2:53 12-Beach: Two Songs, Op. 100: No. 1, A mirage
DR14 -0.61 dB -21.90 dB 3:27 13-Beach: Two Songs, Op. 100: No. 2, Stella viatoris
DR14 -3.46 dB -23.76 dB 6:20 14-Shepherd: Triptych for High Voice and String Quartet: I. He it is
DR14 -6.63 dB -26.40 dB 4:32 15-Shepherd: Triptych for High Voice and String Quartet: II. The day is no more
DR13 -1.94 dB -20.51 dB 4:10 16-Shepherd: Triptych for High Voice and String Quartet: III. Light, my light
DR14 -7.62 dB -25.62 dB 2:16 17-Faure: La bonne chanson, Op. 61: I. Une sainte en son auréole
DR14 -3.62 dB -21.66 dB 2:05 18-Faure: La bonne chanson, Op. 61: II. Puisque l'aube grandit
DR13 -6.44 dB -26.55 dB 3:00 19-Faure: La bonne chanson, Op. 61: III. La lune blanche luit dans les bois
DR13 -7.39 dB -25.74 dB 1:57 20-Faure: La bonne chanson, Op. 61: IV. J'allais par des chemins perfides
DR13 -5.63 dB -24.51 dB 2:23 21-Faure: La bonne chanson, Op. 61: V. J'ai presque peur, en vérité
DR13 -3.62 dB -23.57 dB 2:50 22-Faure: La bonne chanson, Op. 61: VI. Avant que tu ne t'en ailles
DR12 -7.18 dB -25.16 dB 2:47 23-Faure: La bonne chanson, Op. 61: VII. Donc, ce sera par un clair jour d'été
DR12 -4.85 dB -23.81 dB 2:48 24-Faure: La bonne chanson, Op. 61: VIII. N'est-ce pas?
DR13 -4.18 dB -23.10 dB 3:30 25-Faure: La bonne chanson, Op. 61: IX. L'hiver a cessé
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2415 kbps
Codec: FLAC
================================================================================
log date: 2023-10-03 15:30:56
––––––––––––––––––––––––––––––––––––––––
Analyzed: Eric Ferring, Madeline Slettedahl and Quatuor Agate / We have tomorrow
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -5.61 dB -25.31 dB 1:41 01-Barber: Mélodies passagères, Op. 27: I. Puisque tout passe
DR15 -4.23 dB -24.89 dB 2:40 02-Barber: Mélodies passagères, Op. 27: II. Un cygne
DR14 -8.93 dB -29.64 dB 1:55 03-Barber: Mélodies passagères, Op. 27: III. Tombeau dans un parc
DR13 -5.40 dB -22.02 dB 1:13 04-Barber: Mélodies passagères, Op. 27: IV. Le clocher chante
DR14 -3.77 dB -24.22 dB 1:52 05-Barber: Mélodies passagères, Op. 27: V. Départ
DR11 -4.09 dB -20.29 dB 1:50 06-Price: Hold Fast to Dreams
DR12 -2.53 dB -20.12 dB 1:18 07-Price: We have tomorrow
DR15 -4.95 dB -26.11 dB 6:26 08-Brahms: Zwei Gesänge, Op. 91: I. Gestillte Sehnsucht
DR14 -4.44 dB -24.29 dB 5:31 09-Brahms: Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied
DR13 -5.77 dB -26.62 dB 2:31 10-Beach: Three Songs, Op. 19: No. 2, Ecstasy
DR15 -0.63 dB -21.53 dB 5:03 11-Beach: Three Songs, Op. 21: No. 1, Chanson d'Amour
DR14 -5.07 dB -27.33 dB 2:53 12-Beach: Two Songs, Op. 100: No. 1, A mirage
DR14 -0.61 dB -21.90 dB 3:27 13-Beach: Two Songs, Op. 100: No. 2, Stella viatoris
DR14 -3.46 dB -23.76 dB 6:20 14-Shepherd: Triptych for High Voice and String Quartet: I. He it is
DR14 -6.63 dB -26.40 dB 4:32 15-Shepherd: Triptych for High Voice and String Quartet: II. The day is no more
DR13 -1.94 dB -20.51 dB 4:10 16-Shepherd: Triptych for High Voice and String Quartet: III. Light, my light
DR14 -7.62 dB -25.62 dB 2:16 17-Faure: La bonne chanson, Op. 61: I. Une sainte en son auréole
DR14 -3.62 dB -21.66 dB 2:05 18-Faure: La bonne chanson, Op. 61: II. Puisque l'aube grandit
DR13 -6.44 dB -26.55 dB 3:00 19-Faure: La bonne chanson, Op. 61: III. La lune blanche luit dans les bois
DR13 -7.39 dB -25.74 dB 1:57 20-Faure: La bonne chanson, Op. 61: IV. J'allais par des chemins perfides
DR13 -5.63 dB -24.51 dB 2:23 21-Faure: La bonne chanson, Op. 61: V. J'ai presque peur, en vérité
DR13 -3.62 dB -23.57 dB 2:50 22-Faure: La bonne chanson, Op. 61: VI. Avant que tu ne t'en ailles
DR12 -7.18 dB -25.16 dB 2:47 23-Faure: La bonne chanson, Op. 61: VII. Donc, ce sera par un clair jour d'été
DR12 -4.85 dB -23.81 dB 2:48 24-Faure: La bonne chanson, Op. 61: VIII. N'est-ce pas?
DR13 -4.18 dB -23.10 dB 3:30 25-Faure: La bonne chanson, Op. 61: IX. L'hiver a cessé
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2415 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!