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    Emerson Lake & Palmer - Works / Volume 1 (1977) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Emerson Lake & Palmer - Works / Volume 1 (1977) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz

    Emerson Lake & Palmer - Works / Volume 1
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1800mb & 600mb
    Mastered At Atlantic Studios By Dennis King
    Label: Atlantic/SD 2-7000 | Released: 1977 | Genre: Symphonic-Rock


    A1 –Keith Emerson – Piano Concerto No. 1
    A1a – First Movement: Allegro Giojoso 9:18
    A1b – Second Movement: Andante Molto Cantabile 2:09
    A1c – Third Movement: Toccata Con Fuoco 6:50
    -
    B1 –Greg Lake -Lend Your Love To Me Tonight 4:00
    B2 –Greg Lake – C’est La Vie 4:17
    B3 –Greg Lake – Hallowed Be Thy Name 4:35
    B4 –Greg Lake – Nobody Loves You Like I Do 3:56
    B5 –Greg Lake – Closer To Believing 5:34
    -
    C1 -Carl Palmer – The Enemy God Dances With The Black Spirits (Excerpt From “The Scythian Suite”) 3:16
    C2 –Carl Palmer – L.A.Nights 5:42
    C3 –Carl Palmer – New Orleans 2:45
    C4 –Carl Palmer – Two Part Invention In D Minor 1:53
    C5 –Carl Palmer – Food For Your Soul 3:58
    C6 –Carl Palmer – Tank 5:09
    -
    D1 –Emerson Lake & Palmer – Fanfare For The Common Man 9:38
    D2 –Emerson Lake & Palmer – Pirates 13:20


    Companies, etc.
    Manufactured By – Atlantic Recording Corporation
    Pressed By – Specialty Records Corporation
    Phonographic Copyright (p) – Palm Beach International Recordings Ltd.
    Copyright © – Palm Beach International Recordings Ltd.
    Published By – Palm Beach International Recordings Ltd.
    Published By – Boosey & Hawkes, Inc.
    Published By – Manticore Music Ltd.
    Published By – Unart
    Mastered At – Atlantic Studios
    Credits
    Arranged By [Orchestral Arrangements By] – Godfrey Salmon (tracks: B1 to B5), Tony Harris (3) (tracks: B1 to B5)
    Art Direction – Ashley Newton
    Co-producer – Greg Lake (tracks: C5)
    Composed By – Greg Lake (tracks: B1 to B5), Keith Emerson (tracks: A), Peter Sinfield (tracks: B1 to B5)
    Conductor [Orchestra And Choir] – Godfrey Salmon (tracks: B1 to B5)
    Conductor [Orchestra] – Godfrey Salmon (tracks: D2), John Mayer (2) (tracks: A)
    Design, Artwork – Ian Murray (4)
    Engineer [Sound] – John Timperley, Roger Cameron
    Management [Personal Assistance] – Alex Grob
    Mastered By – Dennis King
    Orchestra – Orchestre de L’Opéra de Paris* (tracks: D2), The London Philharmonic Orchestra (tracks: A)
    Orchestrated By – John Mayer (2) (tracks: A, D2), Keith Emerson (tracks: A, D2)
    Photography By [Emerson] – David Montgomery (4)
    Photography By [Lake] – Kenny Smith (10)
    Photography By [Palmer] – Alex Grob
    Piano [Steinway] – Keith Emerson (tracks: A)
    Producer – Carl Palmer (tracks: C1 to C6), Greg Lake (tracks: B1 to B5, D1, D2), Keith Emerson (tracks: A), Peter Sinfield (tracks: B1 to B5)
    Notes
    Specialty Records Corporation pressing released in Tri-fold sleeve with embossed logo on the front cover

    ℗ © 1977 Palm Beach International Recordings Ltd.
    All titles published by Palm Beach International Recordings Ltd., ASCAP except:
    C1 published by Boosey & Hawkes Inc., ASCAP
    C6 published by Manticore Music Ltd., ASCAP/Unart, BMI

    Joe Walsh appears courtesy of Asylum Records
    Barcode and Other Identifiers
    Matrix / Runout (Label A Side): ST-A-773791-SP
    Matrix / Runout (Label B Side ): ST-A-773792-SP
    Matrix / Runout (Label C Side): ST-A-773793-SP
    Matrix / Runout (Label D Side ): ST-A-773794-SP
    Matrix / Runout (A Side Etched): ST-A-773791 W 1-2
    Matrix / Runout (B Side Etched): ST-A-773792 W 1-1
    Matrix / Runout (C Side Etched): ST-A-773793-0 0-2 AT (PR) SP
    Matrix / Runout (D Side Etched): ST-A-773794-U 0-6SM1 (PR) SP
    Matrix / Runout (Stamped A B and D Sides): SRC [logo] ATLANTIC STUDIOS D.K.
    Rights Society: ASCAP
    Rights Society: BMI


    Emerson Lake & Palmer - Works / Volume 1 (1977) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz

    Emerson Lake & Palmer - Works / Volume 1 (1977) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz

    Emerson Lake & Palmer - Works / Volume 1 (1977) US 1st Pressing - 2 LP/FLAC In 24bit/96kHz



    This Rip: 2017
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: NM-
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    ELP returned from an extended hiatus in 1977, sweetly oblivious to the fact that progressive rock was on the decline. Many bought the double-elpee set just the same (temporarily forgetting the substantial investment that Welcome Back was) to find that “Works Volume 1” was in fact three sides of solo music fused together with a token “band” side at the end. No doubt it’s this sort of tinkering with the affection of fans that resulted in the backlash against the band in later years. For their trouble, the faithful were treated to predictably ambitious classical rock: Keith Emerson’s “Piano Concerto No. 1”, jazz and classical rock hybrids from Carl Palmer, a handful of winning ballads from Greg Lake, and two extended works credited to ELP at the end. Sure, it all requires a little patience, but the rewards are manifold: the second and third movements in Emerson’s concerto, the familiar “C’est La Vie” and the undiscovered “Nobody Loves You Like I Do”, Palmer’s playful “Two Part Invention in D Minor”, the band’s arrangement of Aaron Copland’s “Fanfare for the Common Man”, and the last great epic in their oeuvre, “Pirates”. Because this album plays up the band’s classical aspirations, it may alienate some listeners (e.g., those that felt “Pictures At An Exhibition” was an unnecessary exercise).
    The side from Greg Lake deflates the album’s pretensions somewhat, but even his ballads go over the top sometimes (“Closer to Believing” is a little precious, for example). And Emerson’s piano concerto sounds to these ears like a pastiche of ideas rather than a traditionally structured piano concerto where you might expect the piano to introduce and expound on a dominant theme. Likewise, the band’s extended take on “Fanfare” will test the limits of most listeners (the edited single version at least recognizes the ephemeral novelty factor of the idea). Ultimately “Works Volume 1” succeeds at sounding like an ELP album rather than a collection of solo material. It’s not the tour-de-force of a “Tarkus”, “Trilogy” or “Brain Salad Surgery”, but a longing gaze at a band many loved (and many loved to hate). It’s ambitious, brilliant in fits, tiresome in patches, and unrepentantly Emerson, Lake and Palmer.
    Review by daveconn, progarchives.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

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