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    David Bowie - Waiting in the Sky (Before the Starman Came to Earth) (Record Store Day 2024 Vinyl) (2024) [24bit/192kHz]

    Posted By: delpotro
    David Bowie - Waiting in the Sky (Before the Starman Came to Earth) (Record Store Day 2024 Vinyl) (2024) [24bit/192kHz]

    David Bowie - Waiting in the Sky (Before the Starman Came to Earth) (Record Store Day 2024 Vinyl) (2024)
    Vinyl Rip | FLAC (tracks) 24-bit/192 kHz | Front Cover | Time - 36:54 minutes | 1,26 GB
    Art Rock, Pop Rock | Label: Parlophone Records

    The album is taken from the Trident Studios 1/4” stereo tapes dated 15th December 1971, which were created for the then-provisional track listing of what would become THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS album. The tracklisting for Waiting In The Sky (Before The Starman Came To Earth) runs differently from the Ziggy Stardust album and features four songs that didn’t make the final album.

    On Side 1, in the place of ‘Starman’, one of the last three tracks recorded for the album in February 1972, is ‘Round and Round’, a Chuck Berry cover. The track was finally released on a single as the B-side to ‘Drive-In Saturday’ on 6th April, 1973. Initially, closing Side 1 of the album was Bowie's version of Jacques Brel’s ‘Amsterdam’, which would later appear as the B-side of ‘Sorrow’ on 12th October, 1973.

    Side 2 of the 15th December, 1971 tracklisting features two long-time non-LP fan favourites, ‘Holy Holy’ and ‘Velvet Goldmine’. The former is a re-recording with The Spiders of David’s 1971 single. Again, this version of the track had to wait several years before surfacing as the B-side of ‘Diamond Dogs’ on 14th June, 1974.

    The cover of Waiting In The Sky (Before The Starman Came To Earth) features a photo of David taken at an early Ziggy Stardust period session by Brian Ward, and the two sides of the inner bags are the fronts of the two Trident Studios tape boxes. The album’s title comes from the lyrics of ‘Starman’, which, along with ‘Rock ’N’ Roll Suicide’ and ‘Suffragette City’, had not yet been recorded when this variation of the album was compiled.

    Waiting In The Sky (Before The Starman Came To Earth) was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half-speed vinyl cut was by engineer John Webber at AIR Studios, London.

    Tracklist:
    A1 Five Years
    A2 Soul Love
    A3 Moonage Daydream
    A4 Round And Round
    A5 Amsterdam
    B1 Hang On To Yourself
    B2 Ziggy Stardust
    B3 Velvet Goldmine
    B4 Holy Holy
    B5 Star
    B6 Lady Stardust

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2024-04-25 16:34:08

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: David Bowie / Waiting In The Sky (Before The Starman Came To Earth)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -3.79 dB -19.43 dB 4:44 01-Five Years
    DR12 -5.12 dB -20.77 dB 3:37 02-Soul Love
    DR11 -4.73 dB -18.15 dB 4:44 03-Moonage Daydream
    DR12 -4.07 dB -17.62 dB 2:44 04-Round And Round
    DR12 -7.45 dB -24.02 dB 3:25 05-Amsterdam
    DR11 -4.98 dB -17.52 dB 2:40 06-Hang On To Yourself
    DR12 -4.37 dB -18.23 dB 3:15 07-Ziggy Stardust
    DR11 -3.59 dB -17.16 dB 3:11 08-Velvet Goldmine
    DR11 -3.74 dB -17.11 dB 2:24 09-Holy Holy
    DR11 -3.24 dB -16.84 dB 2:49 10-Star
    DR12 -4.59 dB -18.94 dB 3:23 11-Lady Stardust
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 11
    Official DR value: DR12

    Samplerate: 192000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 4832 kbps
    Codec: FLAC
    ================================================================================


    Digitizing Software Recorder and Editor: Adobe Audition 2022 (Recorded at 0.0 gain output) / Vinyl Studio / iZotope RX 10 Audio Editor
    Vinyl Condition: Media: M, Sleeve: M


    Turntable: Yamaha P-550
    Cartridge: Audio Technica ATVM95ML
    Per-Amp: ZEN Air Phono (with Subsonic filter)
    Audio Interface: Focusrite Scarlett 2i2 3rd Gen (No Gain added)


    Originally recorded at 192 kHz, 32-bit in WAV via Adobe Audition


    Editing done from Original Digital Recording:
    Declicking, Normalized to 0.0 dB, Transcoded to FLAC Level 8 Compression, and Dithered using Noise Shaping (MBIT+) using iZotope
    Cutting of audio tracks using Vinyl Studio

    Thanks to the Original customer!