Cinzia Milani - A Tribute to María Luisa Anido (2024)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 51:41 minutes | 447 MB
Classical | Label: Brilliant Classics, Official Digital Download
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 51:41 minutes | 447 MB
Classical | Label: Brilliant Classics, Official Digital Download
The ‘grande dame of the guitar’ remembered through a new recording of her own music.
María Luisa Anido (1907-1996) was born in Argentina and grew up in a household where the guitar was central. Her father brought home many of the great performers, whom she heard and who heard her. Miguel Llobet, himself a student of Tárrega, became one of her early teachers, though the most important was Domingo Prat. She met Andres Segovia after one of his concerts when she was about 10 and he was in his early 20s, and her own recordings rival those of Segovia’s for both technical finesse and a natural feeling for the colours and rhythms of the Spanish guitar tradition.
Cinzia Milani remarks, in an introduction to her new recording of Anido’s own compositions, that ‘there are moments when the technical essence of Anido's handing of the fretboard, especially in the higher registers, is so particular that one has the impression of knowing exactly what her hands were like.’ Milani concludes her album with Anido’s first and perhaps best-known piece, the Barcarola which she composed at the age of 20. Llobet lavished well-earned praise on her in response: ‘I have read and played your Barcarola; the voices are carried magnificently with admirable taste of their natural characteristics; the tone colours are perfect. Bravo, very well done.’
This is only the second album ever dedicated to Anido’s music, making Cinzia Milani’s recording a landmark contribution to guitar music on record, and to the extensive guitar library on Brilliant Classics. The most substantial collection here is a sequence of nine Impresiones Argentinas, which effectively form a survey of the folk music of her native land. Individual movements take up Indian, mestizo, pampan and North-western Creole melodies and rhythms.
The Impresiones Argentinas are marvellously relaxed and earthy pieces, speaking unaffectedly of everyday experience, and no wonder that Anido charmed Soviet audiences with them during her 1960s tours, before settling for a while in Cuba. The Aire Norteño and Cancion del Yucatan equally draw on south-American roots, while a trio of Preludios Nostalgicos belong to the repertoire of many modern guitarists. Anido was a major figure on the landscape of the 20th-century guitar, and Cinzia Milani has made a devoted tribute to her art.
Maria Luisa Anido (1907-1996) was born in Morón, in the province of Buenos Aires, Argentina. She studied guitar with Domingo Prat in Argentina and Miguel Llobet in Spain. From 1925, she frequently performed in Argentina together with Llobet. Her first London appearance was in 1952 at the Wigmore Hall, and she spent several years in the 1960s performing and teaching in Russia. Later she became professor at the conservatory of Buenos Aires. By the mid-1980s she moved to Spain, where she spent the rest of her life.
María Luisa Anido has been one of the few female composer-performers of her time. Her works for guitar, exquisite miniatures, are inspired by the rich folklore and music of her native Argentina.
Played with winning affection by Cinzia Milani, one of the foremost female guitarists of today, who has already issued a Tribute to Ida Presti, and Teresa De Rogatis, issued on Brilliant Classics.
Tracklist:
01. Anido- Aire Norteño
02. Anido- Cancion del Yucatan
03. Anido- Preludios Nostalgicos- I. Lejania
04. Anido- Preludios Nostalgicos- II. Gris
05. Anido- Preludios Nostalgicos- III. Mar
06. Anido- Cancion de Cuna
07. Anido- Preludio Campero
08. Anido- Impresiones Argentinas- I. Boceto Indigena
09. Anido- Impresiones Argentinas- II. Santiagueña
10. Anido- Impresiones Argentinas- III. Canto de la Llanura
11. Anido- Impresiones Argentinas- IV. Triste
12. Anido- Impresiones Argentinas- V. Preludio Pampeano
13. Anido- Impresiones Argentinas- VI. Catamarqueña
14. Anido- Impresiones Argentinas- VII. Variaciones Camperas
15. Anido- Impresiones Argentinas- VIII. Preludio Criollo
16. Anido- Impresiones Argentinas- IX. el Misachico
17. Anido- Aire de Vidalita
18. Anido- De mi Tierra
19. Anido- Barcarola
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-08-27 16:39:38
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Analyzed: Cinzia Milani / A Tribute to María Luisa Anido
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -2.94 dB -13.80 dB 1:35 01-Anido: Aire Norteño
DR12 -2.94 dB -16.85 dB 2:00 02-Anido: Cancion del Yucatan
DR12 -2.94 dB -17.70 dB 4:13 03-Anido: Preludios Nostalgicos: I. Lejania
DR10 -2.94 dB -14.33 dB 3:23 04-Anido: Preludios Nostalgicos: II. Gris
DR10 -2.94 dB -14.65 dB 2:21 05-Anido: Preludios Nostalgicos: III. Mar
DR13 -2.94 dB -18.85 dB 2:26 06-Anido: Cancion de Cuna
DR13 -2.94 dB -18.91 dB 3:22 07-Anido: Preludio Campero
DR12 -2.94 dB -19.49 dB 4:23 08-Anido: Impresiones Argentinas: I. Boceto Indigena
DR9 -2.94 dB -13.62 dB 2:52 09-Anido: Impresiones Argentinas: II. Santiagueña
DR12 -2.94 dB -18.65 dB 2:58 10-Anido: Impresiones Argentinas: III. Canto de la Llanura
DR12 -2.94 dB -17.96 dB 2:37 11-Anido: Impresiones Argentinas: IV. Triste
DR12 -2.94 dB -17.69 dB 3:02 12-Anido: Impresiones Argentinas: V. Preludio Pampeano
DR12 -2.94 dB -17.52 dB 3:15 13-Anido: Impresiones Argentinas: VI. Catamarqueña
DR11 -2.94 dB -14.90 dB 1:59 14-Anido: Impresiones Argentinas: VII. Variaciones Camperas
DR12 -2.94 dB -17.13 dB 1:43 15-Anido: Impresiones Argentinas: VIII. Preludio Criollo
DR14 -2.94 dB -19.54 dB 2:43 16-Anido: Impresiones Argentinas: IX. el Misachico
DR13 -2.94 dB -18.53 dB 2:16 17-Anido: Aire de Vidalita
DR13 -2.95 dB -18.13 dB 2:04 18-Anido: De mi Tierra
DR14 -2.94 dB -19.29 dB 2:31 19-Anido: Barcarola
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1170 kbps
Codec: FLAC
================================================================================
log date: 2024-08-27 16:39:38
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cinzia Milani / A Tribute to María Luisa Anido
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -2.94 dB -13.80 dB 1:35 01-Anido: Aire Norteño
DR12 -2.94 dB -16.85 dB 2:00 02-Anido: Cancion del Yucatan
DR12 -2.94 dB -17.70 dB 4:13 03-Anido: Preludios Nostalgicos: I. Lejania
DR10 -2.94 dB -14.33 dB 3:23 04-Anido: Preludios Nostalgicos: II. Gris
DR10 -2.94 dB -14.65 dB 2:21 05-Anido: Preludios Nostalgicos: III. Mar
DR13 -2.94 dB -18.85 dB 2:26 06-Anido: Cancion de Cuna
DR13 -2.94 dB -18.91 dB 3:22 07-Anido: Preludio Campero
DR12 -2.94 dB -19.49 dB 4:23 08-Anido: Impresiones Argentinas: I. Boceto Indigena
DR9 -2.94 dB -13.62 dB 2:52 09-Anido: Impresiones Argentinas: II. Santiagueña
DR12 -2.94 dB -18.65 dB 2:58 10-Anido: Impresiones Argentinas: III. Canto de la Llanura
DR12 -2.94 dB -17.96 dB 2:37 11-Anido: Impresiones Argentinas: IV. Triste
DR12 -2.94 dB -17.69 dB 3:02 12-Anido: Impresiones Argentinas: V. Preludio Pampeano
DR12 -2.94 dB -17.52 dB 3:15 13-Anido: Impresiones Argentinas: VI. Catamarqueña
DR11 -2.94 dB -14.90 dB 1:59 14-Anido: Impresiones Argentinas: VII. Variaciones Camperas
DR12 -2.94 dB -17.13 dB 1:43 15-Anido: Impresiones Argentinas: VIII. Preludio Criollo
DR14 -2.94 dB -19.54 dB 2:43 16-Anido: Impresiones Argentinas: IX. el Misachico
DR13 -2.94 dB -18.53 dB 2:16 17-Anido: Aire de Vidalita
DR13 -2.95 dB -18.13 dB 2:04 18-Anido: De mi Tierra
DR14 -2.94 dB -19.29 dB 2:31 19-Anido: Barcarola
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1170 kbps
Codec: FLAC
================================================================================
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