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    Chiaroscuro Quartet - Haydn: String Quartets, Op.76 (2020) MCH SACD ISO + Hi-Res FLAC

    Posted By: HDAtall
    Chiaroscuro Quartet - Haydn: String Quartets, Op.76 (2020) MCH SACD ISO + Hi-Res FLAC

    Chiaroscuro Quartet - Haydn: String Quartets, Op.76, Nos 1-3 (2020)
    SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 70:54 minutes | PDF Book | 3,29 GB
    or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | PDF Booklet | 1,44 GB
    Features Stereo and Multichannel Surround Sound | BIS Records # BIS-2348 SACD

    The Chiaroscuro Quartet was formed in 2005 by the violinists Alina Ibragimova (Russia) and Pablo Hernán Benedí (Spain), the Swedish violist Emilie Hörnlund and cellist Claire Thirion from France. The Chiaroscuro Quartet made their first appearance on BIS with acclaimed recordings of Joseph Haydn’s Sun Quartets, Op. 20, described in The Strad as ‘period-instrument performances of the utmost subtlety and refinement’. The Op. 20 quartets are widely regarded as a mile-stone in the history of the genre. When Chiaroscuros now return to Haydn, it is with his last complete set of quartets, begun in 1796 when he was 64 years old.

    The Six String Quartets, Op. 76, form one of the most renowned of Haydn's sets of quartets, and carry the stamp of their maker: No other set of eighteenth-century string quartets is so diverse, or so unconcerned with the norms of the time. In the words of Haydn’s friend and contemporary Charles Burney ‘they are full of invention, fire, good taste and new effects’. On the present disc, the first of two, we hear the first three quartets, including the ‘Fifths’ quartet (No. 2) so named after the falling perfect fifths with which it begins. The most famous of the set – and possibly of all Haydn quartets – is No. 3, however: the ‘Emperor’ quartet with its second movement: a set of variations on the ‘Kaiserlied’ which Haydn had recently composed to the greater glory of the Austrian Emperor Franz II.

    The Haydn performances of the Chiaroscuro Quartet are not the first ones to have had a historical orientation (gut strings, period bows, heavily restricted vibrato), but the group perhaps takes the possibilities of the authentic performance group further than others have. True to the ensemble’s name, the players employ the percussive attacks and the edgy high register to produce big contrasts, seeing in these late Haydn works not a mature summing-up of his career but a restless exploration of new realms. Listeners who want a dose of gentility from their Haydn may wish to sample carefully here. The set of variations in Op. 76, No. 3 containing the tune that became the Austrian national hymn may lack a certain level of sentiment, but the Chiaroscuro has absolutely no problem creating a distinctive group of Op. 76 quartets among all of the dozens of versions of these pieces on the market. The key to the success of the group’s performances is that they do not lose Haydn’s humor even as they amp up the energy. This is the quality without which a Haydn quartet performance cannot survive, and it is here in abundance in passages like that involving the lone high note in the finale of the String Quartet in D minor, Op. 76, No. 2. That quartet, with its Andante that sounds like a minuet and its stormy actual minuet, is especially suited to the Chiaroscuro’s sound, but the whole thing is absorbing and is enhanced by fine Sendesaal Bremen sound.

    Tracklist:

    01. String Quartet Op.76 No.1: I. Allegro con spirito
    02. String Quartet Op.76 No.1: II. Adagio sostenuto
    03. String Quartet Op.76 No.1: III. Menuetto
    04. String Quartet Op.76 No.1: IV. Finale
    05. String Quartet Op.76 No.2: I. Allegro
    06. String Quartet Op.76 No.2: II. Andante o più tosto allegretto
    07. String Quartet Op.76 No.2: III. Menuetto
    08. String Quartet Op.76 No.2: IV. Finale
    09. String Quartet Op.76 No.3: I. Allegro
    10. String Quartet Op.76 No.3: II. Poco adagio
    11. String Quartet Op.76 No.3: III. Menuetto
    12. String Quartet Op.76 No.3: IV. Finale

    Personnel
    Alina Ibragimova - violin by Anselmo Bellosio c. 1780
    Pablo Hernán Benedí - violin by Andrea Amati 1570
    Emilie Hörnlund - viola by Willems, c. 1700
    Claire Thirion - cello by Carlo Tononi 1720

    Produced by Andrew Keener. Engineered by Fabian Frank.
    Original Recording format: 24-bit/96 kHz
    Edited by Oscar Torres. Mixed by Fabian Frank.

    foobar2000 1.6 / Dynamic Range Meter 1.1.1

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Chiaroscuro Quartet / Haydn - String Quartets, Op.76 Nos 1-3
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -8.92 dB -31.78 dB 8:11 01-String Quartet Op.76 No.1: I. Allegro con spirito
    DR16 -12.57 dB -35.97 dB 6:13 02-II. Adagio sostenuto
    DR17 -9.66 dB -34.76 dB 2:04 03-III. Menuetto
    DR16 -6.97 dB -32.97 dB 6:26 04-IV. Finale
    DR15 -8.09 dB -30.99 dB 9:36 05-String Quartet Op.76 No.2: I. Allegro
    DR16 -10.40 dB -35.35 dB 4:50 06-II. Andante o più tosto allegretto
    DR14 -7.60 dB -28.51 dB 2:54 07-III. Menuetto
    DR14 -9.05 dB -31.54 dB 4:16 08-IV. Finale
    DR15 -7.95 dB -31.52 dB 10:14 09-String Quartet Op.76 No.3: I. Allegro
    DR15 -16.21 dB -36.07 dB 5:54 10-II. Poco adagio
    DR14 -11.15 dB -32.63 dB 4:17 11-III. Menuetto
    DR16 -5.95 dB -31.79 dB 6:00 12-IV. Finale
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 12
    Official DR value: DR15

    Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
    Channels: 5
    Bits per sample: 1
    Bitrate: 14112 kbps
    Codec: DST64
    ================================================================================

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Chiaroscuro Quartet / Haydn - String Quartets, Op.76 Nos 1-3
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -8.33 dB -28.70 dB 8:11 01-String Quartet Op.76 No.1: I. Allegro con spirito
    DR16 -11.88 dB -33.82 dB 6:13 02-II. Adagio sostenuto
    DR17 -9.45 dB -32.17 dB 2:04 03-III. Menuetto
    DR16 -6.56 dB -30.09 dB 6:26 04-IV. Finale
    DR15 -7.42 dB -27.65 dB 9:36 05-String Quartet Op.76 No.2: I. Allegro
    DR17 -9.50 dB -33.04 dB 4:50 06-II. Andante o più tosto allegretto
    DR14 -6.13 dB -24.93 dB 2:54 07-III. Menuetto
    DR14 -8.77 dB -28.39 dB 4:16 08-IV. Finale
    DR16 -7.08 dB -28.39 dB 10:14 09-String Quartet Op.76 No.3: I. Allegro
    DR14 -15.31 dB -33.88 dB 5:54 10-II. Poco adagio
    DR14 -10.36 dB -29.66 dB 4:17 11-III. Menuetto
    DR16 -6.40 dB -28.75 dB 6:00 12-IV. Finale
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 12
    Official DR value: DR15

    Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
    Channels: 2
    Bits per sample: 1
    Bitrate: 5645 kbps
    Codec: DST64


    Thanks to AnnabelLee!
    Uncompressed SACD ISO size > 3,13 GB
    >