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Ludwig van Beethoven - Kurfürsten Sonatas WoO 47, 50 & 51 (2010) {Hybrid-SACD // ISO & HiRes FLAC}

Posted By: luckburz

Date: 1 Nov 2012 07:50:51

Ludwig van Beethoven - Kurfürsten Sonatas WoO 47, 50 & 51 (2010) {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven - Kurfürsten Sonatas WoO 47, 50 & 51
Complete Works For Solo Piano Vol. 9 - Ronald Brautigam, fortepiano
SACD ISO: 2,8 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 950 MB | Full Artwork | 5% Rec. Info
Label/Cat#: BIS # BIS-SACD-1672 | Country/Year: Sweden 2010
Genre: Classical | Style: Classical

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

SACD

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16908361[0x1020049]: Album Title: Beethoven: Piano Sonatas Vol.9
16908361[0x1020049]: Album Artist: Ronald Brautigam, fortepiano
16908361[0x1020049]: Disc Version: 01.20
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16908361[0x1020049]: Queuing raw: /dev_usb000/Ronald Brautigam, fortepiano - Beethoven Piano Sonatas Vol.9.iso, start_lsn: 0, length_lsn: 1472035

SACD

Ronald Brautigam, fortepiano - [2010] Beethoven [Stereo]
======================================================================================
SACD[PS3]ISO to flac 24bit/88.2kHz conversion using SACD_Conversion_script version 0.4.1

Track list
–––––

01 Sonata WoO 47 No.1: I. Allegro cantabile 04:28.40
02 II. Andante 05:27.64
03 III. Rondo vivace 02:33.23
04 Sonata WoO 47 No.2: I. Larghetto 03:48.88
05 II. Andante 03:52.24
06 III. Presto 03:02.32
07 Sonata WoO 47 No.3: I. Allegro 06:30.49
08 II. Menuetto sostenuto 07:26.72
09 III. Scherzando 04:20.11
10 Sonatine WoO 50: I. 01:38.04
11 II. Allegretto 00:46.25
12 Sonatine No. 1 in G major: I. Moderato 01:34.41
13 II. Romanze 02:12.69
14 Sonatine No. 2 in F major: I. Allegro 02:47.20
15 II. Rondo. Allegro 02:24.48
16 Sonate C-Dur: I. Allegro 04:53.33
17 II. Adagio 03:09.57

Technical Details
––––––––-

01) ISO image created using sacd-ripper for PS3

02) Dff files extracted from the ISO using SACD_Extract

03) Dff files analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

04) Loudest tracks converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 0dB gain

05) Non-clipping gain calculated using SoX

06) Edited Master Dff file extracted using SACD_Extract

07) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.00dB gain as calculated above

08) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

09) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

10) Finalised tracks converted to flac [level 8] and tagged using tag.exe

11) Dynamic Range measured using Foobar DR Meter plugin

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2012-05-24 06:18:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ronald Brautigam, fortepiano / Beethoven
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.41 dB -21.18 dB 4:28 01-Sonata WoO 47 No.1: I. Allegro cantabile
DR14 -3.94 dB -22.72 dB 5:28 02-II. Andante
DR13 -4.59 dB -20.79 dB 2:33 03-III. Rondo vivace
DR12 -1.75 dB -21.51 dB 3:49 04-Sonata WoO 47 No.2: I. Larghetto
DR14 -5.40 dB -24.89 dB 3:52 05-II. Andante
DR13 -2.48 dB -19.79 dB 3:02 06-III. Presto
DR15 -0.71 dB -19.78 dB 6:30 07-Sonata WoO 47 No.3: I. Allegro
DR13 -1.35 dB -21.18 dB 7:27 08-II. Menuetto sostenuto
DR14 -0.23 dB -19.55 dB 4:20 09-III. Scherzando
DR12 -6.68 dB -23.24 dB 1:38 10-Sonatine WoO 50: I.
DR13 -6.46 dB -24.87 dB 0:46 11-II. Allegretto
DR13 -6.37 dB -24.02 dB 1:34 12-Sonatine No. 1 in G major: I. Moderato
DR13 -6.79 dB -24.47 dB 2:13 13-II. Romanze
DR14 -3.23 dB -21.78 dB 2:47 14-Sonatine No. 2 in F major: I. Allegro
DR13 -0.85 dB -21.86 dB 2:24 15-II. Rondo. Allegro
DR14 -3.42 dB -21.52 dB 4:53 16-Sonate C-Dur: I. Allegro
DR14 -5.48 dB -25.67 dB 3:10 17-II. Adagio
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2076 kbps
Codec: FLAC
================================================================================

Dynamic

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2012-05-24 06:18:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ronald Brautigam, fortepiano / Beethoven
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.41 dB -21.18 dB 4:28 01-Sonata WoO 47 No.1: I. Allegro cantabile
DR14 -3.94 dB -22.72 dB 5:28 02-II. Andante
DR13 -4.59 dB -20.79 dB 2:33 03-III. Rondo vivace
DR12 -1.75 dB -21.51 dB 3:49 04-Sonata WoO 47 No.2: I. Larghetto
DR14 -5.40 dB -24.89 dB 3:52 05-II. Andante
DR13 -2.48 dB -19.79 dB 3:02 06-III. Presto
DR15 -0.71 dB -19.78 dB 6:30 07-Sonata WoO 47 No.3: I. Allegro
DR13 -1.35 dB -21.18 dB 7:27 08-II. Menuetto sostenuto
DR14 -0.23 dB -19.55 dB 4:20 09-III. Scherzando
DR12 -6.68 dB -23.24 dB 1:38 10-Sonatine WoO 50: I.
DR13 -6.46 dB -24.87 dB 0:46 11-II. Allegretto
DR13 -6.37 dB -24.02 dB 1:34 12-Sonatine No. 1 in G major: I. Moderato
DR13 -6.79 dB -24.47 dB 2:13 13-II. Romanze
DR14 -3.23 dB -21.78 dB 2:47 14-Sonatine No. 2 in F major: I. Allegro
DR13 -0.85 dB -21.86 dB 2:24 15-II. Rondo. Allegro
DR14 -3.42 dB -21.52 dB 4:53 16-Sonate C-Dur: I. Allegro
DR14 -5.48 dB -25.67 dB 3:10 17-II. Adagio
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2076 kbps
Codec: FLAC
================================================================================

CD Info:

Ludwig van Beethoven - Complete Works For Solo Piano (9) - Kurfürsten Sonatas WoO 47, 50 & 51

Ronald Brautigam, fortepiano

Label: BIS
Catalog#: BIS-SACD-1672
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: Sweden
Released: 2010
Genre: Classical

Tracklist:

1 - Sonata WoO 47 No.1: I. Allegro cantabile 4:28
2 - II. Andante 5:28
3 - III. Rondo vivace 2:33
4 - Sonata WoO 47 No.2: I. Larghetto 3:49
5 - II. Andante 3:52
6 - III. Presto 3:02
7 - Sonata WoO 47 No.3: I. Allegro 6:30
8 - II. Menuetto sostenuto 7:27
9 - III. Scherzando 4:20
10 - Sonatine WoO 50: I. 1:38
11 - II. Allegretto 0:46
12 - Sonatine No. 1 in G major: I. Moderato 1:34
13 - II. Romanze 2:13
14 - Sonatine No. 2 in F major: I. Allegro 2:47
15 - II. Rondo. Allegro 2:24
16 - Sonate C-Dur: I. Allegro 4:53
17 - II. Adagio 3:10

In eight previous volumes Ronald Brautigam has traversed what is often called 'The New Testament of Piano Music', namely Beethoven's 32 numbered sonatas. The present disc may be regarded as an appendix to these, as it explores the composer's first attempts in the genre. It opens with the three Kurfürsten Sonatas from 1783, in which Beethoven - at the tender age of twelve - demonstrates a remarkable maturity. With influences from C.P.E. Bach's ground-breaking keyboard music, as well as the sonatas from Haydn's 'Sturm und Drang' perod, the pieces earn their nickname from being dedicated to Archduke Maximilian Friedrich, Kurfürst of Cologne and the employer of Beethoven's father. The Kurfürsten Sonatas were published upon completion, whereas the remaining, later pieces on this disc remained unpublished during Beethoven's lifetime. Zwei Sätze einer Sonatine and Zwei Stücke für Klavier (Orphika) - often called 'Leichte Sonate' - were composed as gifts to two friends from Beethoven's youth: Franz Wegeler and Eleonore von Breuning. In the case of the Two Easy Sonatinas, the manuscript scores were found among Beethoven's papers after his death. There is no proof that Beethoven really is the composer, however, and although they are usually dated as having been written around 1790, this is no more than an educated guess. As a whole, the pieces presented here are the earliest so far in this series, and Ronald Brautigam has consequently chosen to introduce a new instrument for his performances: a copy of a fortepiano by Johann Andreas Stein from 1788. The opportunity it provides of following the evolution of the piano during a momentous period in piano music and instrument building certainly adds to the attractions of this universally acclaimed series. But Brautigam's interpretations have a directness and urgency to them that far surpasses such considerations - as summed in a review in Classic FM Magazine of a recent instalment: 'Brautigam has more to say about the music than any recent cycle recorded on modern instruments. An outstanding disc of an outstanding series.'

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