Various - Music From The Soundtrack Of Barry Lyndon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Warner Bros. Records/BS 2903 | Released: 1975 | Genre: Soundtrack
Side A
–Handel Sarabande Main Title 2:38
–The Chieftains Women Of Ireland 4:08
–The Chieftains Piper’s Maggot Jig 1:39
–The Chieftains The Sea-Maiden 2:02
–The Chieftains Tin Whistles 3:41
–Tradidional British Grenadiers 2:12
–Tradidional Hohenfriedberger March 1:12
–Tradidional Lilliburlero 1:06
–The Chieftains Women Of Ireland 0:52
–Tradidional March From Idomeneo 1:29
–Handel Sarabande-Duel 3:11
-
Side B
–Tradidional Lilliburlero 0:52
–Schubert German Dance No. 1 In C-Major 2:12
–Handel Sarabande-Duel 0:48
–Paisiello Film Adaptation Of The Cavatina From “Il Barbiere Di Siviglia” 4:28
–Vivaldi Cello Concerto E-Minor 3:49
–Bach Concerto For Two Harpsichords And Orchestra In C-Minor 5:10
–Schubert Film Adaptation Of Piano Trio In E-Flat, Op. 100 (Second Movement) 4:12
–Handel Sarabande End-Title 4:07
Credits
Conductor – Leonard Rosenman
Orchestra – National Philharmonic Orchestra
Notes
1st issues have B/W silhouetted artwork, 2nd issue have character artwork.
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Warner Bros. Records/BS 2903 | Released: 1975 | Genre: Soundtrack
Side A
–Handel Sarabande Main Title 2:38
–The Chieftains Women Of Ireland 4:08
–The Chieftains Piper’s Maggot Jig 1:39
–The Chieftains The Sea-Maiden 2:02
–The Chieftains Tin Whistles 3:41
–Tradidional British Grenadiers 2:12
–Tradidional Hohenfriedberger March 1:12
–Tradidional Lilliburlero 1:06
–The Chieftains Women Of Ireland 0:52
–Tradidional March From Idomeneo 1:29
–Handel Sarabande-Duel 3:11
-
Side B
–Tradidional Lilliburlero 0:52
–Schubert German Dance No. 1 In C-Major 2:12
–Handel Sarabande-Duel 0:48
–Paisiello Film Adaptation Of The Cavatina From “Il Barbiere Di Siviglia” 4:28
–Vivaldi Cello Concerto E-Minor 3:49
–Bach Concerto For Two Harpsichords And Orchestra In C-Minor 5:10
–Schubert Film Adaptation Of Piano Trio In E-Flat, Op. 100 (Second Movement) 4:12
–Handel Sarabande End-Title 4:07
Credits
Conductor – Leonard Rosenman
Orchestra – National Philharmonic Orchestra
Notes
1st issues have B/W silhouetted artwork, 2nd issue have character artwork.
This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
While not the entire score, which would be impossible to assemble on a double let along a single disc, the music contained herein from Stanley Kubrick’s stellar motion picture Barry Lyndon — that starred Ryan O’Neal in the only time he ever actually acted, as well as Marisa Berenson — is a mixed bag of the most delightful sort. With 19 selections on the CD — analogue recorded and remastered in pristine digital sound — the music here stands on its own as an eclectic yet moving collection of pieces that reflect the excesses of 17th and early 18th century cultural mores in royal courts, potato fields, and back alley dances. The main title theme is from Handel, his Sarabande, and is followed by Sean Ó Riada’s gloriously beautiful “Women of Ireland,” performed by the Chieftains, who dig in for a few more before being eased out of the mix by the British Grenadiers’ fife and drum corps. Handel’s theme becomes the pivoting point for all sorts of iterations of musical tradition here, as harpist Derek Bell restates “Women of Ireland” later in the program, and selections by Bach, Vivaldi, Giovanni Paisiello, and Schubert are interspersed with the music of the Irish folk traditions. The effect is like an expansive afternoon dream where events, elements, circumstances, and impressions all have their way with the dreamer, yet leave her refreshed upon waking. This one is meant to be played on Sunday mornings with the New York Times or on an afternoon when the weather is too miserable to venture out. And as if the soundtrack weren’t enough, the film it matches is just as fine a piece of art, making the pair unbeatable.Review by Thom Jurek, allmusic.com
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