Arthur Fiedler & The Boston Pops - Up, Up and Away / Fiedler's Choice (1968 & 1970) [Reissue 2019]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 76:03 minutes | Scans NOT included | 3,38 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans NOT included | 1,65 GB
2 LP on 1 SACD | Features Stereo and Quadrophonic Surround Sound | Vocalion # CDLK4623
A populist programmer, avuncular podium presence, and constant visitor to small-town concert halls and living room televisions, Arthur Fiedler personified orchestral music in America. He was less glamorous, less intellectual, and in many ways less respected than Leonard Bernstein, but those deficiencies worked to Fiedler's advantage in the minds of ordinary Americans. He also enjoyed greater longevity on his home turf – nearly 50 years in the national limelight, as opposed to Bernstein's one decade of unmatched glory in New York before running off to Europe to become another gray eminence. Fiedler's success, though, was also the source of some frustration; he was forever pigeonholed as a pops conductor.
Conductor Arthur Fiedler is a revered name in New England music history and his Boston Pops run through gorgeous Richard Hayman arrangements of familiar favorites on Up, Up and Away. A dramatic rendition of 1967 's "Best Song" from the pen of Jimmy Webb starts off the LP, adding sound colors as the 5th Dimension production did, only without the vocals and different instrumentation, of course. Producer Peter Dellheim gives six paragraphs of insight in his liner notes, identifying that he picked up on the Minuet from J.S. Bach's Anna Magdalena Bach Notebook after hearing Diana Ross & the Supremes' version of the tune "A Lover's Concerto." The amusing thing is that the Toys were emulating the Supremes' sound, and the Diana Ross version the Boston Pops got its idea from was a tribute to the tribute. When Ferrante & Teicher recorded the song on their Getting Together album, they called their arrangement "A Familiar Concerto," denying Toys producers Sandy Linzer and Denny Randell the royalties for the updated composition. Arthur Fiedler & the Boston Pops sprinkle their magic on Paul Mauriat's hit "Love Is Blue," along with "Lara's Theme" from Dr. Zhivago – better known as Ray Conniff's Top Ten hit from 1966, "Somewhere My Love." André Previn's (Theme From) Valley of the Dolls is just perfect for this ensemble, majestic movements that bring out the sadness and despair of the Dionne Warwick classic. "Cabaret" is a fun romp through the campy hit, while the Beatles' "Yesterday" and "Michelle" melt into the beautiful fabric as easily as the theme from Georgy Girl. Up, Up and Away is the perfection one expects from the Boston Pops, capturing some of the highlights with which 1968's easy listening community was in tune. The amusing cover photo features an airplane on a runway with Fiedler surrounded by eight beautiful women.
Tracklist:
01. Up Up and Away
02. Valley of the Dolls
03. Georgy Girl
04. Yesterday
05. Piano Concerto No 21 Elvira Madigan
06. Cabaret
07. Michelle
08. Love is Blue
09. A Man and a Woman
10. A Lovers Concerto
11. Lara's Theme
12. Boston Pops March
13. Symphonic Picture of Porgy and Bess
14. Carnaval Overture Op 45
Tracks "01-11" is "Up, Up and Away" (LP '1968)
Tracks "12-14" is "Fiedler's Choice" (Stereo LP '1970) are bonus tracks.
Remastered from the Original Master tapes by Michael J. Dutton.
foobar2000 1.5.1 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: Arthur Fiedler Boston Pops / Up Up & Away
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -8.68 dB -26.36 dB 2:38 01-Up Up and Away
DR7 -13.94 dB -29.67 dB 4:01 02-Valley of the Dolls
DR9 -6.76 dB -26.14 dB 2:32 03-Georgy Girl
DR7 -13.17 dB -30.50 dB 2:58 04-Yesterday
DR8 -12.49 dB -31.92 dB 7:57 05-Piano Concerto No 21 Elvira Madigan
DR9 -7.55 dB -26.57 dB 2:43 06-Cabaret
DR7 -13.64 dB -30.96 dB 3:38 07-Michelle
DR7 -12.12 dB -29.17 dB 4:14 08-Love is Blue
DR7 -13.57 dB -29.36 dB 3:54 09-A Man and a Woman
DR7 -13.04 dB -28.26 dB 2:09 10-A Lovers Concerto
DR7 -13.17 dB -28.49 dB 4:42 11-Lara s Theme
DR8 -7.19 dB -26.82 dB 3:22 12-Boston Pops March
DR10 -5.96 dB -29.95 dB 22:08 13-Symphonic Picture of Porgy and Bess
DR9 -6.79 dB -28.78 dB 9:04 14-Carnaval Overture Op 45
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR8
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 6
Bits per sample: 1
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Arthur Fiedler Boston Pops / Up Up & Away
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -7.70 dB -19.91 dB 2:38 01-Up Up and Away
DR12 -8.98 dB -26.49 dB 4:01 02-Valley of the Dolls
DR11 -7.55 dB -22.16 dB 2:32 03-Georgy Girl
DR11 -7.44 dB -24.86 dB 2:58 04-Yesterday
DR12 -12.28 dB -28.00 dB 7:57 05-Piano Concerto No 21 Elvira Madigan
DR11 -9.23 dB -23.18 dB 2:44 06-Cabaret
DR12 -9.69 dB -27.04 dB 3:38 07-Michelle
DR12 -8.88 dB -25.25 dB 4:14 08-Love is Blue
DR11 -9.95 dB -24.66 dB 3:54 09-A Man and a Woman
DR11 -9.71 dB -24.52 dB 2:09 10-A Lovers Concerto
DR10 -10.40 dB -24.31 dB 4:42 11-Lara s Theme
DR12 -8.03 dB -22.66 dB 3:22 12-Boston Pops March
DR12 -7.79 dB -25.74 dB 22:08 13-Symphonic Picture of Porgy and Bess
DR13 -7.15 dB -23.99 dB 9:04 14-Carnaval Overture Op 45
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64
––––––––––––––––––––––––––––––––––––––––
Analyzed: Arthur Fiedler Boston Pops / Up Up & Away
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -8.68 dB -26.36 dB 2:38 01-Up Up and Away
DR7 -13.94 dB -29.67 dB 4:01 02-Valley of the Dolls
DR9 -6.76 dB -26.14 dB 2:32 03-Georgy Girl
DR7 -13.17 dB -30.50 dB 2:58 04-Yesterday
DR8 -12.49 dB -31.92 dB 7:57 05-Piano Concerto No 21 Elvira Madigan
DR9 -7.55 dB -26.57 dB 2:43 06-Cabaret
DR7 -13.64 dB -30.96 dB 3:38 07-Michelle
DR7 -12.12 dB -29.17 dB 4:14 08-Love is Blue
DR7 -13.57 dB -29.36 dB 3:54 09-A Man and a Woman
DR7 -13.04 dB -28.26 dB 2:09 10-A Lovers Concerto
DR7 -13.17 dB -28.49 dB 4:42 11-Lara s Theme
DR8 -7.19 dB -26.82 dB 3:22 12-Boston Pops March
DR10 -5.96 dB -29.95 dB 22:08 13-Symphonic Picture of Porgy and Bess
DR9 -6.79 dB -28.78 dB 9:04 14-Carnaval Overture Op 45
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR8
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 6
Bits per sample: 1
Bitrate: 16934 kbps
Codec: DST64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Arthur Fiedler Boston Pops / Up Up & Away
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -7.70 dB -19.91 dB 2:38 01-Up Up and Away
DR12 -8.98 dB -26.49 dB 4:01 02-Valley of the Dolls
DR11 -7.55 dB -22.16 dB 2:32 03-Georgy Girl
DR11 -7.44 dB -24.86 dB 2:58 04-Yesterday
DR12 -12.28 dB -28.00 dB 7:57 05-Piano Concerto No 21 Elvira Madigan
DR11 -9.23 dB -23.18 dB 2:44 06-Cabaret
DR12 -9.69 dB -27.04 dB 3:38 07-Michelle
DR12 -8.88 dB -25.25 dB 4:14 08-Love is Blue
DR11 -9.95 dB -24.66 dB 3:54 09-A Man and a Woman
DR11 -9.71 dB -24.52 dB 2:09 10-A Lovers Concerto
DR10 -10.40 dB -24.31 dB 4:42 11-Lara s Theme
DR12 -8.03 dB -22.66 dB 3:22 12-Boston Pops March
DR12 -7.79 dB -25.74 dB 22:08 13-Symphonic Picture of Porgy and Bess
DR13 -7.15 dB -23.99 dB 9:04 14-Carnaval Overture Op 45
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64
Thanks to the Original ripper!
Uncompressed SACD ISO size > 3,21 GB
Arthur Fielder with Boston Pops Orchestra - Pops Caviar
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