Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Andreas Staier & Orquestra barroca Casa da Música - À Portuguesa (2018) [Official Digital Download 24/96]

    Posted By: SERTiL
    Andreas Staier & Orquestra barroca Casa da Música - À Portuguesa (2018) [Official Digital Download 24/96]

    Andreas Staier & Orquestra barroca Casa da Música - À Portuguesa (2018)
    FLAC (tracks) 24-bit/96 kHz | Time - 64:41 minutes | 1.26 GB
    Studio Master, Official Digital Download | Artwork: Digital Booklet

    This musical journey takes its title from one of William Corbett's Bizzarie universali, a set of concertos which, in truth, owe much more to the Italian tradition than to the Iberian peninsula . . .

    In the Age of Enlightenment, Portuguese music shared the favours of certain English publishers with its Spanish neighbour; drinking at the inexhaustible source of the Scarlatti sonatas, Charles Avison conceived sumptuous concertos that sound extraordinarily like their contemporary equivalents written at Coimbra by Seixas.

    This constant exchange between Iberian chamber music and the eighteenth-century orchestra culminates in an orchestral arrangement of Boccherini's famous Musica notturna, presented by Andreas Staier in total complicity with the Baroque orchestra of the Casa da Música de Porto.

    Tracklist:
    1. Concerto No. 7 "Alla Portugesa" in B-Flat Major, Op. 7 : I. Allegro 03:09
    2. Concerto No. 7 "Alla Portugesa" in B-Flat Major, Op. 7 : II. Largo e pia[no] 04:16
    3. Harpsichord Sonata in G Minor, K. 8: Allegro 02:33
    4. Harpsichord Sonata in G Major, K. 13: Presto 04:09
    5. Harpsichord Sonata in B Minor, K. 173: Allegro 04:44
    6. Concerto No. 7 "Alla Portugesa" in B-Flat Major, Op. 7 : III. Allegro 02:03
    7. Harpsichord Concerto in G minor : I. Allegro 05:25
    8. Harpsichord Concerto in G minor : II. Adagio 02:39
    9. Harpsichord Concerto in G minor : III. Allegro assai 06:15
    10. Harpsichord Concerto in A major : I. Allegro 01:52
    11. Harpsichord Concerto in A major : II. Adagio 01:07
    12. Harpsichord Concerto in A major : III. Giga. Allegro 02:16
    13. Concerto grosso No. 5 in D Minor : I. Largo 02:44
    14. Concerto grosso No. 5 in D Minor : II. Allegro 01:40
    15. Concerto grosso No. 5 in D Minor : III. Andante moderato 01:40
    16. Concerto grosso No. 5 in D Minor : IV. Allegro 02:02
    17. Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" : I. Ave Maria. Imitando il tocco dell'Ave Maria della Parrochia (transcription for String Orchestra and Harpsichords by ) 01:01
    18. Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" : II. Minuetto (transcription for String Orchestra and Harpsichords by ) 02:09
    19. Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" : III. Rosario. Largo assai (transcription for String Orchestra and Harpsichords by ) 04:37
    20. Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" : IV. Los manolos. Passa Calle. Allegro (transcription for String Orchestra and Harpsichords by ) 02:00
    21. Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" : V. Ritirata con variazioni. Tempo di Marcia (transcription for String Orchestra and Harpsichords by ) 06:20

    Personnel:
    Andreas Staier, harpsichord, direction
    Orquestra barocca Casa da Música
    Laurence Cummings, conductor

    foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
    log date: 2018-10-20 14:16:23

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Andreas Staier & Orquestra barroca Casa da Música / À Portuguesa (1-20)
    Orquestra barroca Casa da Música / À Portuguesa (21)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -5.14 dB -21.45 dB 3:10 01-Concerto No. 7 'Alla Portugesa' in B-Flat Major, Op. 7 - I. Allegro
    DR14 -3.80 dB -23.73 dB 4:17 02-Concerto No. 7 'Alla Portugesa' in B-Flat Major, Op. 7 - II. Largo e pia[no]
    DR12 -14.54 dB -28.89 dB 2:34 03-Harpsichord Sonata in G Minor, K. 8-
    DR12 -14.87 dB -28.68 dB 4:10 04-Harpsichord Sonata in G Major, K. 13- Presto
    DR12 -19.19 dB -33.46 dB 4:44 05-Harpsichord Sonata in B Minor, K. 173- Allegro
    DR14 -3.42 dB -20.93 dB 2:04 06-Concerto No. 7 'Alla Portugesa' in B-Flat Major, Op. 7 - III. Allegro
    DR15 -1.85 dB -22.19 dB 5:25 07-Harpsichord Concerto in G minor - I. Allegro
    DR12 -6.94 dB -25.58 dB 2:40 08-Harpsichord Concerto in G minor - II. Adagio
    DR17 -1.82 dB -24.05 dB 6:16 09-Harpsichord Concerto in G minor - III. Allegro assai
    DR13 -3.70 dB -22.67 dB 1:53 10-Harpsichord Concerto in A major - I. Allegro
    DR10 -11.75 dB -28.43 dB 1:08 11-Harpsichord Concerto in A major - II. Adagio
    DR13 -5.06 dB -24.19 dB 2:17 12-Harpsichord Concerto in A major - III. Giga. Allegro
    DR14 -1.73 dB -20.54 dB 2:44 13-Concerto grosso No. 5 in D Minor - I. Largo
    DR13 -3.82 dB -20.36 dB 1:40 14-Concerto grosso No. 5 in D Minor - II. Allegro
    DR12 -3.21 dB -19.74 dB 1:40 15-Concerto grosso No. 5 in D Minor - III. Andante moderato
    DR12 -4.20 dB -20.70 dB 2:03 16-Concerto grosso No. 5 in D Minor - IV. Allegro
    DR14 -0.32 dB -16.55 dB 2:10 18-Quintet No. 60 in C Major, G. 324 'La Musica Notturna delle strade di Madrid' - II. Minuetto (transcription for String Orchestra and Harpsichords by )
    DR15 -0.71 dB -23.12 dB 4:38 19-Quintet No. 60 in C Major, G. 324 'La Musica Notturna delle strade di Madrid' - III. Rosario. Largo assai (transcription for String Orchestra and Harpsichords by )
    DR13 -3.89 dB -22.03 dB 2:00 20-Quintet No. 60 in C Major, G. 324 'La Musica Notturna delle strade di Madrid' - IV. Los manolos. Passa Calle. Allegro (transcription for String Orchestra and Harpsichords by )
    DR15 -0.30 dB -21.49 dB 6:21 21-Quintet No. 60 in C Major, G. 324 'La Musica Notturna delle strade di Madrid' - V. Ritirata con variazioni. Tempo di Marcia (transcription for String Orchestra and Harpsichords by )
    DR13 -3.43 dB -20.68 dB 1:02 17-Quintet No. 60 in C Major, G. 324 'La Musica Notturna delle strade di Madrid' - I. Ave Maria. Imitando il tocco dell'Ave Maria della Parrochia (transcription for String Orchestra and Harpsichords by )
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 21
    Official DR value: DR13

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2429 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer.