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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Cyrille Guion - Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (2018) [Official Digital Download 24/96]

    Posted By: SERTiL
    Cyrille Guion - Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (2018) [Official Digital Download 24/96]

    Cyrille Guion - Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (2018)
    FLAC (tracks) 24-bit/96 kHz | Time - 75:43 minutes | 1.09 GB
    Studio Master, Official Digital Download | Artwork: Front Cover

    Ivan Wyschnegradsky (1893-1979) is unquestionably an essential figure in 20th-century music. A pioneer in microintervallic music, heir to the thinking of Scriabin, he left a number of works in third, quarter, fifth, sixth and even twelfths of tones. His theoretical, organological and compositional research opened the way for other composers who, in turn, devoted their work to music in micro-intervals, which is probably, as says Alain Bancquart, the music of the future.

    The CD includes world premiere recordings of three works representative of three distinct periods in Ivan Wyschnegradskys output: the Méditation sur deux thèmes de La Journée de lExistence (1918) for cello and piano; Ainsi parlait Zarathoustra for 4 pianos tuned in quartertones, a work admired as of its first performance in 1937 by Olivier Messiaen; and the 4th Symphonic Fragment (1956), for 4 pianos and ondes Martenot, written in full mastery of his microtonal language. To these are added two recent works commissioned from Alain Moëne and Alain Bancquart, composers who have always devoted themselves to micro-intervallic writing. In their total diversity and originality, all these works prove to what degree this music can touch us and convince us in its evidence.

    Tracklist:
    01. De l'Ange pour 2 pianos (2015)
    02. Racines pour 4 pianos (2014)
    03. 4e fragment symphonique pour ondes Martenot et 4 pianos, Op. 38c (1956)
    04. Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936) : I. Tempo giusto
    05. Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936) : II. Scherzando
    06. Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936) : III. Lento
    07. Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936) : IV. Allegro con fuoco
    08. Méditation sur deux thèmes de La Journée de l'Existence pour violoncelle et piano demi-ton, Op. 7 (1918/1976)

    foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
    log date: 2018-04-15 22:05:37

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hiroko Arimoto, Yoko Yamada, Léo Margue, Cécile Lartigau, Manon Lonchamp, Emiri Wada / Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (1)
    Martine Joste, Dominique Ciot, Matthieu Acar, Jean-François Ballèvre, Léo Margue / Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (2)
    Martine Joste, Dominique Ciot / Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (3)
    Martine Joste, Léo Margue, Cyrille Guion, Li Xie, Guanlan Xu / Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (4-7)
    Martine Joste, Noé Natorp / Wyscnhegradsky, Bancquart, Moëne: Pianos quart de ton (8)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR19 0.00 dB -25.02 dB 15:58 03-4e fragment symphonique pour ondes Martenot et 4 pianos, Op. 38c (1956)
    DR16 -2.93 dB -25.69 dB 11:48 02-Racines pour 4 pianos (2014)
    DR18 -0.58 dB -26.95 dB 14:11 01-De l'Ange pour 2 pianos (2015)
    DR15 -0.08 dB -20.32 dB 7:43 04-Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930_1936) _ I. Tempo giusto
    DR17 -0.70 dB -23.94 dB 5:21 05-Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930_1936) _ II. Scherzando
    DR17 -2.17 dB -26.41 dB 6:20 06-Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930_1936) _ III. Lento
    DR14 -0.42 dB -21.32 dB 6:51 07-Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930_1936) _ IV. Allegro con fuoco
    DR14 -1.22 dB -21.12 dB 7:36 08-Meditation sur deux themes de La Journee de l'Existence pour violoncelle et piano demi-ton, Op. 7 (1918_1976)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 8
    Official DR value: DR16

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2110 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer.