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    Tomita - The Planets (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Tomita - The Planets (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Tomita - The Planets
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1200mb
    Label: RCA Red Seal/ARL1-1919 | Released: 1976 | Genre: Electronic-Classical

    A1 I. Mars, The Bringer Of War 10:48
    A2 II. Venus, The Bringer Of Peace 8:46
    A3 III. Mercury, The Winged Messenger 5:28
    -
    B1 IV. Jupiter, The Bringer Of Jollity; V. Saturn, The Bringer Of Old Age 17:35
    B2 VI. Uranus, The Magician; VII. Neptune, The Mystic 9:37


    Keyboards, Synthesizers, Mellotron - Isao Tomita

    Phonographic Copyright (p) – RCA Records
    Copyright © – RCA Records
    Credits
    Composed By – Holst
    Performer [Electronically Performed] – Isao Tomita
    Producer [Produced By] – Plasma Music, Inc.

    ℗ © 1976 RCA Records, New York, N.Y.
    Barcode and Other Identifiers
    Matrix / Runout (Side A (Stamped)): ARL1-1919A-1
    Matrix / Runout (Side B (Stamped)): ARL1-1919B-2


    Tomita - The Planets (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Tomita - The Planets (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Tomita - The Planets (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2013 With milimetrical DeClick for 2018
    This LP: With the gentle sponsorship from topographicyesman, thank you very much!
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    This was the most controversial Tomita album, where he uses Holst's spectacular, mystical suite The Planets as a launching pad for what amounts to a simulated spaceship trip through the solar system. Hence the title The Tomita Planets, which did not deter the Holst estate from trying (unsuccessfully) to pull this recording off the market at the time. When Tomita sticks to what Holst wrote, he follows every turn and bend of the score, save for a big cut in the last part of Jupiter and an eviscerated Uranus that nearly disappears altogether. Moreover, the music – especially Venus – often does lend itself to an electronic space flight fantasy, with Tomita's arsenal of phase-shifting, flanging, pitch-bending, envelope following and reversing choral effects and more on full display. It's the stuff between movements that provoked the purists – the campy simulated mission control communications and electronic blastoff prior to Mars and the "noises" of space flight scattered throughout (including a nasty asteroid belt between Jupiter and Saturn). The most questionable idea was that of playing Jupiter's grand central theme on a tinkly electronic music box as a way to open and close the record – which some will find satirical, others touching, still others tasteless. Indeed, Tomita seems to have it in for British pomp; when this theme is played within the context of Jupiter, he interrupts it with electronic chatter between mission control and the spaceship. Ultimately, The Tomita Planets is still good electronic fun, and it launched a series of space-themed concept albums by this electronic astronaut.
    allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: