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    Titus Groan - Titus Groan (1970) IT 180g Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Titus Groan - Titus Groan (1970) IT 180g Pressing - LP/FLAC In 24bit/96kHz

    Titus Groan - Titus Groan
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Label: Get Back/Get 564 | Released: 1970 | This Issue: 2000 | Genre: Progressive-Rock

    A1 It Wasn't For You
    A2 Hall Of Bright Carvings a) Theme
    b) In The Dusty High-Vaulted Hall
    c) The Burning
    d) Theme

    A3 Open The Door Homer
    A4 Woman Of The World
    -
    B1 I Can't Change
    B2 It's All Up With Us
    B3 Fuschia
    B4 Liverpool


    Bass – John Lee
    Drums, Percussion – Jim Toomey
    Engineer – Bryan Stott, Howard Barrow
    Guitar, Organ, Piano – Stuart Cowell
    Photography By – Paul Chave
    Producer – Barry Murray
    Saxophone, Flute, Oboe – Tony Priestland
    Notes
    Original release: Dawn / DNLS 3012 / 1970.
    Tracks A3, A4 and B4 are bonus tracks taken from the EP "Open The Door Homer", Dawn DNX 2503, 1970.


    Titus Groan - Titus Groan (1970) IT 180g Pressing - LP/FLAC In 24bit/96kHz

    Titus Groan - Titus Groan (1970) IT 180g Pressing - LP/FLAC In 24bit/96kHz

    Titus Groan - Titus Groan (1970) IT 180g Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2013
    This LP: NM- / From my personal collection
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    Not quite a "masterpiece," but almost. Titus Groan were an early (they formed sometime in 1969 and released their only album and single in 1970) art rock/ progressive band who sounded uncannilly like a cross between Czar without the mellotron and The Move circa Message From The Country with a bit of Jethro Tull thrown in for good measure. This means high energy melodic songs with lots of guitars. sax, vocal harmonies, and great percussion work/drumming. There's occaisonal organ and electric piano, but mainly a much earlier guitar battling with flute, sax, and oboe sound. The first song "It Wasn't For You" is very bluesy and grooves along with a restrained hard edge. The vocal sounds eerily like Ian Anderson and this is true for the lead vocals for the whole album. I have no idea which of the four band members took care of lead voice, but he has a great one and if you love Tull (I do) you'll love this. The guitar, which is strong and confident, also brings to mind that group, while the bass and percussion have a jazzier approach like Cream or King Crimson. The hard hitting attack balanced with good melodies always reminded me of Czar on this album, and that can only be good. Every song is excellent, and there is no problem with any of the words or music here. The only problem is a "rushed" quality that leaves me salivating for more. It sounds like Titus Groan were a confident band who hurried into a studio and gave it their very best and suceeded in making a fantastic album, why wasn't there a second one? My favourite tracks here are on Side Two, the dark and ominous turning into light and playful at the end epic "I Can't Change" and Czar soundalike "Fuschia." Play the two albums together and you'll see what I'm talking about. Hey, I prefer Titus Groan to Blodwyn Pig- this is prime period Jethro Tull and NOT the much inferior first album with Mick Abrahams. There's strong melodies here, and even at their most daringly progressive on "Hall Of Bright Carvings" these guys cook and are impressive singers and musicians. If you like early prog with lots of energy this album will knock you out. I don't know why Titus G. have always been slammed by critics and dealers, I think this is a great album, in fact I know it is. The single wasn't too good, though, so skip over that if you get the reissue with the 7 inch tracks. Same scenario as another band wonder who that is… Czar. Surprised? Well I'm not, like I said take out the mellotron and put in saxes and flutes, it's the same great solid sound.
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