Alan Stivell - Renaissance De La Harpe Celtique (1971) FR 1st Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - Renaissance De La Harpe Celtique
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Fontana/6325.302 | Released: 1971 | Genre: Progressive-Folk
A1 Ys 8:40
A2 Marv Pontkalleg (Inédit) 3:27
Extraits Des Manuscrits Gallois
A3a Ap Huw (Profiad Y Botum) 2:58
A3b Penllyn (Llywelyn Ap Ifan Ab Y Gof) 2:54
A4 Eliz Iza 2:54
-
Gaeltacht (Folklore)
B1a Caitlin Triall 0:57
B1b Port Ui Mhuirgheasa 1:41
B1c Airde Cuan 1:37
B1d Na Reubairean 0:39
B1e Mélodie Manxoise 0:34
B1f Heman Dubh 2:13
B1g Gaelic Waltz 2:43
B1h Struan Robertson (Straspey) 0:52
B1i The Little Cascade 1:14
B1j Braigh Loch Lall 3:20
B1k Port An Deorai (Suide De Slips-Jigs Irlandaises) 2:55
Recorded At – Studio Des Dames
Distributed By – Phonogram
Printed By – Imprimerie JAT
Published By – Éditions Tutti
Published By – Arnold Dolmetsch Ltd.
Credits
Backing Vocals [Chœurs] – Anne Germain (tracks: A4), Claude Germain (tracks: A4), Danièle Bartotelli* (tracks: A4), Françoise Wall* (tracks: A4), Jacques Hendrix (tracks: A4), Jean-Claude Briodin (tracks: A4)
Bass Guitar – Gérard Levavsseur*, Gérard Salkowsky
Bombarde – Alan Kloatr*, Mig Ar Biz
Cello [Violoncelle] – Henri Delagarde, Jean Huchot, Manuel Recasens
Double Bass [Contrebasse] – Jean-Marc Dollez
Drums [Batterie Pop] – Guy Cascales
Drums [Scottish] – Yann-Fañch Ar Merdy*
Electric Guitar, Acoustic Guitar – Dan Ar Bras*
Harp [Harpe Celtique], Flute [Flûte Irlandaise], Bagpipes [Cornemuse Ecossaise], Bombarde [Bombarde Bretonne] – Alan Stivell Cochevelou*
Liner Notes – Jord Cochevelou, Yann-Fanch Ar Merdy*
Organ [Orgue] – Gilles Tinayjre*
Percussion, Tabla – Michel Delaporte
Photography By [Inner] – Galbrun, Pierre Meurou
Photography By [Recto, Verso, Inner] – Korentin Kéo
Producer – Franck Giboni*
Recorded By [Assistant] – Philippe Lerichomme
Recorded By [Prise De Son] – Paul Houdebine
Viola [Alto] – Gabriel Beauvais, Paul Hadjaje, Pierre Cheval, Stéphane Weiner
Notes
Enregistré au Studio des Dames - Paris / Recorded at Studio des Dames, Paris.
Made and Printed in France. Gravure Universelle. Sticker on Front Cover: "Grand Prix International du Disque Académie Charles CROS"
This version differs from Alan Stivell - Renaissance De La Harpe Celtique , in that it has a different printing company and no "distribution phonogram".
Barcode and Other Identifiers
Matrix / Runout (Label Side A): 6325 302 1
Matrix / Runout (Label Side B): 6325 302 2
Matrix / Runout (Runout Side A, Variation 1): 6325302 1 380
Matrix / Runout (Runout Side B, Variation 1): 6325302 2 380
Matrix / Runout (Runout Side A, Variation 2, Stamped): FON 6325302 1 DU 1 380 CIDIS
Matrix / Runout (Runout Side B, Variation 2, Stamped): 6325302 2 380
Rights Society: SACD SACEM SDRM SGDL
Other (in a Circle on Back Cover): B
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Fontana/6325.302 | Released: 1971 | Genre: Progressive-Folk
A1 Ys 8:40
A2 Marv Pontkalleg (Inédit) 3:27
Extraits Des Manuscrits Gallois
A3a Ap Huw (Profiad Y Botum) 2:58
A3b Penllyn (Llywelyn Ap Ifan Ab Y Gof) 2:54
A4 Eliz Iza 2:54
-
Gaeltacht (Folklore)
B1a Caitlin Triall 0:57
B1b Port Ui Mhuirgheasa 1:41
B1c Airde Cuan 1:37
B1d Na Reubairean 0:39
B1e Mélodie Manxoise 0:34
B1f Heman Dubh 2:13
B1g Gaelic Waltz 2:43
B1h Struan Robertson (Straspey) 0:52
B1i The Little Cascade 1:14
B1j Braigh Loch Lall 3:20
B1k Port An Deorai (Suide De Slips-Jigs Irlandaises) 2:55
Recorded At – Studio Des Dames
Distributed By – Phonogram
Printed By – Imprimerie JAT
Published By – Éditions Tutti
Published By – Arnold Dolmetsch Ltd.
Credits
Backing Vocals [Chœurs] – Anne Germain (tracks: A4), Claude Germain (tracks: A4), Danièle Bartotelli* (tracks: A4), Françoise Wall* (tracks: A4), Jacques Hendrix (tracks: A4), Jean-Claude Briodin (tracks: A4)
Bass Guitar – Gérard Levavsseur*, Gérard Salkowsky
Bombarde – Alan Kloatr*, Mig Ar Biz
Cello [Violoncelle] – Henri Delagarde, Jean Huchot, Manuel Recasens
Double Bass [Contrebasse] – Jean-Marc Dollez
Drums [Batterie Pop] – Guy Cascales
Drums [Scottish] – Yann-Fañch Ar Merdy*
Electric Guitar, Acoustic Guitar – Dan Ar Bras*
Harp [Harpe Celtique], Flute [Flûte Irlandaise], Bagpipes [Cornemuse Ecossaise], Bombarde [Bombarde Bretonne] – Alan Stivell Cochevelou*
Liner Notes – Jord Cochevelou, Yann-Fanch Ar Merdy*
Organ [Orgue] – Gilles Tinayjre*
Percussion, Tabla – Michel Delaporte
Photography By [Inner] – Galbrun, Pierre Meurou
Photography By [Recto, Verso, Inner] – Korentin Kéo
Producer – Franck Giboni*
Recorded By [Assistant] – Philippe Lerichomme
Recorded By [Prise De Son] – Paul Houdebine
Viola [Alto] – Gabriel Beauvais, Paul Hadjaje, Pierre Cheval, Stéphane Weiner
Notes
Enregistré au Studio des Dames - Paris / Recorded at Studio des Dames, Paris.
Made and Printed in France. Gravure Universelle. Sticker on Front Cover: "Grand Prix International du Disque Académie Charles CROS"
This version differs from Alan Stivell - Renaissance De La Harpe Celtique , in that it has a different printing company and no "distribution phonogram".
Barcode and Other Identifiers
Matrix / Runout (Label Side A): 6325 302 1
Matrix / Runout (Label Side B): 6325 302 2
Matrix / Runout (Runout Side A, Variation 1): 6325302 1 380
Matrix / Runout (Runout Side B, Variation 1): 6325302 2 380
Matrix / Runout (Runout Side A, Variation 2, Stamped): FON 6325302 1 DU 1 380 CIDIS
Matrix / Runout (Runout Side B, Variation 2, Stamped): 6325302 2 380
Rights Society: SACD SACEM SDRM SGDL
Other (in a Circle on Back Cover): B
Alan Stivell - Renaissance De La Harpe Celtique (1971) FR 1st Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - Renaissance De La Harpe Celtique (1971) FR 1st Pressing - LP/FLAC In 24bit/96kHz
Alan Stivell - Renaissance De La Harpe Celtique (1971) FR 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX4: Only Manual (Click per click)
Vinyl Condition: EX+
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
"Reflets" represented a teaser of STIVELL's mid to late 70s recordings with its blend of mournful (and occasionally spry) vocals with harp and other folk accompaniments and a little rock thrown in. It alluded to his indefatigable drive, now 4 decades old, to keep the tradition alive by holding its feet to the fire. "Renaissance de La Harpe Celtique" seems to be STIVELL apologizing for having forgotten his raison d'etre, that being to truly revive this blessed instrument with the help of a complement of the most committed Breton musicians of the time. This album is precisely what it claims to be, thereby silencing those who might cry "pretentious". Its influence on myriad performers to follow assures its status as a turning point in Breton, world, new age, and progressive music, none of which says anything about its own artistic self sufficiency. For that, you have to listen, because no description could do justice to the ardent meticulousness herein.
Stivell wisely includes an array of traditional instrumentation that complements the harp, among which are the bombarde, pipes and flute, all of which he plays as well, a battery of cellos, and the cultivated guitars of one DAN AR BRAZ, all in proportional perfection. Whether basking in the shimmering opener "Ys", the elegant neo classical "Eliz Iza", or the multi part multi national "Gaeltacht", one is moved by this 37 minute mantra. Stivell never allows the listener to stray, not just because of the constant shifts and the breathtaking virtuosity, but because all other thought, reverie, even fantasy is rendered mundane in its company.
As I've implied, the thousand vessels launched from "Renaissance…" have too exerted their own influence and contribution in realizing the dream of one Alan Cochevelu, harp player, passed down by one Jord Cochevelou, harp maker. The best news for you is that this dream is one to which you can return as often as you wish, to be reborn alongside it.Review by kenethlevine, progarchives.com
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